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Music History Daily

Music History Daily

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Step into a time machine of music with "Music History, Daily" your podcast for music lovers and history buffs alike! Each day, we'll turn back the pages of music history to relive the release of iconic songs, the rise of legendary artists, and those unforgettable moments that defined genres and shaped culture.

Whether you crave a blast of music nostalgia, enjoy a good music trivia challenge, or want to expand your music discovery horizons, "Music History Daily" has something for you. Uncover the stories that bring the music alive, from chart-toppers to hidden gems. Get ready to rediscover the power of music and why it holds a special place in our hearts.

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  • The Beatles Get Back Sessions Begin at Twickenham
    Jan 11 2026
    # January 11, 1971: The First "Get Back" Sessions Begin at Twickenham

    On January 11, 1971, Paul McCartney filed suit in London's High Court to dissolve The Beatles' partnership, but let me tell you about something even more fascinating that happened exactly two years earlier on this date!

    **January 11, 1969: The Beatles' "Get Back" Sessions at Twickenham Film Studios**

    On this freezing winter morning in London, The Beatles gathered at Twickenham Film Studios to begin what would become one of the most infamous and documented periods in rock history—the "Get Back" sessions, later immortalized in the 2021 Peter Jackson documentary "Get Back" (and the original 1970 "Let It Be" film).

    The concept seemed simple enough: The Beatles would rehearse new songs, perform a live concert (location TBD—ideas included an amphitheater in Libya, a cruise ship, or even the Sahara Desert), and have the whole process filmed for a TV special. What could go wrong?

    Pretty much everything, it turned out.

    The cavernous, cold film studio felt more like a prison than a creative space. The band was contractually obligated to work during specific hours—9 AM to 5 PM—which was completely antithetical to how they normally operated. George Harrison, in particular, was miserable. The cameras captured every uncomfortable moment, every disagreement, every creative clash.

    On this very first day, you could already sense the tension. John Lennon was increasingly distracted and emotionally distant, with Yoko Ono constantly by his side (sitting literally on the amp next to him). Paul McCartney had essentially appointed himself project manager, pushing the band forward with perhaps too much enthusiasm. George Harrison felt creatively stifled and underappreciated. Ringo Starr just wanted everyone to get along.

    Despite the dysfunction, remarkable music was being created. Songs like "Get Back," "Let It Be," "The Long and Winding Road," and "Don't Let Me Down" were all taking shape during these sessions. The cameras rolled as they jammed, argued, smoked, drank tea, and slowly worked through new material.

    The atmosphere was so tense that just three days later, on January 14th, George Harrison would actually quit the band (he'd return on January 22nd, but only after the band agreed to abandon the Twickenham location and move to their new Apple Studios).

    What makes January 11, 1969, historically significant is that it marks the beginning of the end—captured on film for posterity. It's the moment when the world's biggest band began to publicly unravel, yet somehow still produced brilliant music. The dichotomy is utterly fascinating: creative genius flowering amidst interpersonal decay.

    These sessions would eventually lead to the rooftop concert on January 30, 1969—The Beatles' final public performance—and an album that wouldn't be released until May 1970, after the band had already broken up.

    So on this day in 1969, history was being made, though nobody quite realized what they were documenting: the beautiful, painful, awkward, and ultimately heartbreaking dissolution of the greatest rock band ever assembled.


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    4 m
  • The Beatles' Final Rooftop Concert 1969
    Jan 10 2026
    # January 10, 1969: The Rooftop Concert That Ended an Era

    On January 10, 1969, The Beatles climbed five flights of stairs to the roof of their Apple Corps headquarters at 3 Savile Row in London and performed what would become the most legendary impromptu concert in rock history – and their final public performance as a band.

    It was a cold, grey London afternoon when John Lennon, Paul McCartney, George Harrison, and Ringo Starr, along with keyboardist Billy Preston, set up their equipment on the rooftop and began playing at around 12:30 PM. The performance was being filmed for what would eventually become the documentary "Let It Be."

    The setlist was raw and stripped-down, featuring songs from their upcoming album: "Get Back," "Don't Let Me Down," "I've Got a Feeling," "One After 909," and "Dig a Pony." They played several takes of each song, with "Get Back" being performed three times. The band was bundled in heavy coats against the January chill – Lennon wore Yoko Ono's fur coat, Ringo sported his wife Maureen's red mac, and George Harrison wore a green coat.

