"Krush Groove" is the sort of '80s oddity that can't quite be categorized. Is it a musical? A comedy? A collection of music videos with dialogue sprinkled in between? This time capsule captured rap's infancy and changed the way Big D speaks.

This week's episode, commissioned by listener David B., gave us a newfound respect for Run-DMC, The Fat Boys and, oddly enough, "Purple Rain." Dick Ebert learned why Kurtis Blow is called Kurtis Blow; Ash revealed the depth of her hip-hop knowledge; and Gene explained why he thinks rappers are naturally good actors.

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John Candy is the kind of guy you want as your uncle, your travel buddy or your best friend. But does he work as a private investigator cracking a complicated kidnapping? "Who's Harry Crumb?" rolled the dice to find out.

Falling somewhere between "Fletch" and "Ace Ventura," this 1989 comedy was largely predictable, mostly uninteresting and painfully miscast, but it had its moments.

Absurd disguises, a loveable sidekick, non sequiturs and uncomfortable outfits kept things irreverent and memorable. And for an '80s movie, that's sometimes all you need.

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When people think DeNiro and Scorsese, it's generally mob hits or boxing rings. But 1983's "The King of Comedy" is an often-overlooked exploration of television fame that shows just how funny, dark and thought-provoking the actor-director pair can be in any genre.

Listener Charlie in L.A., who brought us "Boogie Nights," is back with another stellar commission that led to some interesting topics, including when it's OK to ask for an autograph, who the new acting royalty is in Hollywood, whether Sandra Bernhard helped or hurt the movie and when being agreeable becomes creepy.

If you've never thought much of Jerry Lewis, wondered where Todd Phillips got his inspiration for "Joker" or wanted to hear Gene gush over early '80s fashion, this is the episode for you.

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