Since her debut in Godspell on tour in 1994, Anna Francolini has cemented herself as one of the most respected actresses on the UK stage. In a remarkable career now spanning 3 decades, she has since earned a TMA Award for Best Actress for playing the title role in The Prime of Miss Jean Brodie and worked on landmark productions of both plays and musicals. Some of her most notable credits include working on acclaimed productions of Stephen Sondheim's musicals such as Sam Mendes' Company, Michael Grandage's Merrily We Rolle Along, both at the Donmar Warehouse as well as Jamie Lloyd's Assassins at the Menier Chocolate Factory. She is now currently starring as Olivia in William Shakespeare's classic comedy Twelfth Night (Or What You Will), working opposite the likes of Julie Legrand and Richard Cant, under the direction of RSC Associate Artist Owen Horsley.

In our interview, Anna Francolini talks candidly about the struggles of working in the theatre industry and tells us how grateful she is to be able to still find meaty roles 30 years since her debut. She tells us about her admiration for Shakespeare having previously worked on The Tempest, Romeo and Juliet and A Midsummer Night's Dream to great acclaim although remains humble about her knowledge about approaching his work. We also hear her share her excitement at getting to play in Regent's Park Open Air Theatre for the first time and getting to share in the magic of outdoor theatre. Over her career, Anna has also gained considerable credits on screen too working on House of the Dragon, Vera and Roadkill just to name a few. Still, she remains committed to theatre and live audiences and we hope to see her continue to share her incredible theatrical talents for 30 more years.

Twelfth Night runs at Regent's Park Open Air Theatre until 8th June with tickets available NOW!

After Love Sick won rave reviews during its run in San Francisco, the show is premiering in London under a new title: A Song of Songs. In this brand new interview, the show's creator Ofra Daniel talks to us about the experience of bringing this story to the Park Theatre. The show sees her character undergo an extraordinary journey of discovering sexual and personal desires after realising she has a secret admirer. The show will play in the Park200 theatre which Ofra describes as an incredible space because of the intimacy it offers to audiences so they feel immersed within this world too.

In this new interview with Ofra Daniel, we hear her reflect on her Middle Eastern roots and her interest in telling stories about relationships. She passionately tells us about her admiration for her fellow musicians and actors who are each able to bring a unique flare to this piece which blends Middle Eastern beat and flamenco rhythms. At a time when the world feels particularly divided, a magic seems to have been uncovered in the rehearsal space as people from all backgrounds are able to come together to create a show that truly celebrates diversity.

A Song of Songs runs at Park Theatre from 9 May - 15 June.

2024 marks 10 years since Martin James Bartlett won BBC Young Musician of the Year and since then, he has garnered various accolades including the inaugural Prix Serdang and the Queen Elizabeth The Queen Mother Rosebowl. He most recently released his 3rd album, La Danse inspired by French music and regularly continues to perform around the world in solo recitals as well as a guest for various major orchestras. At home, Martin has also continued to share his love of food and cooking with his followers on social media and he tells us about his passion for culinary arts in our interview. With classical music also still under siege by critics for being "elitist", we hear him dismiss these remarks pointing out how many popstars charge high ticket prices for concerts whilst encouraging those new to the medium to be open to the art form.

In this brand new interview, Martin James Bartlett opens by reflecting over the last 10 years as a professional musician as he enters a transition phase from being a young artist to a more mature one. Many critics would point out that part of his charm has always been his maturity as both a performer and a gentleman, and it has been wonderful to see him grow into this role through his musical prowess. As he continues to showcase his ability to play a wide range of repertoire, we also get to hear him share advice for younger emerging performers, borrowing advice from heroes such as Dame Kiri Te Kanawa. As classical music also continues to evolve too, we feel certain that Martin James Bartlett will be part of the future of classical music.