Exploring a 1963 interview C. S. Lewis gave to the Billy Graham Association, called "Cross-Examination" that covers topics from good advice for Christian writers, to liberalism in the Church, to the theology of conversion.

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Email: lesserknownlewis@gmail.com

Graphic Design by Angus Crawford.

Intro Music - Written by Jess Syratt, arranged & produced by Angus Crawford and Jordan Duncan.

C. S. Lewis once wrote a preface to a translation of the Bible, "Modern Translations of the Bible" (1947). Here Lewis explains a tenant of reformation theology about scripture, that there ought to be translations in the vernacular of the day so that all may "read, mark, learn and inwardly digest" what the Holy Spirit has inspired in scripture. This essay explores theology around Bible translation, inspiration, and interpretation.

We also dip into what Lewis wrote elsewhere about good translation and interpretation in the essays:

"A Lectionary of Christian Prose from the Second Century to the Twentieth Century",

"Odysseus sails again: The Odyssey", and

"The Literary Impact of the Authorized Version"

These can be found in "Image and Imagination," and "Selected Literary Essays"

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Email: lesserknownlewis@gmail.com

Graphic Design by Angus Crawford.

Intro Music - Written by Jess Syratt, arranged & produced by Angus Crawford and Jordan Duncan.

We explore Lewis' 1948 article "Priestesses in the Church?", where C. S. Lewis explains why he thinks women should not be ordained as Priests. We found his answer quite surprising as it has less to do with what a woman is, or can do, and more to do with what a Priest is, and is meant to do. In a worldwide debate that is ongoing and often very volatile, we find Lewis' contribution to the discussion unique and thought-provoking.

We also touch on a part of Lewis' preface to his friend Austin Farrer's A Faith of Our Own (found in Image and Imagination, by C.S. Lewis).

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Email: lesserknownlewis@gmail.com

Graphic Design by Angus Crawford.

Intro Music - Written by Jess Syratt, arranged & produced by Angus Crawford and Jordan Duncan.