Kunafa and Shay Podcast Por Marina J. Bergenstock HowlRound Theatre Commons Nabra Nelson arte de portada

Kunafa and Shay

Kunafa and Shay

De: Marina J. Bergenstock HowlRound Theatre Commons Nabra Nelson
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Kunafa and Shay focuses on Middle Eastern and North African (MENA)/Southwest Asian and North African (SWANA) theatre—highlighting classic and contemporary plays and theatremakers, spotlighting community-engaged work in the region and diaspora, and analyzing the past, present, and future of MENA/SWANA theatre in the United States. Theatre artists and scholars Nabra Nelson and Marina Johnson bring their own perspectives, research, and special guests in order to start a dialogue and encourage further learning and discussion. The name, Kunafa and Shay, invites you into the discussion in the best way we know how: with complex and delicious sweets like kunafa, and perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to share experiences, discuss ideas, and sometimes engage with our differences.This work is licensed under a Creative Commons Attribution 4.0 International License. Arte Entretenimiento y Artes Escénicas
Episodios
  • Golden Thread’s Second Decade

    Golden Thread’s Second Decade
    Apr 9 2026
    Playwright Yussef El Guindi reflects on Golden Thread’s pivotal second decade; writing in the post-9/11 landscape; and how Middle Eastern, North African, and Southwest Asian theatre carved space for nuance, resistance, and community in the US. Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and analyzes contemporary and historical Middle Eastern and North African (MENA) and Southwest Asian and North African (SWANA) theatre from across the region. Kunafa and Shay highlights MENA/SWANA plays and theatremakers, spotlights community-engaged work in the region and diaspora, and analyzes the past, present, and future of MENA/SWANA theatre in the United States and beyond. Theatre artists and scholars Nabra Nelson and Marina Johnson bring their own perspectives, research, and special guests in order to start a dialogue and encourage further learning and discussion. The name, Kunafa and Shay, invites you into the discussion in the best way we know how: with complex and delicious sweets like kunafa, and perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to share experiences, discuss ideas, and sometimes engage with our differences. In each country in the region, you’ll find kunafa made differently. In that way, we also lean into the diversity, complexity, and robust flavors of MENA/SWANA theatre. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
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    42 m
  • Golden Thread's First Decade

    Golden Thread's First Decade
    Apr 2 2026
    This episode is a deep dive into the founding of Golden Thread Productions with founding artistic director Torange Yeghiazarian—tracing how one artist’s vision grew into a movement that reshaped Middle Eastern theatre in the US. Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and analyzes contemporary and historical Middle Eastern and North African (MENA) and Southwest Asian and North African (SWANA) theatre from across the region. Kunafa and Shay highlights MENA/SWANA plays and theatremakers, spotlights community-engaged work in the region and diaspora, and analyzes the past, present, and future of MENA/SWANA theatre in the United States and beyond. Theatre artists and scholars Nabra Nelson and Marina Johnson bring their own perspectives, research, and special guests in order to start a dialogue and encourage further learning and discussion. The name, Kunafa and Shay, invites you into the discussion in the best way we know how: with complex and delicious sweets like kunafa, and perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to share experiences, discuss ideas, and sometimes engage with our differences. In each country in the region, you’ll find kunafa made differently. In that way, we also lean into the diversity, complexity, and robust flavors of MENA/SWANA theatre. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
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    59 m
  • Thirty Years of MENA Theatre

    Thirty Years of MENA Theatre
    Mar 26 2026
    Marina and Nabra take a sweeping look at thirty years of Middle Eastern, North African, and Southwest Asian theatre in the United States—from Golden Thread’s founding in 1996 to a growing ecosystem of bold, community-rooted companies shaping the American stage through urgency, artistry, and refusal. Kunafa and Shay is a podcast produced for HowlRound Theatre Commons by co-hosts Nabra Nelson and Marina Johnson. Kunafa and Shay discusses and analyzes contemporary and historical Middle Eastern and North African (MENA) and Southwest Asian and North African (SWANA) theatre from across the region. Kunafa and Shay highlights MENA/SWANA plays and theatremakers, spotlights community-engaged work in the region and diaspora, and analyzes the past, present, and future of MENA/SWANA theatre in the United States and beyond. Theatre artists and scholars Nabra Nelson and Marina Johnson bring their own perspectives, research, and special guests in order to start a dialogue and encourage further learning and discussion. The name, Kunafa and Shay, invites you into the discussion in the best way we know how: with complex and delicious sweets like kunafa, and perfectly warm tea (or, in Arabic, shay). Kunafa and Shay is a place to share experiences, discuss ideas, and sometimes engage with our differences. In each country in the region, you’ll find kunafa made differently. In that way, we also lean into the diversity, complexity, and robust flavors of MENA/SWANA theatre. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.
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    37 m
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