We kick off the first Openwork episode of 2026 by breaking down the latest watch price increases from Rolex, Audemars Piguet, and Tudor, with a sharp focus on why U.S. buyers are seeing significantly higher jumps than Europe and the UK. We unpack how tariffs, currency swings, commodity prices, and inflation are converging—and why, once prices move up, they almost never come back down. We also contrast how mega-brands and independents respond very differently to these pressures.

From there, we dig into new data showing a real slowdown in the Swiss watch industry. Exports are down sharply, job losses are mounting, and more brands are relying on Switzerland’s short-time work programs to stabilize their workforce. We explore the downstream effects of trade friction on suppliers, labor, and long-term pricing, and why government intervention has become a critical backstop for the industry.

We close by reacting to early 2026 industry predictions, including claims that larger watch case sizes are making a comeback. Using actual sales data, we question whether this is a real shift or just cyclical online chatter, and look ahead to Watches and Wonders and what recent brand moves may signal about creativity, retail strategy, and power dynamics in the year ahead.

Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology, Openwork goes inside the watch industry.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.

On this episode, we share something a little different by sharing an installment from The Watches of Podcast, a new series where we step away from industry-wide analysis and focus deeply on individual brands—their history, philosophy, people, and, importantly, their watches.

Each episode is designed as a focused, evergreen exploration of a single brand, and here we use that format to zero in on Ming’s dive watches, a category that has quietly become one of the most revealing expressions of the brand’s identity.

We trace how Ming approached the dive watch not as a traditional tool-first object, but as a sculptural, design-led problem to solve. From early experimental concepts to fully realized production models, we talk about how the brand steadily moved away from simply “doing a dive watch” and toward creating dive watches that could only exist as Ming designs. The discussion centers on proportion, restraint, and engineering choices that prioritize wearability and originality without abandoning the functional expectations of the genre.

Finally, we focus on the modern era of Ming dive watches, where everything clicks into place: compact dimensions, inventive use of sapphire and rotating dials, thoughtful movement customization, and distinct aesthetic identities across models like the Bluefin and the Uni. We reflect on why these watches resonate so strongly with collectors, why they earned serious recognition within the industry, and why their final re-release feels like the close of a meaningful chapter—one that shows how Ming redefined what a contemporary dive watch can be.

We’ll be back next week with a new episode of Openwork. In the meantime, enjoy The Dive Watches of Ming. We hope you like it as much as we enjoyed making it.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.

On this episode, we step back to assess where the watch industry actually landed in 2025, revisiting our prior predictions with a focus on the bigger forces at work rather than scorekeeping. We talk candidly about the pressure points that defined the year—pricing fatigue, currency and tariff shocks, and the uneven mood among collectors—while also acknowledging the resilience of independent watchmaking and the ways enthusiasm managed to persist despite real headwinds.

From there, the conversation shifts to what those experiences mean looking ahead. We explore how the volatility of the U.S. market is likely to reshape industry behavior in 2026, pushing brands to think more globally and rebalance their attention toward Asia. This isn’t framed as a retreat, but as a strategic response to risk, growth, and changing demographics, alongside a growing appreciation among collectors for watches and design voices emerging from outside the traditional European center of gravity.

Finally, we zoom in on the cultural and structural changes we see gaining momentum: the rising influence of Gen Z, evolving definitions of value and novelty, and a gradual move away from public-facing watch discourse toward smaller, more intentional communities. Whether through new approaches to complications, aesthetics, manufacturing, or how collectors connect with one another, we see an industry that is fragmenting in interesting ways—less centralized, more experimental, and increasingly shaped by how people actually engage with watches today.

Hosted by Asher Rapkin and Gabe Reilly, co-founders of Collective Horology, Openwork goes inside the watch industry.

You can find us online at collectivehorology.com. To get in touch with suggestions, feedback or questions, email podcast@collectivehorology.com.