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Christina Rossetti's long narrative poem about two innocent sisters, Lizzie and Laura, tempted by the delicious, magical fruit sold by goblin merchants as they walk through the glen....

A dark, allegorical, Gothic horror fable in verse telling of seduction, enthrallment, and deep sisterly love by the British Victorian poet, Christina Rossetti. The goblin market men, selling sweet and delicious fruits, inveigle Laura, a young girl, to partake of their tempting wares. Soon, she is lost to the world and her life begins slowly to fade away. Only the courage of her sister, Lizzie, can possibly save her from her fate. Will it be enough?

A collection of Christina Rossetti's finest poetry including Goblin Market.

Christina Rossetti’s poetry has never disappeared from view. Critical interest in her poetry swelled in the final decades of the twentieth century, a resurgence largely impelled by the emergence of feminist criticism; much of this commentary focuses on gender issues in her poetry and on Rossetti as a woman poet. Collected here are 16 of her most beautiful, haunting, and renowned poems.

Christina Rossetti's poignant wish that she could capture the elusive memory of the first time she met her love, read by Jenny Agutter.

Elizabeth Barrett Browning (1806-1861) and Christina Rossetti (1830-1894) were both regarded as the female poet laureates of their time, and between them their writings spanned almost the entire Victorian age, from the end of Romanticism to the beginnings of Modernism. This selection of their shorter works contains all the major themes that animated them - social justice, faith, love and mortality - and some of the best-loved poetry in English, including "In The Deep Midwinter" and "How Do I Love Thee?"

Christina Georgina Rossetti remains one of the most important poets in the British tradition, both for her own work and those she influenced, most notably Virginia Wolfe. Rossetti is praised for her willingness to explore different genres and poetic forms within her body of work. Thematically, her poems run the gamut from frustrated love, to religion, to the Gothic, and beyond. Her choice of form is equally eclectic. Here, a reading of some of her best work by David Shaw-Parker and Ghizela Rowe.

This Collection of 63 poems by various authors including Christina Rossetti, Thomas Ken, John Nelson Darby, Richard Baxter, Isaac Watts, Gerhardt Ter Steegan, Anne Ross Cousin and many others has been brought together in order that these spiritual truths and impressions, presented in poetical form, will comfort and edify God's people as they wrestle daily with the world, the flesh, and the devil.

A collection of the greatest poetry from the Victorian era, read by some of the 20th century’s most renowned actors. Science, religion and sexuality are played out in these timeless readings of poetry written during the Romantic period.

Classic Poems for Girls is a collection of over 25 funny, whimsical and moving poems for 5- to 10-year olds, designed to fuel the imagination. From the adventures of the Jumblies, who sail away in a sieve; to the sticky end of a girl named Matilda; to the courtship of a maiden who lived long ago, in a kingdom by the sea, there’s a poem to suit any feeling or mood. Seasoned Naxos AudioBooks readers Laura Paton, Anne-Marie Piazza, Benjamin Soames and Roy McMillan work their magic on the works of Edward Lear, Louisa May Alcott, Christina Rossetti, and many more.

כל ערב שומעות האחיות לורה וליזי את קריאות הגובלינים, המשדלים עלמות צעירות לטעום מפירותיהם המכושפים. ערב אחד נכנעת לורה לפיתוי, ונופלת קרבן לקללת הגובלינים. רק...

Come on Shore and We Will Kill and Eat You All is the story of the cultural collision between Westerners and the Maoris of New Zealand, told partly as a history of the complex and bloody period of contact between Europeans and the Maoris in the late 18th and early 19th centuries, and partly as the story of Christina Thompson's marriage to a Maori man.

In this volume the English language reveals itself in a scale and depth that few others can compare with. It seems to be an advantage to be able to choose from over a million words and yet, it is not the words but the way in which they are used that resonate with us all. Is there some bond between the English and writing poetry? Maybe, maybe not, but let us celebrate these poems down the ages, not as one nation’s hoard but humanity’s gift.

Send us a textDescription: An immersive reading of "Hollow-Sounding and Mysterious" by Christina Rossetti with reflection on Grave’s disease, hyperthyroidism, and hopelessness.Website:https://anauscultation.wordpress.comWork: "Hollow-Sounding and Mysterious"by Christina RossettiThere's no replyingTo the Wind's sighing,Telling, foretelling,Dying, undying,Dwindling and swelling,Complaining, droning,Whistling and moaning,Ever beginning,Ending, repeating,Hinting and dinning,Lagging and fleeting—We've no replyingLiving or dyingTo the Wind's sighing.What are you telling,Variable Wind-tone?What...

Stella Endicott loves her teacher, Miss Liliana, and she is thrilled when the class is assigned to write a poem. Stella crafts a beautiful poem about Mercy Watson, the pig who lives next door - a poem complete with a metaphor and full of curiosity and courage. But Horace Broom, Stella's irritating classmate, insists that Stella's poem is full of lies and that pigs do not live in houses. And when Stella and Horace get into a shouting match in the classroom, Miss Liliana banishes them to the principal's office. Will the two of them find a way to turn this opposite-of-a-poem day around?

"A Birthday": Christina Rossetti's joyful celebration that her one true love has arrived, read by Jenny Agutter.

A collection of classic erotic poetry including "The Kiss", "A Woman Waits For Me", and "Between Your Sheets".

Summer beckons each and every one of us to its warm embrace. For many of us it is the season we can most enjoy; the days are long and warm and all manner of things become easier. Nature shows us her most colourful side as she fills the landscape with colours and textures of every hue. As for ourselves we all seem a little more approachable, a little more likable. For poets, the Summer season conjures up many themes and images.

The sun has descended below the far horizon. The inky blackness of night begins to envelop the land. Day has gone, and the nocturnal times reveal themselves. But above the dark blanket the moon, whether waxing or waning, stands sentry, and around it vast clouds and swirls of stars regiment themselves. We look up in awe and wonder, frail beneath their vista. Our gloried poets are on hand, though, to capture word and deed, emotion and feeling, friend and foe.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story, whether it be simple or complex in a longer form. Among the most ancient forms of poetry, it has widespread roots through almost every culture. In Volume 3 we bring you the classics 'Goblin Market' by Christina Rosseti; 'The Wreck of the Hesperus' by Henry Wadsworth Longfellow; 'The Raven' by Edgar Allan Poe; 'Morte D'Arthur' by Alfred Lord Tennyson; and from 'Horatius' by Thomas Babington Maculay.