• Ross Noonan & Larry Zoll, LED Studio
    May 15 2024
    The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT I have invested a lot of time in the last six or seven years trying to educate myself on LED display technology and terminology, but sometimes it feels like I have mountain to climb and I am still at base camp looking for my oxygen bottle stash. Manufacturers and their marketers keep coming up with new terms and acronyms, and they often play pretty fast and loose with their descriptions and assertions. Exhibit A are all the companies who are marketing microLED products that aren't microLED, and Exhibit B is the crowd of Chinese manufacturers saying they have Naked Eye 3D LED displays, when all of those visual illusions seen on displays lately are the result of clever creative and have nothing to do with the display technology. So I have a lot of time for a UK company called LED Studio, which has made the conscious decision to educate its customers and broader market, instead of blinding that market with piles of specs and marketing terms that few people understand. The company has resources on its website that explain the technology and clear some of the technical fog, and people who know their stuff, speak openly, and aren't in perpetual Always be Closing sales mode. I had a great chat about LED technology terms, what's going on in the industry, and what really matters. My guests are Larry Zoll, who runs US operations, and Ross Noonan, the UK-based Technical Sales & Marketing Manager and the guy leading the education effort. The accents will give away who is who. Subscribe from wherever you pick up new podcasts. TRANSCRIPT Larry and Ross, thank you for joining me. Can you give me a quick introduction of who you are and what LED Studio does? Larry Zoll: I'm Larry Zoll, the president of the LED Studio's operations. Ross Noonan: I'm Ross Noonan, the technical sales and marketing manager for the LED Studio. Larry Zoll: We are a UK-based LED display manufacturer with a growing presence worldwide. So just for clarity, Ross is over in the UK, and Larry is in the United States right now, so they can't look at each other and go, now you talk or whatever. So, I've known you guys for a while. I've been to your little demo center in London, and I know LED Studio is based in the West of London. I had a good chat with Ross at ISE, and one of the things that really struck home for me was that there was a company that was actually trying to educate the market on more than just their product. You know, Ross, in particular, was trying to clear the fog through blogging and videos and everything else, explaining to people what this is all about because it's a very confusing little space, is it not? Larry Zoll: It's a very confusing space. I mean, Dave, you and I have known each other for a long time. I've always been very focused on technology and the education of technology and making sure that people understand what's really out there because it's so confusing. You know, a big part of our initiatives is making sure that we're able to educate the market and simplify what's out there because for a long time, this has been an alphabet soup of different options and different availability, and really more often than not tends to be more confusing than it needs to be. One of our goals specifically is to help demystify that and help people understand what they need and, almost more importantly, what they don't need to implement successfully an exciting project. Is it confusing because I'm stupid or… Well, don't answer that! Or is it just that marketers are trying to outdo each other, so they come up with acronyms and push aspects of their products that maybe don't matter all that much but make them sound special? Larry Zoll: I'll let the marketer answer that question. Then, I'll give you my perspective. Ross Noonan: I think you’re definitely not stupid. I think we've got people who have been in LED for a long time, and they even have to get into the nitty-gritty as to why they're offering a product for a particular application. You know, it is not like any other kind of technology. It doesn't just come out of a box. I know that some brands are going down the all-in-one route, and that's fantastic. It opens up big screens to off-the-shelf items. Still, it's a very small part of the market, and as soon as you move away from that, there are so many different ways to do something with an LED display. There are so many different applications that basically mean that the specs are ripped up and started again. I think I mentioned this on a blog previously. You know, a consultant came to me and said, why can't you just give me a data sheet? And the reason sometimes is that, well, because you've asked for a particular thing, we've got to go away and kind of rip that data sheet up and start from scratch. Does it need different receiver cards? Does it need to have a different pixel technology? What is the function that you need? Where do ...
