In this episode Jerry and Stably discussed Leap of Faith by Michael J. Mazarr. Mazarr, a RAND Corporation scholar, draws on every available memoir, declassified document, and interviews with senior administration officials to dissect how the United States stumbled into the Iraq War. His central argument is that there was never really a decision — the invasion happened through a process of drift, assumption, and institutional momentum, with no memo ever formally ordering it. Jerry and Stably walked through Mazarr's typology of the principals — Bush and Wolfowitz as values-driven, Cheney and Rumsfeld as power-oriented unilateralists, and Powell and Rice as multilateralists — and how their clashing psychologies at every turn undermined coherent planning. They discussed how the easy initial victory in Afghanistan gave the administration a dangerously false sense of what a small-footprint war could accomplish, Saddam's catastrophic misreading of American intentions, and the near-total absence of any post-invasion plan. The conversation turned to the eerie parallels with the current situation in Iran, and whether the lessons Mazarr draws — about American missionary zeal and intuitive, values-driven foreign policy judgment — are simply baked in.

In this episode Jerry and Stably discussed Andrey Mir’s The Digital Reversal, which explores the concept of reversal, arguing that media, when pushed to extremes, reverse their cultural effects due to accelerating technological change. They discussed debated the book's support for technological determinism, which posits that the trajectory of AI and technology is unstoppable and will lead to an inevitable loss of human agency. This surrender of agency is driven by the relentless pursuit of optimization—exemplified by AI making coaching decisions in sports and the shift from structured knowledge to a searchable "goo"—suggesting that most people will voluntarily "plug in" to fully automated, performant systems, with only a few non-maximizing groups remaining.

In this episode Jerry and Stablydiscussed Susan Sontag’s On Photography, with both finding the book overly long, baroque, and pedantic, though both agreed that Sontag's observations were interesting when extracted from the dense, "show-offy" prose. Jerry and Stably critiqued Sontag’s positions on photography as a predatory act, its role in tourism and status, and its potential for desensitization, with Jerry challenging Sontag's political framing and insistence on classifying art. The discussion included Stably suggesting Sontag's critique was politically motivated, while Jerry prioritized free speech regarding photography in public.