On Easter Sunday, we gather again to step into a very different kind of morning. If Good Friday asks us to stay with what feels lost, Easter invites us to consider what we might be missing even when it is right in front of us. With poetry, song, Scripture, and reflection, we will move into a story where recognition comes slowly, hope arrives strangely, and the world may be more alive than we first imagined.

This Good Friday, we will make space for the weight of the story without rushing past it. Through Scripture, music, art, and reflection, we will linger with the cross as a place of sorrow, honesty, and difficult love. This is a service for anyone who knows that not everything can be fixed quickly, explained neatly, or tied up by the end.

Friends, we are about to enter Holy Week, and so, as we do, we’re turning to one of the most surprising exchanges at the cross. It is the dialogue between Jesus and two criminals also being executed beside him. I want to pair this moment with Andrea Mantegna’s painting Crucifixion (Louvre). There is something incredibly vivid, to me, about this painting. It kind of draws you into the scene as a spectator. If you have a chance to look at it before Sunday, which of the two criminals do you think is the “good thief?” Of course, the teaching this week isn’t really about who deserves what. Rather, it’s about what people reach for when they’re almost out of time: the things we ask for, what we bargain for, what we fear most, and what we hope might still be possible. It’s about the strange ache behind the words remember me, and the startling way Jesus answers.