We try to cover a wide gamut of improvised music in the podcast, buttoday's episode must surely have the widest spread of any recent offering. We've got spiritual jazz from the late sixties, a quartet featuring clarinet from a few weeks ago, an album by a British mover and shaker that could easily be filed under New Age, and an encounter between a saxophonist and guitar player that will leave most listeners cowering under their sofas. In pop matters, Pat learns that even Korean ladies can be F-boys and then pontificates about his latest live encounter with vibes-meister Joel Ross. Shabaka Hutchings – PERCEIVE ITS BEAUTY ACKNOWLEDGE ITS GRACE; Fred Frith John Butcher – THE NATURAL ORDER ; Gary Bartz – ANOTHER EARTH; Martin Wind – STARS.

Have no fear - the boys are not discussing just any four quartets. No, there's a couple of matching sets. An influential album from a certain "European Quartet" confronts its doppelganger from fifty years later; a recent leader date from a guitarist known for his electric work faces off with a work of his youth dating back forty-five years. And if that's not exciting enough, Pat leads Mike into the dark alleyway of Beach Boy bootlegs. Branford Marsalis – BELONGING; Keith Jarrett – BELONGING; Nels Cline, et al – QUARTET MUSIC; Nels Cline – CONSENTRIK QUARTET.

It's too early for March Madness, but just in time for the bastards to wrap up their survey of the New York Times' Top Ten list of 2025 jazz albums. Some of the choices give the boys mixed emotions and some barely any emotions at all, but at the end of this journey we can all say one thing for certain- that sure was definitely ten albums of jazz. Pop matters stretches to include a discussion of a life-enhancing live set from Indianapolis mainstay Steve Allee. Billy Hart – JUST; Jacob Garchik - Ye Olde 2: At the End of Time; Kassa Overall - CREAM; Joe Farnsworth – THE BIG ROOM.