West Aussie filmmaker Miley Tunnecliffe makes the shift from shorts to features with her debut feature length film Proclivitas. This familial horror-drama film features Clare (an impressive grounded performance from Rose Riley), an addict in recovery who returns to her hometown to tidy up her mother's house after her sudden death. Returning home, Clare connects with her old flame Jerry (a superb George Mason), and the two bond over an unresolved trauma from their youth. As Clare's time at home continues, the demons that plague her mind and memories start to re-emerge.

The following interview with Miley sees her talking through her process of working in comedy and then shifting to horror, the grounded nature of the film, and more.

Proclivitas recently opened the 2026 WA Made Film Festival where Miley and producer Kate Separovich were in attendance. The film opens in Australian cinemas on 19 March 2026. I'll be hosting a Q&A session at Luna Leederville on 24 March 2026 with Kate Separovich and actor Hayley McElhinney in attendance. For Perth locals, we have five double passes to giveaway for the Q&A screening. Simply email us at thecurbau@gmail.com to be in the running to get your name on the list.

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Filmmaker Jordan Giusti's Floodland is an impactful documentary that takes audiences to the flood-prone landscape of Lismore, NSW. Thousands of people call the region home, and yet, due to the climate crisis and government inaction, they find themselves in horrifying situations where their homes are swept away, they lose friends and family, and pets and livestock end up as collateral damage for an ongoing emergency that has no solution in sight. Resilience is a word that's used for those who call Lismore home, the flood capital of Australia, but Jordan's documentary shows that there is a way to solve this crisis.

Shot with an immediacy and the level of compassion and understanding that elevates the crisis at hand, Floodland is a powerful document for the region, the people who call it home, and their future.

The following interview sees Nadine Whitney, someone who lived in the region, interview Jordan and producer Rachel Forbes about making the film. This interview was recorded ahead of the films screenings at the Sydney Film Festival, and is being published now ahead of Floodland's release around Australia this week.

For screening dates and information, visit Floodland.com.au.

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Sophie Hyde's films have often explored identity, self-realisation, and the path to finding your place in this messy, mucked up world. 52 Tuesdays sees a child growing to understand the gender transition that one of her parents is going through, while Good Luck to You, Leo Grande sees Emma Thompson's 55-year-old Nancy reclaim her sexuality.

In Jimpa, Sophie's finest and most mature film yet, we follow Aud Mason-Hyde's Frances, child to Olivia Colman's Hannah and Daniel Henshall's Harry. Frances is finding their place in the world as a nonbinary queer kid, eager to push out of the restrictive boundaries of Adelaide and engage with queer culture that they feel part of and as if they can grow within. A trip to Amsterdam to meet Hannah's father, Jim (John Lithgow), has Frances feeling that his proudly gay lifestyle and advocacy for gay rights would make for a suitable place for them to spend a gap year, growing, learning, and studying.In the following interview with Sophie and Aud, we talk about that kaleidoscopic nature of the film, what it's like to grow up with a parent like Sophie Hyde, and finally, what it's like to have a story captured on screen by the stunning cinematography of Matthew Chuang.

the Curb is a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit our subscription page where you can support our work from $2 a month. Paid subscribers get access to our monthly competitions, exclusive interviews and articles, and more. Follow us on Instagram, Facebook, and Bluesky.

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