First up, the Golden Globe nominations are out, offering a snapshot of where Hollywood’s center of gravity is shifting. The awards bypassed the supposedly gravity-defying Wicked: For Good, while One Battle After Another surged ahead with nine nominations. In a nod to how audiences consume storytelling now, the Globes also introduced a podcast category for the first time.

From there we’re off to Australia, which has passed one of the world’s most sweeping efforts to limit kids’ access to social media, banning anyone under 16 from holding an account. Platforms will be required to identify and remove underage users or face steep fines. The move reflects growing concern over cyberbullying, addictive design, and the mental-health toll of digital culture.

Then we remember Napoleon Jones-Henderson, a founding member of the AfriCOBRA collective, leaves behind a towering legacy in Afrocentric art. Working across textiles, sculpture, and mixed media, his vibrant, community-rooted work helped define the visual language of the Black Arts Movement. His death marks a profound loss for art, design, and cultural history.

Plus a Nativity scene in Dedham has sparked a loud debate over artistic and political expression. The traditional Holy Family has been replaced by a stark sign reading “ICE was here.” The Archdiocese and ICE officials want the display removed, while the parish priest is holding off — for now.

Finally, those unmistakable Vince Guaraldi piano notes are turning 60. What began as a scrappy, low-budget TV special has become the gold standard of holiday storytelling. A Charlie Brown Christmas remains a cultural touchstone, proving that sincerity can outlast spectacle.

The Wheelock Family Theatre brings new life to “Annie,” the classic musical rooted in the 1924 comic strip “Little Orphan Annie.” Set against Depression-era New York, the show blends breadlines, political intrigue, and a young girl’s unwavering belief in “tomorrow.” Featuring Sky Vaux Fuller as Annie and De’Lon Grant as Oliver Warbucks, they join us to talk about how this production explores resilience, hope, and what it means to rise to the moment. “Annie” is onstage through December 21. To learn more go here.

At the Native Plant Trust in Wayland, more than 10 million seeds from rare and endangered New England plants are now preserved—an unprecedented milestone for the nation’s oldest native-plant conservation organization. Sourced from meadows, wetlands, shorelines, mountain slopes, and even military training grounds, these seeds safeguard biodiversity against development, invasive species, and climate threats. Director of horticulture Uli Lorimer joins the show to discuss how this growing seed bank helps protect the region’s ecological future. Uli Lorimer is the author of “The Northeast Native Plant Primer: 235 Plants for an Earth-Friendly Garden.”

Culture Show contributor and independent Curator Pedro Alonzo takes us inside the museums of Glasgow and the transformed Frick Collection in New York. After a five-year, $330 million renovation, the Frick has reopened with expanded galleries, restored architectural splendor, and unexpectedly intimate encounters with masterpieces by Vermeer and Rembrandt. Alonzo shares how these spaces balance tradition and reinvention—and what visitors can expect from their renewed cultural impact.

We continue our “Countdown to 2026” series with a preview of next July’s Boston Pops Fireworks Spectacular. It will headline the Commonwealth’s celebration of America’s 250th birthday. Lieutenant Governor Kim Driscoll and Boston Symphony Orchestra Julian and Eunice Cohen President and CEO Chad Smith join us to talk about what this expanded Fourth of July tradition will mean for the Esplanade and beyond.

Frank Gehry, who died at 96, was one of the most influential architects of his generation, responsible for landmarks like the Guggenheim Museum Bilbao, Walt Disney Concert Hall, and MIT’s Stata Center. Boston Architectural College president Mahesh Daas joins us to reflect on Gehry’s legacy and how his sculptural buildings changed the conversation around architecture. Mahesh Daas is the author of four books including “Towards A Robotic Architecture” and “I, Nobot,” a graphic novella exploring relationships among artificial intelligence, robotics, and cities.

Martin Puryear, one of the most important American sculptors — and one of the most significant Black sculptors working today — is known for large, hand-built forms in wood, metal, and wire. The Museum of Fine Arts, Boston’s exhibition, “Martin Puryear: Nexus” gathers major works from six decades. Ian Alteveer, Beal Family Chair, Department of Contemporary Art, joins The Culture Show for an overview. “Martin Puryear: Nexus” is on view through February 8, 2026, to learn more go here.