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    37 mins
  • Frank Hoen, Netpresenter
    May 8 2024
    The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT When the pandemic hit and a lot of people started working from home, many digital signage CMS software companies started developing and releasing solutions that pushed the digital signage messaging more normally posted on screens around workplaces to the laptop and computer monitor screens in the formal or ad hoc workspaces created around houses and apartments. It was a new but necessary feature for most companies, but something the Dutch company Netpresenter has been doing for almost 30 years. The software company started out with that problem in mind, borrowing on the concept of screensavers to create what it calls desktop digital signage. Over time, it added more conventional digital signage capabilities for workplaces - a solution that founder Frank Hoen says is not an add-on, but as robust as the many, many, many other CMS options out there. Along with offering a lot of integrations with business systems like SharePoint, the Netpresenter platform is very deep when it comes to triggered alerts for things like emergencies. That was developed in the wake of 9/11, when Netpresenter's US office in the World Trade Center complex was lost in the terror attack. Netpresenter has more than 5 million active users globally, from SMB to huge multi-nationals and government agencies that see screens on desktops and walls as the most effective way to reach and update its workers. While most of that footprint is desktop digital signage, Hoen says at least five percent of Netpresenter's software licenses are being used for conventional digital signage in workplaces. Subscribe from wherever you pick up new podcasts. TRANSCRIPT Frank, thank you for joining me. I have been aware of Netpresenter for the longest time, but we've never actually chatted, and it's interesting that you're one of the oldest companies out there but not terribly well known. Frank Hoen: We're all over the United States. We have hospitals like George Washington Memorial Hospital and big hospital chains across the US, for example, oil refineries in the Middle East, and military installations. There is just a lot of oil, a lot of industries, and a lot of offices across the globe that use our software, and it's been a while, so we have a couple of very interesting customers. One of the very earliest ones was the US Space Command, I believe, in 1995. Can you imagine that? Those were the days of PointCast, and everybody was saying it was the next big thing. I remember PointCast. Frank Hoen: Which was a dragon of a piece of software. It was terrible. Sucked all the bandwidth! Frank Hoen: Yeah, and it is interesting because, actually, the beginnings of Netpresenter could be traced back to the fact that we were selling one of the big brands of signage out there. I can tell you it was a Scala, Commodore Amiga, which was expensive as hell. They tried to bridge TV to the PC, and well, you know, they weren't that successful. Windows was not very multimedia-oriented then, and it didn't go that well, in the beginning, at least. We saw that, and we didn't want to build a signage solution or compete with them, but what we did see is that for the first time, all these computers out there with screens, which were managed, which were there, were available, and they were interconnected, and so you start to experiment. You put some images and videos on the server, and then the server comes down because of all the bandwidth. So we introduced some smart caching, and voila, Netpresenter was born. It was kind of an interesting beginning, but big companies like Nokia, Sony, and the early pioneers picked up on it, and one of our early customers was actually a US Space Command. And so I literally started going to the trade show. I came across a Marine who was in this battle group who used Netpresenter, and I never heard of the people. I didn't know they were using it. They might have copied it from one Navy server to other ships, but what can you do? It's a nice story now. So you have interesting roots in that since COVID became a thing, the pandemic bubbled up, and a lot of people were working from home. A lot of “conventional” or “mainstream” digital signage companies branched into making effective screensavers, pushing information to desktops for work-from-home people. You, on the flip side, started as a corporate screensaver company that then evolved and expanded into doing digital signage as well, correct? Frank Hoen: Well, yes, and if I may add, and taking it a bit back from COVID, we had an office in Twin Towers, and when obviously that happened, and all the people who I knew had died, we were like, could we have actually maybe contributed in a positive way and then trying to prevent when something similar happens to be able to save more people? And that was the beginning of what we call our Emergency Alert Capability of Netpresenter. So, sir, you had an office in ...
