Few artists embody the spirit, resilience, and evolution of Southern rock quite like Henry Paul.

A founding member of Outlaws and later the driving force behind Blackhawk, Henry’s career bridges two distinct eras of American music—each rooted in storytelling, musicianship, and a deep sense of place. From the triple-guitar attack of the "Florida Guitar Army" that helped define the Outlaws’ sound in the 1970s to the multi-platinum, chart-topping Country success of Blackhawk in the ’90s, his journey is a masterclass in reinvention without compromise.

In this wide-ranging conversation, Henry reflects on the rise of Southern rock, the realities of life on the road, his relationships with Ronnie Van Zant and Charlie Daniels, and the creative instincts that carried him across decades and genres. He also shares hard-earned insights into band dynamics, longevity, and what it really takes to sustain a career in music over the long haul.

This episode also kicks off our Southern Rock Trilogy—a three-part series exploring the artists, sounds, and stories that shaped one of rock’s most enduring movements. Be sure to check back next week and the week after as we continue the journey.

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Few producers in the history of modern music have shaped records—and artists—the way Don Was has.

From his early days as a hitmaking artist with Was (Not Was) to becoming one of the most trusted producers in the business, Don’s fingerprints are on an extraordinary range of iconic recordings. But beyond the credits, what defines him is his philosophy: serve the song, honor the artist, and know when not to interfere.

In this wide-ranging conversation, Don takes us inside his journey—from Detroit roots to working with legends like the Rolling Stones, Bonnie Raitt, and Bob Dylan—to his current roles as president of Blue Note Records and bandleader of the Pan-Detroit Ensemble. We also explore his deep musical partnership with Bob Weir in Wolf Bros, a collaboration that brought his career full circle as both producer and player.

Please note: this interview was recorded prior to the passing of Bob Weir.

This is a masterclass in taste, restraint, and what it really means to be a producer.

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John Oates is one half of the most successful duo in music history — Hall & Oates — and one of the architects of the sound of American pop radio in the late 20th century.

In this episode of Rock & Roll High School, John takes us inside the making of a catalog that includes era-defining hits like “She’s Gone,” “Sara Smile,” “Rich Girl,” and “Maneater,” and breaks down the unique musical chemistry he shared with Daryl Hall that helped shape a generation of songwriting and production.

But this conversation goes deeper than the hits.

John traces his roots from Philadelphia’s R&B and folk scenes to the global stages of the 1980s, offering a firsthand look at how groove, songwriting craft, and production instincts came together to create one of the most enduring songbooks in pop music history. He also opens up about his evolution as a solo artist, his passion for American roots music, and how he continues to write, record, and perform with purpose today.

It's a conversation about partnership, identity, reinvention — and what it really takes to build music that lasts.

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Imagine you’re a second-string high school running back. You strike up a conversation with the backup quarterback, bonding over a shared love of vocal harmony. You decide to start a group together.

That group becomes The Beach Boys — a band that will reshape the sound of modern music.

And that quarterback? Brian Wilson — one of the most visionary musical minds of the 20th century.

The running back is our guest this week - Beach Boys founding member Al Jardine

From the group’s earliest days through their evolution into one of the most influential acts in recording history, Al was there — helping build the harmonies, the image, and the sound that defined an era.

In this conversation, Al reflects on the origins of The Beach Boys, the creative brilliance of Brian Wilson, the making of timeless records, and what it means to still carry that music forward today.

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Harry Wayne “KC” Casey is a hit machine.

As the founder, songwriter, producer, and frontman of KC and the Sunshine Band, KC helped define the sound of the 1970s and 80s with a run of joyous, groove-driven records that still light up dance floors around the world. Blending Miami soul, funk, R&B, and pop into an irresistible new hybrid, he turned the studio into a celebration — creating a string of era-defining party-starter hits including Get Down Tonight, That’s the Way (I Like It), I’m Your Boogie Man, (Shake, Shake, Shake) Shake Your Booty, Please Don't Go and Give It Up.

