Zohran Mamdani has just been elected mayor of New York, parachuting onto a political terrain more polarised and energised than it's been since the 1960s. How do you maintain an independent satirical voice in such vitriolic times?

Joining Josh from NYC on a Substack Livestream the day after the mayoral election is Jason Chatfield, one of the world’s most successful cartoonists. Jason was implausibly young when he was tapped to run Australia’s longest-running and most iconic comic strip, Ginger Meggs. After moving to the States, he won acclaim for iconic cartoons in The New Yorker, Esquire, Variety and Mad Magazine, and he served as the president of the National Cartoonists Society. Now, he's independent, on Substack.

In an age of algorithms, outrage and censorship, how far can creative people go? Politically, financially, and personal fulfillmentilly, it's a conundrum for anyone pursuing an independent creative life. Jason joined Josh from his home in Manhattan to talk Mamdani, Trump, satire, authenticity, perfectionism... and the future of free expression.

The conversation around climate change is so predictable. It's either depressing doom, science denialism, or ambitious summits that don't achieve much. Can't anyone think outside the box?

Quico Toro does. He's the Director of Climate Repair at the Anthropocene Institute, a former journalist who's written for the New York Times, Washington Post and The Atlantic, and a Venezuelan-born thinker shaped by his homeland's slide into authoritarianism.

He is deeply worried about climate chaos but believes the comfortable consensus about carbon must be shattered. There has always been a fringe of geo-engineers and techno-tinkerers with wild schemes to hack the sky or scrub the atmosphere. While most of those ideas deserve the scepticism they get, Toro's plan could, he hopes, literally save the world.

Pile-ons, performative outrage, apology rituals, and public humiliation have become a blood sport over the past decade. What happened? Was it a moral panic? A byproduct of new communications technologies? Or a storm in a teacup - a well-intentioned overreach, exaggerated by anti-woke right-wingers?

Clare Stephens is a feminist journalist who has spent years at the coalface of cancel culture. She spent years at Australia’s biggest independent women’s media outlet, Mamamia, copping heat from all sides and watching digital mobs turn ordinary mistakes into existential crises.

Now she’s written a novel about it, The Worst Thing I’ve Ever Done, and created a podcast, The Pile-On. Clare and Josh unpack how cancel culture evolved, why it hit women differently from men, how shame works, and whether we’re beginning to find a healthier way of disagreeing online.