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For all of Emory's life she's been told who she is. In town she's the rich one—the great-great-granddaughter of the mill's founder. At school she's hot Maddie Ward's younger sister. And at home, she's the good one, her stoner older brother Joey's babysitter. Everything was turned on its head, though, when she and Joey were in the car accident that killed Candy MontClaire. The car accident that revealed just how bad Joey's drug habit was.

Charlotte Davis is in pieces. At 17 she's already lost more than most people do in a lifetime. But she's learned how to forget. The broken glass washes away the sorrow until there is nothing but calm. You don't have to think about your father and the river. Your best friend, who is gone forever. Or your mother, who has nothing left to give you. Every new scar hardens Charlie's heart just a little more, yet it still hurts so much. It hurts enough to not care anymore, which is sometimes what has to happen before you can find your way back from the edge.

Everyone in fifteen-year-old Bella’s life needs something from her. Her mom needs her to help around the house, her dad needs her to not make waves, her ex needs her to not be so much. The only person who never needed anything from her was her grandmother—and now she’s dead. There’s only one thing that dulls the pressure: alcohol. Vodka, beer, peppermint schnapps—alcohol smooths the sharp edges of Bella’s life. And what’s the big deal? Everyone drinks. Besides, Bella can stop whenever she wants.

It's been three months since The Night on the Bathroom Floor--when Lily found her older sister Alice hurting herself. Ever since then, Lily has been desperately trying to keep things together, for herself and for her family. But now Alice is coming home from her treatment program and it is becoming harder for Lily to ignore all of the feelings she's been trying to outrun.

The girls at North Bay Academy are taking sides. It all started when Mike Parker's girlfriend showed up with a bruise on her face. Or, more specifically, when she walked into the principal's office and said Mike hit her. But her classmates have questions. Why did she go to the principal and not the police? Why did she stay so long if Mike was hurting her? Obviously, if it's true, Mike should be expelled. But is it true?

On her 18th birthday, Cleo receives a mysterious invitation to a scavenger hunt. She's sure her best friend, Hope, or her brother, Connor, is behind it, but no one confesses. And as Cleo and Hope embark on the hunt, the seemingly random locations and clues begin to feel familiar. In fact, all of the clues seem to be about Cleo's dead boyfriend, Declan, who drowned on a group rafting trip exactly a year ago: a bracelet she bought him, a song he loved, a photo of the rafting group, taken just before Declan drowned.

Samantha McAllister looks just like the rest of the popular girls in her junior class. But hidden beneath the straightened hair and expertly applied makeup is a secret that her friends would never understand: Sam has purely obsessional OCD and is consumed by a stream of dark thoughts and worries that she can't turn off. Second-guessing every move, thought, and word makes daily life a struggle, and it doesn't help that her lifelong friends will turn toxic at the first sign of a wrong outfit, wrong lunch, or wrong crush.

Theodore Finch is fascinated by death, and he constantly thinks of ways he might die. But each time, something good, no matter how small, stops him. Violet Markey lives for the future, counting the days until graduation, when she can escape her Indiana town and her aching grief in the wake of her sister's recent death. When Finch and Violet meet on the ledge of the bell tower at school, it's unclear who saves whom.

Finn has always loved Autumn. She's not just the girl next door or his mother's best friend's daughter, she is his everything. But she's not his girlfriend. That's Sylvie, and Finn would never hurt her, so there's no way Autumn could know how he truly feels. Jack, Finn's best friend, isn't so sure. He's seen Finn and Autumn together. How could she not know? And how is he supposed to support and protect Finn when heartache seems inevitable? Autumn surrounds herself with books and wants to write her own destiny—but one doesn't always get a new chapter and fate can be cruel to those in love.

I know you don’t want to talk sometimes. Sometimes because it hurts and sometimes because you’re just not supposed to talk about what you want to talk about. Sometimes it can be hard to say, “this is beautiful,” when no one else can see what you see. Or, “Here, this is where the pain is.” But some part of you knows, the truth about the words you cannot say is that they only hurt until you say them. They only hurt until the person who needs to hear them, hears them.

