As our 20th season comes to a close, we reflect on the end of 2025 and a major transition for the show, as Dan Wells steps away from Writing Excuses as a full-time core host. Dan shares the thoughtful, hard-won reasoning behind his decision, while the rest of the team reflects on what his presence has meant to this podcast and our community.

We recorded the first half of this episode in June and the second half in December 2025. Why is that? Because we wanted to discuss our plans for the rest of the year and later return to see how those plans actually played out—a kind of time capsule for all of us. Along the way, we talk candidly about change, ambition, and the reality of creative lives that rarely move in straight lines.

Homework:

1. We've created a publicly accessible Patreon post titled “Thank you Dan Wells” for you, our listeners, to share things you've learned from Dan, appreciation you wish to express, or even your favorite stories about Dan. Go to patreon.com/WritingExcuses and look for this post.

2. Final Homework From Dan:

Watch some of the show Twisted Metal (warning: there’s a lot of gore and swearing). If that's not your cup of tea, then check out the interactive novel, The Book of Hungry Names by Kyle Marquis. See what you can learn from these pieces of media—they are master storytellers!

ANNOUNCEMENTS:

Last Annual Cruise

The final WXR cruise* sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.

*Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here.

Call for Writing Breakthroughs

Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!

Credits: Your hosts for this episode were Howard Tayler, Dan Wells, Erin Roberts, DongWon Song, and Mary Robinette Kowal (for the first half,. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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A workflow that made daily writing (and comics) possible—Howard Tayler takes us through two decades of the delightfully eccentric process behind Schlock Mercenary: text boxes in landscape Word, laser-printed pages he inked by hand, and a system that kept comics coming even through long COVID and chronic fatigue.

The conversation shows how craft can stay constant even as ability, tools, and energy change. Howard shares how he rebuilt his systems to protect his writing time and created processes that served him. He also dives into practical hacks—index cards, banking writing time, moving your desk, and borrowing ideas from other creators. Expect puppy-training metaphors, unexpected tech, and a reminder that satisfaction can be the metric that matters.

Homework

Take a stack of index cards and storyboard one scene: on the front draw the panel (stick figures are fine), on the back handwrite the line of dialogue (add a little arrow to mark the speaker). Treat the scene like a comic—sequence the cards, play with the images, and see what visual problems or surprises show up.

ANNOUNCEMENTS:

Last Annual Cruise

The final WXR cruise* sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.

*Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here.

Call for Writing Breakthroughs

Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!

Credits: Your hosts for this episode were Howard Tayler, Dan Wells, Erin Roberts, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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2 quick reminders: Scholarship applications for our 2026 cruise are open now until December 31st, 2025. You can learn more and apply here. AND early bird pricing for this cruise (going to Alaska in September 2026) ends on February 15th! Get your tickets here!

This week, Dan Wells opens up about how depression reshaped his writing process—and what rebuilding that process has looked like in the years since. The conversation ranges from tiny, mechanical steps to full-on cognitive reframing, with the hosts comparing notes on mindfulness, spectating, trauma responses, and even puppy-training techniques for rewiring your brain. They explore how environment, routine, and self-compassion can make the difference between staring at a blank screen and finding a way back into the work. Expect honesty, humor, and a lot of practical wisdom for how to care for your mental and emotional landscape while still trying to make art.

Homework:

Be kind to yourself—and extend that compassion to at least one person in your life who may be struggling, too. Then take a close look at your own rhythms, spaces, and habits to identify when and where you work best, and experiment with those ideal conditions this week.

ANNOUNCEMENTS:

Last Annual Cruise

The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.

*Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here.

Call for Writing Breakthroughs

Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!

Credits: Your hosts for this episode were Dan Wells, Erin Roberts, Mary Robinette Kowal, Howard Tayler, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community!

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This week, Mary Robinette pulls back the curtain on some of fiction’s sneakiest power tools: tone and mood. Drawing from a recent craft class she taught for her Patreon, Mary Robinette breaks down how these elements shape a reader’s emotional experience—and why they deserve as much attention as plot or structure. DongWon, Erin, and Howard jump in to poke at the definitions, debate where tone and mood collide, and explore how contrast, character reactions, and even sentence rhythm can totally change a scene. Expect examples ranging from Wizard of Oz to Mike Flanagan as we dig into practical ways to use tone and mood to supercharge your storytelling.