    As they played, the streets below erupted in chaos. Office workers poured out of buildings, traffic ground to a halt, and people climbed onto neighboring rooftops to catch a glimpse. The sound carried across the West End, causing confusion and excitement in equal measure. Some people thought it was a disturbance; others recognized it as history in the making.

    The police eventually arrived after noise complaints, and you can see them in the footage negotiating with Apple Corps staff. The concert concluded with the iconic final take of "Get Back," ending with Lennon's immortal quip: "I'd like to say thank you on behalf of the group and ourselves, and I hope we passed the audition."

    The rooftop concert lasted just 42 minutes, but it represented everything The Beatles were about – spontaneity, innovation, and pushing boundaries. It was simultaneously a beginning and an ending: the birth of the "surprise concert" concept that artists still replicate today, and the swan song of the world's most influential band performing together in public.

    The performance captured The Beatles at their most genuine – no screaming fans drowning out the music, no elaborate stage production, just four musicians playing together one last time. It was a stark contrast to their final official concert at San Francisco's Candlestick Park in 1966, which had been overwhelmed by Beatlemania.

    This rooftop performance would become the stuff of legend, inspiring countless tributes and recreations, most notably U2's own rooftop concert in downtown Los Angeles in 2009. The footage remains one of the most watched and celebrated moments in music history, a bittersweet reminder of when the greatest band in the world stopped the city of London for one magical lunch hour.


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    3 m
  • The Beatles Final Public Performance on a Rooftop
    Jan 9 2026
    # January 9, 1969: The Rooftop Concert That Stopped Traffic and Nearly Got The Beatles Arrested

    On January 9, 1969, The Beatles staged what would become one of the most legendary performances in rock history—and they did it on the roof of their own office building at 3 Savile Row in London. This impromptu concert would be their last public performance ever.

    Picture this: It's a cold, dreary Thursday afternoon in London's upscale Mayfair district. Businessmen are shuffling to lunch, secretaries are typing away, and suddenly, an amplified version of "Get Back" starts echoing through the streets. Confused Londoners looked up to see John Lennon, Paul McCartney, George Harrison, and Ringo Starr—arguably the most famous band on the planet—performing live on a rooftop.

    The performance was being filmed for what would eventually become the "Let It Be" documentary. The Beatles had been working on the project for weeks, originally conceived as a back-to-basics recording session and TV special showing them rehearsing and performing new material. After filming in the cold, cavernous Twickenham Studios and their basement at Apple Corps, they needed a grand finale. Enter the rooftop.

    For 42 glorious minutes, The Beatles blasted through five songs: "Get Back," "Don't Let Me Down," "I've Got a Feeling," "One After 909," and "Dig a Pony," with multiple takes of each. McCartney, wearing a dark suit, looked remarkably energized. Lennon sported his soon-to-be-iconic furry coat. Harrison was in green pants, and Ringo, positioned precariously near the roof's edge, just looked cold.

    Keyboardist Billy Preston joined them, adding his soulful organ, while engineer Alan Parsons (yes, *that* Alan Parsons, of future Project fame) recorded the audio. Linda Eastman (soon to be Linda McCartney) and Yoko Ono watched from the sidelines.

    Down below, crowds gathered, traffic stopped, and people climbed onto neighboring roofs to get a better view. Some office workers danced, others complained about the noise. The police received multiple noise complaints from local businesses who were decidedly *not* amused by this rock and roll disruption of their workday.

    Two bobbies eventually made their way up to the roof, but they were clearly torn between duty and the surreal experience of potentially shutting down The Beatles. The band played on. As the police approached, Lennon quipped between songs, wondering if they'd get arrested. The performance ended with McCartney's famous sign-off: "I'd like to say thank you on behalf of the group and ourselves, and I hope we passed the audition."

    The rooftop concert has since become the stuff of legend—a perfect symbol of The Beatles' boldness and their ability to create magic even as they were falling apart internally. (Spoiler: they'd break up the following year.) It was guerrilla performance art before that was even a thing, a gift to their fans, and a giant middle finger to conventionality.

    Today, that performance remains one of the most iconic moments in music history, immortalized in films, referenced in countless tributes, and even recreated by other artists. The rooftop concert proved that even as The Beatles were ending, they could still stop the world in its tracks.


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    4 m
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