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    37 mins
  • Tom Mottlau, LG Healthcare
    May 1 2024
    The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT The health care sector has long struck me as having environments and dynamics that would benefit a lot from using digital signage technology. Accurate information is critically important, and things change quickly and often - in ways that make paper and dry erase marker board solutions seem antiquated and silly. But it is a tough sector to work in and crack - because of the layers of bureaucracy, tight regulations and the simple reality that medical facilities go up over several years, not months. People often talk about the digital signage solution sales cycle being something like 18 months on average. With healthcare, it can be double or triple that. The other challenge is that it is highly specialized and there are well-established companies referred to as patient engagement providers. So any digital signage software or solutions company thinking about going after health care business will be competing with companies that already know the industry and its technologies, like medical records, and have very established ties. LG has been active in the healthcare sector for decades, and sells specific displays and a platform used by patient engagement providers that the electronics giant has as business partners. I had a really insightful chat with Tom Mottlau, LG's director of healthcare sales. Subscribe from wherever you pick up new podcasts. TRANSCRIPT David: Tom, thank you for joining me. Can you give me a rundown of what your role is at LG? Tom Mottlau: I am the Director of Healthcare Sales for LG. I've been in this role for some time now; I joined the company in 1999 and have been selling quite a bit into the patient room for some time. David: Has most of your focus through those years all been on healthcare? Tom Mottlau: Well, actually, when I started, I was a trainer when we were going through the digital rollout when we were bringing high-definition television into living rooms. My house was actually the beta site for WXIA for a time there until we got our language codes right. But soon after, I moved over to the commercial side and healthcare, around 2001-2002. David: Oh, wow. So yeah, you've been at it a long time then. Much has changed! Tom Mottlau: Yes, sir. David: And I guess in some cases, nothing has changed. Tom Mottlau: Yep. David: Healthcare is an interesting vertical market for me because it seems so opportune, but I tend to think it's both terrifying and very grinding in that they're quite often very large institutions, sometimes government-associated or university-associated, and very few things happen quickly. Is that a fair assessment? Tom Mottlau: Absolutely. There's a lot of oversight in the patient room. It's a very litigation-rich environment, and so there's a bit of bureaucracy to cut through to make sure that you're bringing in something that's both safe for patients and protects their privacy but also performs a useful function. David: I guess the other big challenge is the build-time. You can get word of an opportunity for a medical center that's going up in a particular city, and realistically, it's probably 5-7 years out before it actually opens its doors, right? Tom Mottlau: That’s true. Not only that but very often, capital projects go through a gestation period that can be a year or two from the time you actually start talking about the opportunity. David: And when it comes to patient engagement displays and related displays around the patient care areas, is that something that engineers and architects scheme in early on, or is it something that we start talking about 3-4 years into the design and build process? Tom Mottlau: Well, the part that's schemed in is often what size displays we're going to need. So, for example, if somebody is looking to deploy maybe a two-screen approach or a large-format approach, that's the type of thing that is discussed early on, but then when they come up on trying to decide between the patient engagement providers in the market, they do their full assessment at that time because things evolve and also needs change in that whole period that may take a couple of years you may go as we did from an environment that absolutely wanted no cameras to an environment that kind of wanted cameras after COVID. You know, so things change. So they're constantly having those discussions. David: Why switch to wanting cameras because of COVID? Tom Mottlau: Really, because the hospitals were locked down. You couldn't go in and see your loved one. There was a thought that if we could limit the in-person contact, maybe we could save lives, and so there was a lot of thought around using technology to overcome the challenges of contagion, and so there was even funding dedicated towards it and a number of companies focused on it David: That's interesting because I wondered whether, in the healthcare sector, business opportunities just flat dried up because ...
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    37 mins
  • Jonathan Labbee, SACO Technologies
    Apr 24 2024
    The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT When I first spoke with Jonathan Labbee about the grand-scale media facades and displays being produced by SACO Technologies, the Sphere in Las Vegas was just yet another over-the-top thing rising up from the desert sands. Two years on, and a few months after the giant LED ball was first switched on, the Sphere is probably the most discussed and photographed digital display on the planet. So I was very happy that Labbee was willing to carve out some time to talk about some of the technical details behind the display side of that project, and more broadly what it has meant for the Montreal company, and for the concept of buildings as media facades and visual attractions. In this podcast, we get into some of the technical challenges and innovations associated with putting together both the attention-getting outside exosphere of the building, but also the mind-wobbling 9mm pitch curved display inside. We also talk about the larger business, and the opportunities and challenges of turning big structures into experiential digital displays. Subscribe from wherever you pick up new podcasts. TRANSCRIPT Jon, thanks for joining me. It's been a couple of years, but a lot has gone on with your company, and obviously, the big thing is its involvement in the Las Vegas Sphere. I know we can't spend all of our time talking about that, nor do I want to, but I would imagine your company's work on that has kind of rocked the industry Jonathan Labbee: It has, and thanks for having me back, Dave. The sphere has been