The idea that Australia was invaded in 1788 is strangely controversial. A Google search for the phrase ‘Was Australia invaded’ provides an AI-generated answer claiming that ‘Australia has not experienced a full-scale foreign military invasion of its mainland’. The Wikipedia history of Australia makes no mention of invasion or indeed any warfare between between Aboriginal nations and the colonisers at all, and large numbers of articles ask ‘Was Australia invaded in 1788?’ as if the issue is somehow not obvious.

At the time the British Empire invaded Australia in 1788 however, no one was in any doubt as to what was happening. The first convicts came ashore escorted by a significant body of armed troops, the first structure built in the colony was a military one, and colonial authorities constantly referred to the fact that they were at war. For their part, Aboriginal people quickly realised that they were dealing with a military invasion of their land, and fought back heroically.

In this episode, we chat with historian Stephen Gapps, author of the pioneering book The Sydney Wars, about First Nations’ resistance to the invasion of Sydney. Contrary to claims that relations between the colonists and Aboriginal people were mostly peaceful after a short period of confusion and misunderstanding,The Sydney Wars shows how both sides were aware that they were involved in a war for survival. And contrary to accounts that depict the conflict as a one-sided series of massacres and Aboriginal defeats, Stephen’s research reveals that First Nations warriors used sophisticated military tactics and waged a protracted war of resistance across three decades that often had the invaders on the back foot.

You can buy The Sydney Wars here. Sign up to our Patreon now to have the chance to get a free copy of Stephen’s book and support our podcast!

Opening and closing music courtesy of Glitter Rats. People’s History of Australia logo design courtesy of Nissenbaum Design design.

In contemporary Australian mass culture, it’s hard if not impossible to find any representation of life as it’s lived by the majority of the population. Few movies, plays, TV shows or documentaries reflect what it’s like spending most of your waking life working to make a boss rich, struggling to keep up with bills, or dealing with sexism, homophobia, racism, and other oppressions – and practically none depict things like going on strike or opposing fascism. With all major media and cultural production owned either by the government or huge corporations, this situation has prevailed throughout virtually the entire post-invasion history of Australia.

In the 1930s, though, a massive experiment was launched to create culture by and for ordinary working people – the New Theatre. Under the slogan ‘Art is a weapon’, the New Theatre put on thousands upon thousands of performances about and for ordinary working-class people, aiming to reflect and validate their lives and struggles, and encourage political activism. Its plays were about workers’ strikes, about protest movements, about fighting the far right, and about taking on racism, sexism and other oppressions. Rather than confining themselves to the halls of physical theatre buildings, New Theatre performers – who operated on a miniscule budget and were almost all unpaid – put on plays in factories, in parks, in people’s homes, inside coal mines, and on street corners. They used avant-garde theatrical techniques, pioneered egalitarian gender relations within their productions, and put on some of the most well-attended plays in Australian history. And yet despite this, the New Theatre has virtually vanished from Australian history.

In this episode, we chat with Lisa Milner, an academic and researcher of working-class cultural production, on her new book on the New Theatre. We discuss the extraordinary popularity and success of their productions, the efforts by the state to repress the New Theatre, and the ways that culture can help build and sustain radicalism and movements for change.

You can buy Lisa’s book on the New Theatre here. Sign up to our Patreon now to have the chance to get a free copy of Lisa’s book and support our podcast!

Opening and closing music courtesy of Glitter Rats. People’s History of Australia logo design courtesy of Nissenbaum Design design.

From the 1880s until the 1980s, telephone operators were at the centre of the communications industry in Australia. Before the invention of the internet or mobile phones, virtually all telecommunication across the country and internationally took place through landline telephones. And operators, who connected calls to their intended destination, were completely essential to that process.

Employed first by the federal government and then by the government-owned corporation Telecom, operators worked in gruelling conditions – a predominantly female workforce, they were subject to low pay, a physically and mentally overwhelming pace of work, and consistent threats to their occupational health. For much of their history, they also had a union which refused to take up their interests and which saw itself as almost an arm of management. Then, in the 1970s and 1980s, this abruptly changed, and telephone operators became some of the most militant workers in Australia, staging inspiring strikes and work bans to fight for better conditions on the job.

In this episode, we talk with librarian, union activist and historian Jeff Rickertt about the extraordinary history of the telephonists. We explore how essential their work was to the everyday functioning of Australia’s economy, how the telephonists have been virtually erased from history, how it was that their union became completely co-opted and tamed by management, and how, beneath the surface of a seemingly quiescent workforce, resentment and resistance were always present, and were only waiting to explode into industrial militancy and activism.

You can read Jeff’s PhD thesis on the telephonists here. Sign up to our Patreon now to have the chance to get a free copy of Jeff’s history of the telephonists, Resistance on the line, which is currently retailing for $250.

Opening and closing music courtesy of Glitter Rats. People’s History of Australia logo design courtesy of Nissenbaum Design design .