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Time Sensitive

Time Sensitive

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Candid, revealing long-form conversations with leading minds about their life and work through the lens of time. Host Spencer Bailey interviews each guest about how they think about time broadly and how specific moments in time have shaped who they are today. Explore more at timesensitive.fm2024 The Slowdown Arte Ciencias Sociales Economía
Episodios
  • Shohei Shigematsu on Why “Memorable Space” Matters

    Shohei Shigematsu on Why “Memorable Space” Matters
    Mar 25 2026

    According to the Japanese-born, New York–based architect Shohei Shigematsu, there’s such a thing as a building being too refined. What matters most, in his view, is creating what he calls “memorable space”: the antithesis of anything lifeless or lacking a symbiotic relationship to the city or its surroundings. As a long-time partner at the firm OMA, Shigematsu leads its New York studio with a sense of openness, radicality, and unexpectedness. This philosophy connects the dots between his multifarious projects, whether they take the form of the new diamond-like extension to the New Museum in New York; the torquing Faena Forum in Miami; or the Casa Wabi Mushroom Pavilion in Puerto Escondido, Mexico.

    For this (serendipitously “site-specific”) episode of Time Sensitive, Spencer met with Shigematsu inside a Hotel Chelsea suite, a fitting location for their long-view conversation on cities, urbanism, mixed-use design, and spaces for art and community-building—with a particular focus on the New Museum. They also discuss Shigematsu’s nearly three-decade evolution at OMA, how he has carved his own distinctive path at the firm, and the ways in which his Japaneseness has come alive through several of his recent building designs.

    Special thanks to our Season 13 presenting partner, Van Cleef & Arpels.

    Show Notes:

    Shohei Shigematsu

    [4:33] Office for Metropolitan Architecture (OMA)

    [5:10] Rem Koolhaas

    [5:47] S,M,L,XL (1995)

    [6:59] Delirious New York (1978)

    [7:43] Learning From Las Vegas (1972)

    [10:57] OMA New York

    [21:33] Toyo Ito

    [23:20] Universal Headquarters

    [26:42] New Museum

    [31:55] SANAA New Museum Building

    [48:16] Cai Guo-Quiang

    [48:16] Taryn Simon

    [48:16] “An Occupation of Loss” (2016)

    [50:38] Kengo Kuma

    [50:38] Alberto Kalach

    [50:49] Bosco Sodi

    [50:49] Casa Wabi Mushroom Pavilion

    [54:22] Wilshire [Boulevard] Temple

    [59:58] Tenjin Business Center

    [59:58] Toranomon Hills Station Tower

    [1:07:14] Olafur Eliasson
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    1 h y 15 m
  • Lucinda Childs on the Dance of Everyday Life

    Lucinda Childs on the Dance of Everyday Life
    Mar 11 2026
    Over six decades and counting, the postmodern choreographer and dancer Lucinda Childs has built an exceptional, category-defining body of work grounded in a style that draws as much from “pedestrian,” everyday movements as it does from her foundational ballet training. Emerging out of the 1960s Judson Dance Theater in New York City, Childs founded her namesake company in 1973 and has created more than 50 works since. This year will see two major New York presentations of her pieces—the first, from March 14–15, 2026, at the Guggenheim as part of Van Cleef & Arpels’s Dance Reflections Festival, will restage five of her early dances, most of them silent; the second, titled “Momentary Reprise,” will be showcased at Bard College’s Fisher Center from June 26–28 and include her collaborations with the likes of Frank Gehry, Philip Glass, and Robert Wilson. On this episode—our Season 13 opener—Childs reflects on her various experimental collaborations with Glass and Wilson; her profound perspectives on time through the lens of choreography and performance; and how she has remained unapologetically steadfast in refining her highly distinctive approach to dance. Special thanks to our Season 13 presenting partner, L’ÉCOLE, School of Jewelry Arts. Show notes: Lucinda Childs [06:23] Philip Glass [12:46] Merce Cunningham Dance Company [10:02] John Cage [12:17] “Pastime” (1963) [12:36] Judson Dance Theater [13:19] Yvonne Rainer [14:04] Robert Ellis Dunn [15:34] “Calico Mingling” (1973) [15:38] “Untitled Trio” (1973) [17:01] Babette Mangolte [17:29] “Reclining Rondo” (1975) [17:29] Robert Morris [29:44] Hanya Holm [22:59] “Radial Courses” (1976) [22:08] “Katema” (1978) [32:30] “Shoulder” (1964) [37:44] Robert Wilson [37:44] Einstein on the Beach (1976) [33:59] Susan Sontag [33:59] Against Interpretation (1966) [34:28] Marguerite Duras [36:34] “Description (of a Description)” (2000) [46:07] “Dance” (1979) [48:36] “Available Light” (1983)
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    1 h
  • Hans Ulrich Obrist on Art as a Portal to Liberate Time

    Hans Ulrich Obrist on Art as a Portal to Liberate Time
    Dec 17 2025
    The Swiss-born, London-based curator, art historian, and Serpentine Galleries artistic director Hans Ulrich Obrist moves through his life and work with a deep internal sense of urgency. Among the most prolific and everywhere-all-at-once people in the world of art—whose peripatetic path has taken him from a sheltered upbringing in a small Swiss village to his current post in London at the Serpentine—Obrist has been curating shows for more than three decades. During this time, he has recorded conversations with thousands of artists, architects, and others shaping culture and society. He’s also the author of dozens of books, most recently Life in Progress, released in the U.K. this fall, with the U.S. edition coming out next spring. On this episode, Obrist reflects on 25 years of the Serpentine Pavilion, which has become a defining annual moment in culture globally and a springboard for many of today’s leading voices in architecture, including Lina Ghotmeh (the guest on Ep. 129 of Time Sensitive) and Frida Escobedo, and his firm belief that we all need to embrace more promenadology—the science of a stroll—in our lives. Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels. Show notes: Hans Ulrich Obrist [03:37] Brutally Early Club [06:05] Frank Gehry [06:35] Bettina Korek [06:51] Luma Arles [08:26] Pierre Boulez [11:35] Etel Adnan [18:03] Giorgio Vasari [19:41] Ludwig Binswanger [25:45] “Life in Progress” [30:50] Peter Fischli & David Weiss [31:27] Kasper König [37:30] Maria Lassnig [39:45] Serpentine Galleries [40:30] Musée d’Art Moderne de Paris [45:15] Serpentine Pavilion [48:12] Frida Escobedo [49:00] Lina Ghotmeh [53:14] The FLAG Art Foundation [53:38] Play Pavilion [54:11] Serpentine General Ecology [55:10] Serpentine Arts Technologies [58:35] “Peter Doig: House of Music” [1:00:34] “Danielle Brathwaite-Shirley: The Delusion” [1:01:25] Édouard Glissant [1:02:17] Umberto Eco [1:08:56] Lucius Burckhardt [1:09:33] Cedric Price [1:08:13] Robert Walser
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    1 h y 21 m
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