Staying in a good mental and emotional state before performances is critical to playing up to our abilities when it counts. And we're probably going to be less likely to shy away from performance opportunities too, if we have more control over how we feel in the leadup to auditions and concerts.

But how does one do this? What can we do in the hours and minutes before a performance to get into a good headspace?

Get all the nerdy details here:

How to Get Your Mind in the Right Place Before Going On Stage

References

Watanabe, A., Kondoh, S., Samma, T., & Fujii, S. (2025). Enhanced subjective performance achievement in wind instrument playing through positive memory recall: effects of sympathetic activation and emotional valence. Frontiers in Psychology, 16. https://doi.org/10.3389/fpsyg.2025.1544069

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When you think of practicing your instrument, what are some of the first words that come to mind? Are the words “fun” or “playful” anywhere on your list? 🤣

For most of my life, practicing felt an awful lot like memorizing my multiplication tables. A lot of mind-numbing repetition, and not much fun.

We know that mindless drudgery doesn’t make for very effective learning, of course - but what is the alternative? What might more playful practice actually look like?

Enter today’s guest, Graham Fitch. He’s a pianist, but the ideas and concepts that he shares with us in today’s chat can be applied or translated to any instrument.

So if you haven’t been learning music or improving overall as quickly as you would like, or your practice has felt stale or stagnant, I think today’s episode will help to revitalize your practice and scooch it a few notches in the direction of fun. 😜

Get all the nerdy details on memorization, slow practice, fast practice, metronome practice, hands together vs. separate and more, in this month's episode:

​Graham Fitch: On Playful Practice and Muscle Memory You Can Trust

Additional Resources

Graham mentioned chaining and interleaved practice. Here's more on both of those concepts.

How to do chaining: Jason Sulliman: On Why Fast, At-Tempo Practice Can Be More Efficient and Effective Than Slow Practice

How to do interleaved practice: Why the Progress You Make in the Practice Room Seems to Disappear Overnight

More from The Bulletproof Musician

• Get the free weekly newsletter, for more nerdy details and bonus subscriber-only content.
• Pressure Proof: A free 7-day performance practice crash course that will help you shrink the gap between the practice room and the stage.
• Learning Lab: A continuing education community where musicians and learners are putting research into practice.
• Live and self-paced courses

Ever worry that excellent performance might not be “good enough?” And maybe you've assumed that aiming for perfection is a safer bet? You’re not alone, for what it's worth!

But it's always interesting to get some actual data on this sort of thing, so a team of researchers conducted a series of studies to see if striving for perfection had benefits beyond aiming for excellence. The results might surprise you.

Get all the nerdy details:

Does Aiming for Perfection Actually Hurt Performance?

Additional resources

• Robert Duke: On the Value of Errors and How Learning Really Works
• How to Use Positive “Trigger Words” for More Expressive Performances
• Is There a “Best” Way to Teach Students to Play Expressively?

References

Gaudreau, P., Schellenberg, B. J. I., Gareau, A., Kljajic, K., & Manoni-Millar, S. (2022). Because excellencism is more than good enough: On the need to distinguish the pursuit of excellence from the pursuit of perfection. Journal of Personality and Social Psychology, 122(6), 1117–1145. https://doi.org/10.1037/pspp0000411

Gaudreau, P. (2019). On the distinction between personal standards perfec- tionism and excellencism: A theory elaboration and research agenda. Perspectives on Psychological Science, 14(2), 197–215. https://doi.org/10.1177/1745691618797940

More from The Bulletproof Musician

• Get the free weekly newsletter, for more nerdy details and bonus subscriber-only content.
• Pressure Proof: A free 7-day performance practice crash course that will help you shrink the gap between the practice room and the stage.
• Learning Lab: A continuing education community where musicians and learners are putting research into practice.
• Live and self-paced courses