Laurel would do anything to turn back time - to tell her mother and grandmother not to stay home near the beach with a hurricane coming, to say no when her boyfriend, T-Boom, the co-captain of the basketball team, offers her that first hit of moon -the drug that makes her feel bigger than all she’s lost, to have been there for her little brother and her best friend, Kaylee, when they needed her, instead of chasing the moon - But she can't. All she can do is move forward now. And only she can decide whether to face the pain and joy that is a part of living, or follow the moon to numbness and probably death.

Piper Sullivan was in a strange hiking accident last month and has been in a coma ever since. Her older sister, Savannah, can’t pretend to be optimistic about it; things look bad. Piper will likely never wake up, and Savannah will never get any answers about what exactly happened. But then Savannah finds a note in Piper’s locker, inviting Piper to a meeting of their school’s wilderness club—at the very place and on the very day that she fell. Which means there was a chance that Piper wasn’t alone.

Growing up in foster care, Muir has lived in many houses. And if she's learned one thing, it is to Pack. Light. Carry only what fits in a suitcase. Toothbrush? Yes. Socks? Yes. Emotional attachment to friends? Foster families? A boyfriend? Nope! There's no room for any additional baggage. Muir has just one year left before she ages out of the system. One year before she's free. One year to avoid anything - or anyone - that could get in her way. Then she meets Francine. And Kira. And Sean. And everything changes.

Lennox Oliver is loving her new life in California. For the first time, she feels normal. She has friends, and a maybe boyfriend, and best of all no one knows the truth about her past and what happened to her mom. But everything changes the night after a party when a drive on the supposedly haunted Hicks Road turns deadly and Lennox hits something . . . or someone.

Theo's always been impulsive. But telling Paige how he feels? He's obsessed over that decision. And it's time. Tonight. At the party on the riverbank, under the old walking bridge, site of so many tales of love and death. Paige has had a crush on Theo since they first met, but she knows her feelings are one-sided. She's trying to move on, to flirt. A party at the river is just what she needs. Except a fight breaks out, and when Paige tries to intervene - Theo's fist lands in her face.

Julia no es la hija mexicana perfecta. Ese era el rol de su hermana Olga. Olga no fue a la universidad, se quedó en casa para cuidar a sus padres, limpiar la casa y trabajar a medio tiempo. Julia tiene grandes sueños y no quiere formar parte del camino de su hermana mayor. Pero un solo error, que ocurre mientras enviaba un mensaje de texto al mismo tiempo que cruzaba la calle más concurrida de Chicago, resulta en la muerte de Olga, dejando atrás a Julia para ocuparse de las secuelas.

Esta es la primera pregunta que Elio se hace después de que Eva, su hermana, su compañera inseparable y su amiga del alma, caiga desde lo alto de una azotea. En ausencia de Eva, tan inteligente, tan inquisitiva, tan exigente e intolerante a la injusticia, ¿quién es Elio? ¿Quién es Mónica, su madre, a quien la adolescencia había colocado a mil planetas de distancia de su hija? ¿Qué lugar ocupa en este juego de ausencias Mateo, el psiquiatra de Elio, que tiene que ayudarlo a transitar por el duelo de una pérdida que primero debe desentrañar si ha sido accidental o provocada?

Emotiva, irónica y afilada. Una novela teñida de humor y de tragedia que habla de nuestra capacidad para soñar incluso en las circunstancias más difíciles. A Hazel y a Gus les gustaría tener vidas más corrientes. Algunos dirían que no han nacido con estrella, que su mundo es injusto. Hazel y Gus son solo adolescentes, pero si algo les ha enseñado el cáncer que ambos padecen es que no hay tiempo para lamentaciones, porque, nos guste o no, solo existe el hoy y el ahora.