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The story of Lady Chatterley and her love for her husband's gamekeeper outraged the sensibilities of Edwardian England. Lawrence had already been dismissed as a purveyor of the obscene for the attitudes to sex that he had shown in The Rainbow, which had been fiercely suppressed on its publication in 1915. Chatterley, written in several versions around 1928 in Italy in the final part of Lawrence's life, was a deliberate choice on the author's part to address sex head on.

Constance Chatterley seeks to escape from the confines of a loveless marriage and the upper class surroundings that suffocate her. When she meets the gamekeeper of Chatterley mansion, Oliver Mellors, she is mesmerised and infatuated by his no-nonsense demeanour and passionate touch. The two soon forge a profound bond as a result of their sexual compatibility and sociopolitical views.

With her soft brown hair, lithe figure and big, wondering eyes, Constance Chatterley is possessed of a certain vitality. Yet she is deeply unhappy; married to an invalid, she is almost as inwardly paralysed as her husband Clifford is paralysed below the waist. It is not until she finds refuge in the arms of Mellors the game-keeper that she feels regenerated. Together they move from an outer world of chaos towards an inner world of fulfillment.

Publicada en Florencia a cuenta del autor en 1928 y prohibida en Gran Bretaña hasta 1960, cuando fue objeto de un famoso juicio por obscenidad, El amante de lady Chatterley está considerada hoy en día una de las grandes novelas del siglo XX. En sus páginas, D. H. Lawrence no solo explora con lujo de detalles el romance adúltero entre una mujer casada con un aristócrata y el guardabosques de su finca, sino que ofrece un magnífico diagnóstico de la sociedad británica del periodo de entreguerras, «una época esencialmente trágica».

Lady Chatterley's Lover is D. H. Lawrence's last novel. First published privately in 1928, Lady Chatterley's Lover was banned from wider publication in the UK until 1960 and was the subject of censorship and book banning in the United States and elsewhere. Its erotic subject material, colorful language, and discussion of interclass relations were deemed obscene.

When Constance Reid's new husband, Sir Clifford Chatterley, returns from war paralyzed and in a wheelchair, she sees her future wither. As their marriage grows loveless, she mourns the desires fated to go unfulfilled. But a stirring fascination with Oliver Mellors, the estate's coarse, taciturn gamekeeper, blooms into feelings she feared had died. Soon the lovers find themselves entangled in scandal, and their taboo affair becomes as pernicious as it is passionate.

When D.H. Lawrence's Lady Chatterley's Lover first appeared in print in the late 1920s, it was an immediate sensation. A vivid—often graphic—exploration of infidelity, sexual awakening, intimacy and free thinking, Chatterley was banned in Britain, America and dozens of other countries for its frank depiction of the sexual act, explicit descriptions of physical love and the liberal use of once-prohibited four-letter words.

Set in the relentlessly grey-skied, grey-walled world of a Midlands coal mining village just after the First World War, this tells the story of the love that developed between Lady Chatterley and Oliver Mellors, her husband's gamekeeper. The full text was not published in the United Kingdom until 1960, more than 30 years after it had been written, because of its explicit content and use of prohibited words. And yet, one cannot help wondering whether without its excoriating and often still accurate depiction of the British upper classes, the book might have been less harshly received.

Lady Chatterley's Lover was the subject of one of the most infamous trials of the 20th century when Penguin was prosecuted under the Obscene Publications Act. However, with expert witnesses for the defence, including E.M. Forster, Penguin was acquitted and permitted to publish in 1960. The book became a best seller largely on account of explicit scenes of a sexual nature and use of four letter words.

The last and most famous of D. H. Lawrence's novels, Lady Chatterley's Lover was published in 1928 and banned in England and the United States as pornographic. While sexually tame by today's standards, the book is memorable for better reasons---Lawrence's masterful and lyrical prose, and a vibrant story that takes us bodily into the world of its characters.

The story of the physical relationship between the aristocratic protagonist Constance Chatterley and gamekeeper Oliver Mellors - which occurs right under the nose of her wheelchair-bound husband, Clifford. In exploring the class system of the early 20th century, the novel also touches upon the declining coal-mining industry, its effect on the workers, and the politics which surrounded it. Yet possibly the most important theme is the individual’s need for physical as well as intellectual satisfaction.

Lady Chatterley’s husband returns from the War paralysed from the waist down. Frustrated by his attitudes as much as his disability, she begins a love-affair with the gamekeeper, Mellors. She realises that to be fully alive she must live the life of the body as well as the mind, but in doing so she angers the conventions of her day. Banned for over 30 years for the explicit nature of its language and descriptions of sex, Lady Chatterley’s Lover also exposes the dehumanisation of the mechanical age, and underlines the profound power of tenderness.

Lady Chatterley's Lover, written in 1928, tells the story of a passionate love affair between an upper class woman and her husband’s gamekeeper, which was thought to be so shocking in its content and its straightforward use of explicit sexual terms, that it was not officially published until 1960.

La obra prohibida por revelar hipocresias. Cuando Lawrence publico en 1928 su ultima novela, desato la furia de quienes se sentian aludidos por ella y que se apresuraron a declarar la obra como inmoral y a prohibirla. La verdad es que Lawrence en esta novela simbolizo en Lord Chatterley a todo el imperio britanico, paralizado e impotente, mientras que su esposa, ante la incapacidad del marido encontraba en un hombre de la clase media una alternativa.

The story of the physical relationship between the aristocratic protagonist Constance Chatterley and gamekeeper Oliver Mellors - which occurs right under the nose of her wheelchair-bound husband, Clifford. In exploring the class system of the early 20th century, the novel also touches upon the declining coal mining industry, its effect on the workers, and the politics which surrounded it. Yet possibly the most important theme is the individual’s need for physical as well as intellectual satisfaction.