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In 1961, the University of Chicago Press published Richmond Lattimore's translation of Homer’s The Iliad. For more than sixty years, it has served to introduce readers to the ancient Greek world of gods and heroes and has been one of the most popular and respected versions of the work. Yet through all those decades, Chicago never published a companion translation of the best-known epic in the Western canon, The Odyssey—until now.

Combining memoir, biography, history, and literary criticism, Three Rings weaves together the stories of three exiled writers who turned to the classics of the past to create masterpieces of their own - works that pondered the nature of narrative itself.

Baumgartner’s life had been defined by his deep, abiding love for his wife, Anna, who was killed in a swimming accident nine years earlier. Now 71, Baumgartner continues to struggle to live in her absence as the novel sinuously unfolds into spirals of memory and reminiscence, delineated in episodes spanning from 1968, when Sy and Anna meet as broke students working and writing in New York, through their passionate relationship over the next 40 years, and back to Baumgartner’s youth in Newark and his Polish-born father’s life as a dress-shop owner and failed revolutionary.

When noted English writer William Somerset Maugham set off for the South Seas to regain his health, he gathered the materials and wrote the stories represented here. These are among Maugham's best, and the best stories ever written about the exotic South Seas.

The Iliad and The Odyssey are epic poems traditionally attributed to Homer, of which the written versions are dated to the 8th century BCE. Chronicling events in the Greek Bronze Age, this magnificent pair of poems forms the cornerstone of Western literature. If The Iliad is a classic war story, The Odyssey is symbolic of the individual’s journey through life.

For over fifty years, the Shakurs have inspired generations of activists, scholars, and music fans. Many people are only familiar with Assata Shakur, the popular author and thinker, living for three decades in Cuban exile; or the late rapper Tupac. But the branches of the Shakur family tree extend widely, and the roots reach into the most furtive and hidden depths of the underground. Whether founding one of the most notorious Black Panther chapters in the country, spearheading community-based healthcare, or engaging in armed struggle with systemic oppression, the Shakurs were at the forefront.

For those readers of his poetry and inspired by his increasingly vital work as advocate for rational land use and the right-size life, these stories of Wendell Berry's offer entry into the fictional place of value and beauty that is Port William, Kentucky. Berry has said it's taken a lifetime for him to learn to write like an old man, and that's what we have here, stories told with grace and ease and majesty. Wendell Berry is one of our greatest living American authors, writing with the wisdom of maturity and the incandescence that comes of love.

In 1951, former debutante Jacqueline Bouvier is hard at work as the Inquiring Camera Girl for a Washington newspaper. Her mission in life is “not to be a housewife,” but when she meets the charismatic congressman Jack Kennedy at a Georgetown party, her resolution begins to falter. Soon the two are flirting over secret phone calls, cocktails, and dinner dates, and as Jackie is drawn deeper into the Kennedy orbit, and as Jack himself grows increasingly elusive and absent, she begins to question what life at his side would mean.

Spartacus, a fictionalization of a slave revolt in ancient Rome in 71 BC, is well known today because of the 1960 movie starring Kirk Douglas and Laurence Olivier. It was originally published in 1951 by Fast himself, after being turned down by every mainstream publisher of the day because of Fast's blacklisting for his Communist Party sympathies. The story of Spartacus, born a slave, trained as a gladiator, who led a slave revolt that was eventually put down by Crassus, was immensely popular and went on to sell millions of copies.

On the eve of his marriage to the beautiful Mercedes, having that very day been made captain of his ship, the young sailor Edmond Dantès is arrested on a charge of treason, trumped up by jealous rivals. Incarcerated for many lonely years in the isolated and terrifying Chateau d'If near Marseille, he meticulously plans his brilliant escape and extraordinary revenge.

In 1997, Werner Herzog was in Tokyo to direct an opera. His hosts asked him, Whom would you like to meet? He replied instantly: Hiroo Onoda. Onoda was a former soldier famous for having quixotically defended an island in the Philippines for decades after World War II, unaware the fighting was over. Herzog and Onoda developed an instant rapport and met many times, talking and unraveling the story of Onoda’s long war.

Based on a thorough study of Greek life and civilization, of Greek literature, philosophy, and art, The Greek Way interprets their meaning and brings a realization of the refuge and strength the past can be to us in the troubled present. Miss Hamilton's book must take its place with the few interpretative volumes which are permanently rooted and profoundly alive in our literature.

A Suitable Boy is Vikram Seth's epic love story set in India. Funny and tragic, with engaging, brilliantly observed characters, it is as close as you can get to Dickens for the twentieth century. The story unfolds through four middle class families: the Mehras, Kappoors, Khans, and Chatterjis. Lata Mehra, a university student, is under pressure from her mother to get married. But not to just anyone she happens to fall in love with.

In this lyrical, unsentimental, and compelling memoir, the son of a Black African father and a White American mother searches for a workable meaning to his life as a Black American. It begins in New York, where Barack Obama learns that his father - a figure he knows more as a myth than as a man - has been killed in a car accident. This sudden death inspires an emotional odyssey - first to a small town in Kansas, from which he retraces the migration of his mother’s family to Hawaii, and then to Kenya, where he meets the African side of his family.

Like most gentiles in Nazi-occupied Paris, architect Lucien Bernard has little empathy for the Jews. So when a wealthy industrialist offers him a large sum of money to devise secret hiding places for Jews, Lucien struggles with the choice of risking his life for a cause he doesn't really believe in. Ultimately he can't resist the challenge and begins designing expertly concealed hiding spaces - behind a painting, within a column, or inside a drainpipe - detecting possibilities invisible to the average eye. But when one of his clever hiding spaces fails and the immense suffering of Jews becomes incredibly personal, he can no longer deny reality.