Working out of TK Studios in Miami, KC helped pioneer the tight rhythm tracks, punchy horn arrangements, and infectious hooks that became foundational to dance music's global explosion. The result was one of the most remarkable hit streaks of the decade — five No. 1 singles on the Billboard Hot 100 and more than 100 million records sold worldwide.

But KC’s impact went beyond his own band. His songwriting and production helped shape the broader Miami sound of the era, including co-writing the monster hit Rock Your Baby for George McCrae — a record often cited as one of the earliest true disco smashes.

In this conversation, KC reflects on building hits from the ground up in Miami, the chemistry that powered the Sunshine Band, the birth of dance as a global movement, and how a feel-good groove — when it’s right — can travel across decades.

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As the voice, songwriter, and driving force behind REO Speedwagon, Kevin Cronin helped shape the sound of American arena rock in the late ’70s and ’80s. His soaring vocals and emotionally direct songwriting powered a string of radio staples including Keep On Loving You, Take It on the Run, Can’t Fight This Feeling, Roll with the Changes, and Time for Me to Fly.

REO Speedwagon’s 1980 breakthrough album Hi Infidelity became one of the defining rock records of its era, spending 15 weeks at No. 1 and turning the band into a staple of rock radio and MTV.

In this all-new candid conversation, Kevin reflects on the stories behind REO’s biggest songs, the long road to success, the making of Hi Infidelity, and how he’s kept the music alive through decades of touring and performing.

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To a generation of Americans, Suzi Quatro is best known as Leather Tuscadero on the 1970s sitcom Happy Days and for her 1979 smash duet with Chris Norman, “Stumblin’ In.”

But long before she stepped onto a Hollywood soundstage or crossed over to American pop radio, Suzi Quatro had already detonated the rulebook.

Emerging from Detroit in the early 1970s and breaking first in the UK and Europe, Quatro became one of the first women in rock history to front a hard-driving band while playing her own instrument — slinging a Fender bass low, clad head-to-toe in black leather, and commanding arenas with unapologetic authority. With chart-topping hits like “Can the Can,” “48 Crash,” and “Devil Gate Drive,” she didn’t just make hit records — she became the reference point for artists including Joan Jett, Chrissie Hynde, and Debbie Harry, who all followed her lead into unapologetic frontwoman territory.

Working with hitmaker Mike Chapman during the height of glam’s glitter and grind, Suzi fused Detroit muscle with razor-sharp British pop instincts, building a transatlantic career that has now spanned more than five decades and over 50 million records sold worldwide. Today, she continues to headline major venues across Europe and Australia — proof that her following never faded and her fire never dimmed.

Beyond the stage, Quatro is also a prolific author, with multiple books to her name — from candid memoir to fiction — extending her voice beyond the amplifier and onto the page.

In this conversation, Suzi reflects on what it meant to walk into a male-dominated industry and refuse to ask permission, the discipline that sustains longevity, her Detroit roots, and the mindset required not just to open doors — but to kick them off the hinges.

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Noel Paul Stookey is a founding member of one of the most iconic trios of all time, the legendary folk group Peter, Paul and Mary.

From helping ignite the 1960s folk revival to introducing the songs of Bob Dylan to a mass audience with their era-defining recording of “Blowin’ in the Wind,” and carrying anthems like “If I Had a Hammer” and “Puff, the Magic Dragon” into the cultural bloodstream, Noel’s voice became a soundtrack to a generation navigating protest, hope, and change. The trio’s performance at the 1963 March on Washington — where Martin Luther King Jr. delivered his historic “I Have a Dream” speech — placed their harmonies at the very heart of the Civil Rights Movement, underscoring music’s power to both reflect and shape history.

Beyond the trio’s monumental success, Noel has sustained a solo career grounded in faith, social conscience, and musical craftsmanship — highlighted by his enduring wedding anthem “There Is Love (The Wedding Song).” His commitment to service continues through Music to Life, the nonprofit he founded to mentor artists using music as a force for positive social change.

In this conversation, Noel reflects on the power of harmony, the responsibility of artists in turbulent times, and what it means to keep singing with purpose more than six decades into a remarkable career.

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