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A mother and daughter travel from abroad to meet in Tokyo. They walk along the canals through the autumn evenings, escape the typhoon rains, share meals in small cafes and restaurants, and visit galleries to see some of the city’s most radical modern art. All the while, they talk: about the weather, horoscopes, clothes, and objects, about family, distance, and memory. But uncertainties abound. Who is really speaking here - is it only the daughter? And what is the real reason behind this elliptical, perhaps even spectral journey?

A young woman accompanies her mother on a holiday in Japan. The daughter has arranged their itinerary. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafés and restaurants and walk along the canals at night, on guard against the autumn rain and the prospect of snow. All the while, they talk, or seem to talk: about the weather, horoscopes, clothes and objects; about the mother’s family in Hong Kong and the daughter’s allegiances in Australia. But uncertainties abound.

When the children are snowed in during a dinner ladies' detention for what could turn into weeks, things look bad. After all, dinner ladies are not overly fond of children, and their cooking is terrible! Now London has been evacuated, and time and food are running out. Bagdemagus, the magical school cat, is behaving very strangely - can he help the children make their escape?