an incredible journey for us. I think two years ago when we last spoke, we were just about to start on our part of the construction, and we successfully delivered that project, which is, I think there were a lot of people and projects that were in the waiting to see if something of this magnitude could be pulled off successfully and now that it has, it has awoken a new level of giant projects around the world. I'm gonna say mostly in the Middle East at this moment in time. Why is that? Is it just about money, or is it also about things like zoning controls and available space? Jonathan Labbee: Well, I mean, obviously, money and budget are always a concern, but I think when you get past the level of installing a giant television on the side of a building and where the building itself is a media medium, but the infrastructure to support that is so significant in your construction budget, I think this is one of the key aspects for these developers and these architects to understand if it could successfully be done. Now from a zoning perspective, I think that a project like the Sphere is quite revealing in the sense of how much control you have over brightness and the type of and quality of the content and secures the knowledge that a responsible owner can display tasteful content in the environment that it's designed to be in. I know that there was a proposal to do a similar project in the east end of London and that doesn't seem to be going ahead, at least at the moment, and it struck me as one of the barriers to it was simply that you're putting up a very bright object within reasonably close proximity to residential and that's a challenge. Jonathan Labbee: Yeah, it is. I'm not a politician by any means, but I do think there's some politics there and also maybe some fear of new technology that could potentially be disruptive if used irresponsibly. Normally, people who spend this amount of money on a venue tend to have a very secure plan to fit within their environment. So what was done for the Sphere was custom. Could you relate what was done on the outside and then on the inside? The inside is particularly interesting to me because your company's pedigree is not so much on fine-pitch large displays other than for touring acts, which are not as fine a pitch. Jonathan Labbee: Well, yeah, so it's actually pretty interesting that this seems to be our persona; the reality is that most of our development is done on fine-pitch products. We just happen to have been doing quite a bit of low-res or wide-pitch products because we've been doing so many iconic buildings, it seems to be what we're known for. But if you take, for example, a lot of the touring acts or some of the video screens that we did for Orlando airport, for example, those are 2 millimeters pixel pitch and all these types of things. So if we go back to the Sphere, the exterior of the sphere, referred to as the exosphere, is made up of these pucks, I would say, that have 48 LEDs, and each one of these pucks is a pixel that is controllable for the client, and that's what gives you that beautiful imagery on the building, and it also has an aesthetic that the architects wanted and the client wanted, where it allows you to see through and see the base building through the exosphere. So, the performance criteria for the exterior was one thing, whereas the performance criteria...
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    38 mins
  • IV Dickson, SageNet
    Apr 17 2024
    The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT When I first spoke with industry lifer IV Dickson about his move from software to the managed services firm SageNet, the company was still in the relatively early days of getting itself organized to chase and then service digital signage opportunities. Five years on, digital in environments like chain retail and QSR are a core, what he calls consequential, part of the Oklahoma company's overall business. SageNet's role has evolved from being an IT-centric managed services company that was adding digital signage to its deployment and network management capabilities, to having a main service line called SageView. It's a full-meal-deal suite of solutions and services that run from the ideation stage all the way through deployment and ongoing management. These kinds of turnkey, all-in solutions are relatively common now in the marketplace, but the SageNet twist is its deep roots, experience and acumen in the hard-core aspects of networking design, connectivity and cybersecurity. Dickson started out at SageNet as the digital signage guy, but as business has grown, and with it the staffing and skillsets associated with that work, he now has a role as SageNet's Chief Innovation Officer - looking more broadly at all the technologies that have a role in or influence customer projects. Subscribe from wherever you pick up new podcasts. TRANSCRIPT IV Dickson, how are you doing, sir? IV Dickson: I'm doing well. Thank you, Dave. How are you this morning? I am good. We haven't chatted in a while. We did a podcast back in 2019, so I would say it's time for an update. IV Dickson: We did. A lot has happened in five years, if nothing else, a pandemic, but also just a lot has happened in the SageNet, and SageView world for us. Yes. The last time I saw you, we were walking up a very long hill to the Barcelona Football stadium, and you're probably keeping a wary eye on me to make sure I didn't have a heart attack. IV Dickson: Yeah, I don't know. It might have been mutual there, Dave, but I do know, though it was worth the walk. I will say that it was worth the walk. Every little bit of it. So over those five years, quite a bit has changed with your company. I would say the big thing from my perspective is five years ago, SageNet was starting to get heavy into digital signage, but it was one of the things that a larger company did. When I look at the website now, I kind of see SageNet leading in certain respects with what it does in terms of digital experience and digital signage in general. Is that a fair assessment? IV Dickson: It is a fair assessment. And, by the way, my marketing team will be very glad to hear that because I think that's a position that we want to take and have taken. But we've also positioned ourselves in the market to be that, but also executed in the market to be that, and I think if I think about five years ago, one of the things I think I probably even said it five years ago in, in this podcast was we're a managed service provider in an integrator world. That really hasn't changed in many respects. There are still great integrators out there. However, what really has changed for us is the way people are now coming and looking at digital experience, digital