Homework:

Take a five-part mystery structure (crime → investigation → twist → breakthrough → conclusion) and write a story that uses that structure but is not obviously a mystery.

ANNOUNCEMENTS:

Last Annual Cruise

The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.

*Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here.

Call for Writing Breakthroughs

Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!

Credits: Your hosts for this episode were Erin Roberts, Mary Robinette Kowal, Howard Tayler, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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In this episode, DongWon digs into one of the business topics of our upcoming craft book: pitching. How do you talk about your work so other people immediately understand its category, vibe, and why it matters? They break pitching into two parts—content (what you say) and presentation (how you say it)—and share concrete tools like comp titles, short taglines, and simple back-cover formulas to sharpen your pitch. You’ll hear how iteration, audience-awareness, and practicing aloud (think karaoke for pitches) turn a clumsy elevator spiel into something that lands. Tune in for hands-on advice you can use next time an editor, agent, bookseller, or potential reader asks, “So, what’s it about?”

Homework:

Write three short, 2–3-sentence pitches for your book (or other WIP) that each take a different angle—one focused on worldbuilding, one on character, one on plot. Then read them aloud to someone and watch where they light up, glaze over, or lean in, so you can see which pitch actually works.

ANNOUNCEMENTS:

Last Annual Cruise

The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.

*Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here.

Call for Writing Breakthroughs

Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!

Credits: Your hosts for this episode were Dan Wells, Erin Roberts, Mary Robinette Kowal, Howard Tayler, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community!

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Dan shares his experience of rebuilding and reinventing his writing career from his section of our forthcoming book Now Go Write. Our hosts walk through practical ways that writers can diversify their work— from writing for RPGs and video games to writing in a new genre like middle grade or nonfiction — and why having multiple, truly separate revenue streams matters. They also dig into the psychological work of redefining yourself as a writer (not only a novelist), staying flexible when setbacks hit, and protecting time for the projects that keep your heart in the work. Listen for concrete strategies and encouragement to lean into new formats without losing sight of why you write.

Homework: Write something in a genre or format you’ve never tried before — a single TV episode scene, a short RPG adventure, a tie-in short story, a script, or a 500–1,000-word nonfiction piece. And see how it feels!

ANNOUNCEMENTS:

Call for Writing Breakthroughs

Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!

Last Annual Cruise

The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.

*Scholarship applications for our cruise are open now until December 31st, 2025. You can learn more and apply here.

Credits: Your hosts for this episode were Dan Wells, Erin Roberts, Mary Robinette Kowal, Howard Tayler, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community!

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In this episode, Erin returns with the final two “rules” from her section of our forthcoming book Now Go Write—and why it might be worth breaking them. With DongWon and Mary Robinette, Erin explores the classic advice to “show, don’t tell,” and the debate over whether magic needs a system. We unpack when these conventions can strengthen a story—and when they can get in your way.

Homework: Choose one of the four rules Erin covered across both “Break All The Rules” episodes (20.45 & 20.46) and rewrite a scene from your own work to deliberately break it. See what changes when you do.

ANNOUNCEMENTS:

Call for Writing Breakthroughs

Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!

Last Annual Cruise

The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.

Credits: Your hosts for this episode were Erin Roberts, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community!

Writing Retreats

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In this episode, Erin shares a sneak peek from her section of our forthcoming book, Now Go Write. (To learn more about our book, sign up for our newsletter!) Erin explores four classic writing “rules,” when it’s worth breaking them, and what that can reveal about your own craft. Today, our hosts dive into two of these rules—examining how they can both help and hinder your storytelling. Tune in next week for part two, when we tackle the remaining two rules that Erin wants us to break.

Homework: Write down some of the rules you think you follow most rigidly in your own writing. Take one of these rules and begin to think about ways you can challenge this rule, or break it, or soften it in some way!

ANNOUNCEMENTS:

Call for Writing Breakthroughs

Have you had a breakthrough in your writing because of Writing Excuses? If so, we want to hear about it. Fill out this Writing Breakthroughs Google Form for a chance to be featured in a WX Newsletter!

Last Annual Cruise

The final WXR cruise sets sail for Alaska in September 2026—don’t miss your chance to be part of it. Learn more and sign up here.

Credits: Your hosts for this episode were Erin Roberts, Mary Robinette Kowal, and DongWon Song. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

Join Our Writing Community!

Writing Retreats

Newsletter

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Instagram

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Bluesky

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Facebook