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The MIT Press Podcast

The MIT Press Podcast

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Interviews with authors of MIT Press books.Copyright 2018 mitpress. All rights reserved.
Episodios
  • Dan Roche, "Eyes by Hand: Prosthetics of Art and Healing" (MIT Press, 2025)

    Dan Roche, "Eyes by Hand: Prosthetics of Art and Healing" (MIT Press, 2025)
    Sep 5 2025
    Eyes by Hand: Prosthetics of Art and Healing (MIT Press, 2025) is a book about artificial eyes—about the artisans and artists who make them, and about the life-changing and sometimes life-saving experience of wearing them, as author Dan Roche has done for 15 years. Eye making is done by hand, for one person at a time, by a very small number of ocularists (fewer than 200 in the US); it is a slow, intricate, and unusually intimate process of molding, fitting, and painting that brings ocularist and patient together for many hours or even days.In Eyes by Hand, Dr. Roche describes the craft that goes into the making of an eye that looks uncannily real, as well as the psychological and emotional healing that such service brings to someone who has suffered the very visible trauma of eye loss—a loss that can go to the heart of self-identity.In an engaging, frankly fascinating fashion, Roche captures the intricacies of a profession whose techniques and culture have been remarkably consistent for 200 years. He explores, too, how that profession may now be facing a digital transformation in the form of scan-print-mail possibilities. Such a change might make prosthetic eyes more easily and cheaply available, though it may also risk the aesthetic qualities and intimate connection fundamental to the process of healing. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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    1 h y 5 m
  • Jamie Wang, "Reimagining the More-Than-Human City: Stories from Singapore" (MIT Press, 2024)

    Jamie Wang, "Reimagining the More-Than-Human City: Stories from Singapore" (MIT Press, 2024)
    Aug 14 2025
    As climate change accelerates and urbanization intensifies, our need for more sustainable and livable cities has never been more urgent. Yet, the imaginary of a flourishing urban ecofuture is often driven by a specific version of sustainability that is tied to both high-tech futurism and persistent economic growth. What kinds of sustainable futures are we calling forth, and at what and whose expense? In Reimagining the More-Than-Human City: Stories from Singapore (MIT Press, 2024), Jamie Wang attempts to answer these questions by critically examining the sociocultural, political, ethical, and affective facets of human-environment dynamics in the urban nexus, with a geographic focus on Singapore.Widely considered a model for the future of urbanism and an emblematic new world city, Singapore, Wang contends, is a fascinating site to explore how modernist sustainable urbanism is imagined and put into practice. Drawing on field research, this book explores distinct and intrarelated urban imaginaries situated in various sites, from the futuristic, authoritarian Supertree Grove, positioned as a technologically sustainable solution to a velocity-charged and singular urban transportation system, to highly protected nature reserves and to the cemeteries, where graves and memories continue to be exhumed and erased to make way for development. Wang also attends to more contingent yet hopeful alternatives that aim to reconfigure current urban approaches. In the face of growing enthusiasm for building high-tech, sustainable, and “natural” cities, Wang ultimately argues that urban imaginings must create space for a more relational understanding of urban environments.
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    51 m
  • Hannah Star Rogers, "Art, Science, and the Politics of Knowledge (MIT Press, 2022)

    Hannah Star Rogers, "Art, Science, and the Politics of Knowledge (MIT Press, 2022)
    Aug 13 2025
    'Art, Science, and the Politics of Knowledge (MIT Press, 2022)' by Hannah Star Rogers When I sat down with Hannah Star Rogers to discuss her new book Art, Science, and the Politics of Knowledge, I found myself nodding along to a refreshingly obvious yet somehow radical proposition: why do we insist on keeping art and science in separate corners? Rogers makes a compelling case that this artificial boundary isn't just limiting our understanding of both fields, it's actively distorting how we think about knowledge itself. What struck me most during our conversation was Rogers' articulation of Art-STS (ASTS) as an emerging field that refuses to play by the old rules os separation and siloed study. The field, and Rogers, recognizes that both artists and scientists are engaged in the same fundamental project - making sense of the world through experimentation, observation, and yes, imagination. When we acknowledge this shared enterprise, the implications ripple outward. Who gets to produce legitimate knowledge? Whose methods count as valid? These questions matter because they shape everything from funding decisions to educational curricula to which voices we trust in public discourse. Rogers doesn't just theorize about these connections; she shows us what happens when we take them seriously. The experimental collaborations she documents reveal knowledge production as a deeply social, often messy, always political process. This isn't a bug in the system, it's the system itself. And maybe, just maybe, admitting that is the first step toward building more honest and inclusive ways of understanding our world. Notes: Routledge Handbook of Art, Science, and Technology Studies Picturing the Invisible Science Communication as a Boundary Space: An Interactive Installation about the Social Responsibility of Science Gaïa Global Circus: A Climate Tragicomedy Shot on LiDAR, a Short Film Examines the Contradictions of Urban Surveillance
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    1 h y 2 m
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