engagement, and pure digital signage, right? Call it passive or a kind of consumable digital signage. It's become more important today than ever to manage that in an ongoing fashion, and management is not just content. It's everything. Is the screen on? Is the player running? If it's broken, or when it's broken, how are you getting it fixed? And that's a big piece of the puzzle, and over five years, we've grown a lot. I mean, we've grown exponentially to be honest in this area. We were a few customers with a few thousand devices out in the world, and now we're north of a hundred thousand devices that are under management in that digital experience realm. So, as a managed services company as a whole, what do digital signage and digital signage-sih activities represent for the company? I don't need an exact percentage, but I'm curious. IV Dickson: That's a great question because it's something that actually was a driver for me in my previous role at SageNet as the VP of digital signage and digital experience: to make it a consequential piece of our business. And so at this point in time, whereas five years ago, it was just a mosquito kind of on the sideline of our portfolio. It is now one of the pillars of our organization. So if you look at our organization, historically, we still track the traditional managed services of circuitry and router switch firewalls. However, now, the idea of IOT and IOT management, digital experience, and digital signage management kind of lined up in three pillars for us. I have heard a few times now that one of the things that's really changed in the last five years or so again is how, historically, the first meetings that you ...
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    39 mins
  • Nick Johnson, NowSignage
    Apr 10 2024
    The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT When I asked an industry friend, whose opinions I respect and trust quite a bit, what CMS software he'd looked at and been impressed by, he rattled off a few companies I was expecting to hear about, but also mentioned the platform developed and marketed by a smallish UK company called NowSignage. He'd seen a lot of different options, but these guys he said, had something that was very modern and nimble. I finally got my act together and scheduled a chat with founder Nick Johnson. Now's roots are in pushing social media messaging to big screens at live events - like concerts and big games. Requests started evolving, both in terms of what could be done with screens and how long they'd be used - which led in part to him concluding the future business was in permanent installations and revenue that was recurring and predictable, versus periodic. Now markets its product as being affordable and not focused on a particular market segment, like QSR, workplace or whatever. That generalist approach tends to worry me, because buyer decisions tend to get focused on price, as in who costs the least. But in my chat with Johnson, he explains that their market focus is on what he calls multi-screen management - networks with a lot of locations and a lot of screens. Most companies would also say they want that and do that, but as Johnson explains in our chat, that's easy to talk about, but much harder to do well. I also had to ask about the Frankenstein'd Rolls-Royce that was the eye candy for the NowSignage stand at ISE in Barcelona. Subscribe from wherever you pick up new podcasts. TRANSCRIPT Nick, thank you for joining me. I know NowSignage reasonably well. I suspect a lot of other people do as well, but could you maybe just give me a rundown on the background of the company, what it is you do, what's distinct, that sort of thing? Nick Johnson: Yeah, sure. Cheers for having me on, Dave. And, yeah, nice to be here. Yeah, so NowSignage, for those who don't know who we are, is a UK-based business that has been around since 2013. A lot of people thought we launched a market and were in a big whirlwind storm about six years ago, but actually, the tech has been being developed since 2013 now, and then we really honed in on the permanent signage market around seven or eight years ago, really. In terms of signage, we position ourselves as a multi-screen management platform that allows our users to effectively and efficiently manage large networks of screens. So, we don't really focus on a specific vertical specialism. So, with IE, we're not a specific sector, like a corporate sector outright or anything like that. Our specialism is really around meeting the needs and demands of projects that have multiple screens, often in multiple locations or multiple sites, so those large-volume projects are our specialism. Now, I would imagine most software companies would say: we can fully support large enterprise level, big footprint projects across multiple locations and all that, so that doesn't immediately hit me as a distinction, but I'm guessing you're going to tell me that it's easier said than done? Nick Johnson: Exactly. So normally, as you say, with CMSs, and we found it ourselves in the early days, we had an eye on those bigger projects, but in reality, as soon as it got above 50 screens, that becomes a challenge for a CMS. It's got a different thought process that needs to go into the CMS from an intuitive nature, but also, your platform needs to be built to kind of balance those enterprise features alongside the simplicity, flexibility, and scalability of the platform. So yeah, there are some nuances that, for sure, where if you want to manage those large scale projects, you really need to nail the ability to make it as easy as possible for those end users to target specific screens with specific promotions or specific content and that's quite a powerful and hard to achieve thing within a CMS. It's all about bringing those features to enable that functionality. So, if I'm an end user or even a reseller integrator looking at different options out there, what's my sniff test (or smell test) to determine who can genuinely support large-scale networks like that? Is it data integration, you know, is it elasticity, at the server level? What are those things? Nick Johnson: Yeah, both of those, obviously, come into consideration. The way we position our product is that we ultimately want it to be self managed by the user. So if it can't be easy to be managed by the user, then you've got a problem, and to make it easy to be managed by the user, you do need those features in the platform like very advanced targeted tags or roles and permissions for locking down areas of the platform. The targeted tags will allow people to target localized stores with localized messages based on the tagging functionality. I'd probably say the most important thing...
