Both major parties are experiencing a crisis of leadership in Washington. President Trump’s flip-flopping on the Epstein files acknowledges that, on this issue, at least, he has lost control of MAGA. For the Democrats, the collapse of their consensus on the government shutdown deepens a sense that the current leadership is ineffective. For all the talk of unity, the Party is profoundly divided on what message to convey to voters. “Some people argue that we should just—no matter what Donald Trump does or says—just always come back to the economy and prices,” Senator Chris Van Hollen, of Maryland, tells David Remnick. “And, of course, we should be very focussed on the economy and prices and rising health-care costs, as we have been. But to suggest that we should look the other way in the face of all these other outrages is, I think, a mistake, because I think the American people are tiring of Donald Trump. I think the polls indicate that.” Van Hollen is trying to pave a path between his party’s left and the establishment. He’s used the word “spineless” to describe colleagues in Congress who refused to endorse Zohran Mamdani in his mayoral campaign, but he has not called for Chuck Schumer to step down from leadership, as others have. Van Hollen wants “to be very much part of the debate as to where the Democratic Party goes.” Would that extend, Remnick wonders, to running for President? “My goal at this moment really is to stiffen the spine of the Democratic Party. But that means not just resistance to Trump. It also means taking on very powerful special interests that I think have had too much sway in both the Republican Party for sure, but also in the Democratic Party.” Remnick replies, “I’ve heard firmer nos in my time.”

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

The curator Thelma Golden is a major presence in New York City’s cultural life, having mounted era-defining exhibitions such as “Black Male” and “Freestyle” early on in her career. Golden is the Ford Foundation director and chief curator of the Studio Museum in Harlem, an institution, founded in 1968, that is dedicated to contemporary artists of the African diaspora. But, for a significant portion of her tenure, this singular institution has been closed to the public. Golden led the initiative to create a new, purpose-built home—requiring the demolition of an old building and reconstruction on the same site. To mark its reopening, David Remnick tours the new space with Golden, discussing some key works and the museum’s mission. He notes that this triumphant moment for the Studio Museum comes during a time of broad attacks on cultural institutions, particularly on expressions of identity politics. “I take a lot of inspiration from our founders, who opened up in a complicated moment,” Golden reflects. “My own career began in the midst of the culture wars of [the nineteen-nineties]. Understanding museums as a place that should be, can be, must be where we engage deeply in ideas. In this moment, that has to offer some hope as we consider a future.”

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

When President Donald Trump began his tariff rollout, the business world predicted that his unprecedented attempt to reshape the economy would lead to a major recession, if Trump went through with it all. But the markets stabilized and, in recent months, have continued to surge. That has some people worried about an even bigger threat: that overinvestment in artificial intelligence is creating a bubble. Andrew Ross Sorkin, one of today’s preëminent financial journalists, is well versed in what’s happening; his début book, “Too Big to Fail,” was an account of the 2008 financial crash, and this year he released “1929: Inside the Greatest Crash in Wall Street History—and How It Shattered a Nation.” He tells David Remnick that the concern lies in the massive borrowing to build the infrastructure for a future A.I. economy, without the sufficient revenue, currently, to pay off the loans. “If I learned anything from covering 1929, [and] covering 2008, it is leverage,” Sorkin says, “people borrowing to make all of this happen. And right now we are beginning to see a remarkable period of borrowing to make the economics of A.I. work.” Sorkin is the co-anchor of “Squawk Box” on CNBC, and he also founded the New York Times’ business section, DealBook.

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.