Pod Only Knows Podcast Por Kelly J. Baker and John Brooks arte de portada

Pod Only Knows

Pod Only Knows

De: Kelly J. Baker and John Brooks
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Hosted by Dr. Kelly J. Baker and John Brooks. Kelly and John invite other people from the wide and wild world of religious studies to talk to them about why and how they do what they do and why their work matters to us all. They also talk to each other about the ideas, stories, and histories that fascinate them and that they think you should know about, too.℗ & © 2020 The CageClub Podcast Network Ciencias Sociales Espiritualidad Mundial
Episodios
  • #058 – THE EXORCIST EFFECT with Joseph Laycock

    #058 – THE EXORCIST EFFECT with Joseph Laycock
    Nov 11 2025
    Last episode we discussed The Exorcist, so this time we're taking a closer look its impact on our culture and religious beliefs as explored in The Exorcist Effect by Eric Harrelson and our guest Joseph Laycock. Laycock is an associate professor of religious studies at Texas State University. He holds a MTS from Harvard Divinity School and a PhD from Boston University and has written several books on new religious movements and American religious history. Much of his work explores how pop culture and religion collide, and The Exorcist Effect looks at the ongoing relationship between horror movies and Western religious culture, with a focus on the period from 1968 to the modern day. He joins Kelly and John to talk about how and why The Exorcist changed the Catholic (and broadly religious) imagination, and why so many moral panic stem from people who can't distinguish movies from real life. Joe is on Bluesky @josephlaycock
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    1 h y 7 m
  • #057 – THE EXORCIST with Matthew J. Cressler

    #057 – THE EXORCIST with Matthew J. Cressler
    Oct 28 2025
    1973's The Exorcist is a landmark film for any number of reasons (many of which we get into here). It's also a film Kelly had never seen, and a favorite of our friend Matthew J. Cressler. Matt talked to us about Catholic horror and The Exorcist two years ago, but we really wanted to dig into the film in detail, so here we are. The Exorcist is one of many examples of art imitating life imitating art. It both revived a certain kind of supernatural zeal in Catholicism while also exploring an underlying aversion to the same. While it's not always successful and doesn't necessarily hold the same shock value it once did, it also completely reimagined what a horror film could be and provided proof of concept that the public was ready to explore and challenge religious ideas in new and sometime shocking ways. And like a lot of other horror that has captured the cultural imagination throughout history, The Exorcist spilled over into the real world, giving rise to the idea that the film was cursed. And in the next episode, we'll take a closer look at its cultural and religious impact. Matt is on Bluesky @mjcressler
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    1 h y 16 m
  • RERELEASE: #037 – What really happened at Salem - with Kathleen M. Brown

    RERELEASE: #037 – What really happened at Salem - with Kathleen M. Brown
    Oct 14 2025
    Due to some scheduling difficulties, we're pushing back this week's episode to next week and then going back-to-back Tuesdays. In the meantime, enjoy this episode from last Halloween with Kathleen M. Brown on the Salem Witch Trials _____________________________ The Salem Witch Trials may well be the single most notorious and iconic event of America's colonial period. Every Halloween, Salem, Massachusetts, hosts untold thousands of tourists who revel in the city's occult history and reputation as America's haunted capital of spookiness. But as well-known as the Salem Witch Trials are, they remain a hotbed of historical inaccuracy and misconception. So what exactly happened? How did a sleepy, growing Massachusetts town become the epicenter of witch hysteria? Did everyone go insane, or were the Salem Witch Trials perfectly consistent with the worldview of Salem's citizens. To help us clear this up, Kelly and John asked University of Pennsylvania history professor Kathleen M. Brown for her insights. Brown is a historian of gender and race in early America and the Atlantic World. Educated at Wesleyan University and the University of Wisconsin, Madison, she is author of Good Wives, Nasty Wenches, and Anxious Patriarchs: Gender, Race, and Power in Colonial Virginia (Chapel Hill, 1996), which won the Dunning Prize of the American Historical Association. Her latest, Undoing Slavery: Bodies, Race, and Rights in the Age of Abolition, was published in 2023.
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    59 m
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