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    37 mins
  • Todd Stahl, Clear Motion Glass
    Apr 3 2024
    The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT There is a lot of glass in public and commercial spaces, and the pro AV and digital signage industries have been applying all kinds of technologies to turn things like windows and dividers into part-time or full-time displays. In most cases, those jobs have come with compromises. There are films that might start curling at the corners, or discolouring. Mesh systems that look pretty good from the front, but terrible from the rear. And most recently, super-thin foils that need to be adhered to one side of glass panes. So what if the LED display was actually part of architectural-grade glass? That's the premise of a company called Clear Motion Glass - a Pennsylvania-based technology start-up that comes at the business from the angle of commercial glass. Clear Motion is a spin-out from William Penn Performance Glass, which has for many years been making and supplying laminated and tempered glass for commercial buildings. Unlike other products on the market, Clear Motion's LED displays are sandwiched inside sheets of laminated safety glass - so when a building goes up or is being retrofitted, the glass panels that go in are also active, highly-transparent displays. I had a good chat with Todd Stahl, a glass industry veteran who runs both the established and start-up businesses. Subscribe from wherever you pick up new podcasts. TRANSCRIPT David: Todd, thank you for joining me. Todd Stahl: Hey Dave. Yeah, I appreciate you having us on. It's going to be a pleasure to talk about some LED glass with you. David: Yeah, tell me about the company. I saw you guys at DSE back in December. You were busy almost the whole time. So I didn't really have the time or the chance to have any kind of a detailed LED conversation, but I know that the company has not been around that long, but it's grown out of a pretty well-established “performance glass company.” Todd Stahl: Yeah. A little bit about the history there. So, at Clear Motion Glass, we're making the LEDs inside of the glass. I came across the LED glass around June of 2022, so I've had it for just about two years. The parent company is William Penn Performance Glass, and that's another company I started in 2011. We deal with high-end architectural Glass. So, a cliffnote version: We go to the top architects in the country, and they're like, “Hey, who are you designing for?” And they'll say to us, “Hey, we want some really cool glass to go in the elevators for the Empire State Building.” So we got into the architectural space with glass, and actually, we'll William Penn, who was just voted one of the top 50 glass producers in North of North America. So something that we're definitely pretty proud of around here. Then I came across LED glass around 2022, I thought it was one of the coolest things I've ever seen put inside a glass, and I wanted to be a part of it. David: So when you say you came across it, what do you mean by that? Todd Stahl: So, there's another product in glass, another glass product that's been around, I'm going to say right around since 2000. It’s a glass that goes frosted to clear from the turn of a switch, Switchable glass. So there's a company called Smart Film Blinds, and they were an applied film company that would actually take that, what we would call switch glass, but they just took the film and applied it to existing glass, and it was owned by Alan and Tracy Ackerman, and then they had this connection with LED Glass they weren't quite sure what to do with it. They knew it was really cool. And it had a chance to be really something big, but they were more of a film company, and then he and I got introduced, through a need that we had for some smart film, the switchable film, and then eventually we had a partnership for a while. Then we decided basically that I'll stick with the glass part, what I'm best at, and he'll stick with the film part, which was what they were best with. But that's how I got introduced to it, right around two years ago. David: What you're marketing now is Clear Motion Glass. Is that your own product or are you reselling somebody else's manufactured product? Todd Stahl: We have partners overseas, such as a company called Filmbase. That's where we get the actual LED grid or LED mesh. We bring that to my facility in York, Pennsylvania, which is in the south-central Pennsylvania area, we're 20 minutes south of Hershey, close to Harrisburg, and then we actually fabricate everything as a finished panel here. So we'll make the glass, we'll get the interlayer components. We have a laminating machine that actually works by pulling a vacuum and heating it up to certain temperatures. After that, it comes out, and we have a clear LED glass display. David: So laminated glass is something that's been around forever. So this is just basically sandwiching the mesh in between sheets of laminated glass? Todd Stahl: Yeah, absolutely....
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    39 mins
  • Neil Chatwood, Omnivex
    Mar 27 2024
    The 16:9 PODCAST IS SPONSORED BY SCREENFEED – DIGITAL SIGNAGE CONTENT Using data is pretty much integral to just about any ambitious and involved digital signage network being spun up these days, but for a lot of vendors and their customers, it's still a relatively new concept and approach. That's definitely not the case for the Toronto-area CMS software firm Omnivex, which has been around for more than 30 years and has always made data-driven communications central to what it does. More than 20 years ago, the core Omnivex solution included a module called DataPipe. I know, because I was using the thing way back then for a digital ad network I launched ... probably 10 years too early, but that's a story for another time. While a lot of its competitors have developed and marketed platforms that are pretty and loaded with bling, Omnivex has resolutely stuck to its technology guns with software that's quite involved and very powerful. The net result is Omnivex gets involved in a lot of the more complicated jobs in which real-time data, and the context it provides, shapes what shows up on screens. Airports, for example, are a very active vertical. I had a long, detailed chat with Neil Chatwood, a transplanted Brit who runs the global transport file for Omnivex. We could have gone on for hours, as he has a lot of insights about data, security, and programming content for large, very involved environments. Subscribe from wherever you pick up new podcasts. TRANSCRIPT Neil, thank you for joining me. For those people who don't know Omnivex, can you just give a quick rundown on the company? Neil Chatwood: Yeah, for sure. So, Omnivex was established back in the dark ages of digital signage, 1991. It’s a privately owned organization, just outside of Toronto, Ontario and Canada. Oh, come on. It's in Toronto. Like, Toronto goes on forever. Neil Chatwood: Yeah, it's right. Pretty much right on the border. Well, it's on the subway line now. They've expanded the subway, so that finally happened. Yeah, it's not like you see countryside on the other side of the parking lot though. Neil Chatwood: Not anymore. In the last 10 years, there's been a Vaughan skyline, as depressing as that may be. But yeah, I've been around a long time in a private family owned organization and it's really grown off the back of our focus on leveraging real time data, integrating with basically any system we could possibly think of. And that pedigree has kept us in the business for over 30 years now. Yeah, I have a history in a network I started more than 20 years ago using Omnivex. So I was familiar with Omnivex products and datapipe and everything. So we were talking before we turned on the recording. I found it amusing that a lot of the software side of the industry has awakened to the idea of data integration and data handling for the last four or five years when it's something you were doing like 25 years ago. Neil Chatwood: Yeah. Back in around 2009-2010 when a lot of the industry was yelling Content is King. Right. Don't say that. Neil Chatwood: I know. You see. I do. Yeah, it's a classic. And our ownership at the time, you know, they like to have fun and they took that and changed it into Context as King and we've really kind of run with that since inception. But I joined the organization in 2010 and data and complexity is where we've always really hung our hat. We're a software vendor but the majority of our revenue comes from licensed sales. But we really do find ourselves in the trenches with our partners and our clients getting in there and providing pseudo consultancy on what data do you have in house? Like, how has it been stored? What methods can we use? And figuring out the solution in parallel with all of the stakeholders, even though at the face of it we're just slinging CMS licenses. So that's our heritage and when I'm when I start talking to someone who's interested in looking at the market or you get a lead or you're talking to someone at a trade show, my advice is always to take a look at a bunch of companies. Take a bunch of companies, look at all these CMSs. In all the old guard, there's a good handful of companies that I might say some names, Navori, for example, StrataCash, Scala, right. They're all pretty old guard, when we talk about the digital signage industry. I encourage people to take a look at all the products that are on the market and once you start to get those demos and you start to go through the sales process, you can really see the DNA of where that company's come from, right? Like, are they focused on a really pleasant UX/UI experience? Are they focused on performing high end post processing within the platform itself and are good at asset generation as opposed to creating it in a third party piece of kit and bringing it in. Our DNA has always been on the data side our position is that if you're going to make good images and assets that you're going to bring into the CMS, trying to...
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    44 mins