What does the era of ‘big data’ mean for development technologies in MENA? How can data be used for good, to ensure projects working with vulnerable communities such as informal workers and women are seen and supported? What kind of repercussions does poor data collection have on emerging technologies? How can data-driven research and technology improve prospects for the next generation in the region seeking work, and what does it mean for the future of labour in the region?

These are some of the questions we posed to Nagla Rizk, Professor of Economics at the American University in Cairo in episode 8.

Nagla is Professor of Economics and Founding Director of the Access to Knowledge for Development Center (A2K4D) at the American University in Cairo’s School of Business. Nagla’s area of research, teaching and advocacy is the economics of knowledge, technology and development, with focus on governance of responsible data and Artificial Intelligence, fair work in the platform economy, innovation, gender and inclusion in Egypt, the Middle East and North Africa (MENA).

Writer and art critic, Rahel Aima, who grew up and currently lives in Dubai, talks to us about living in the Gulf, a region rapidly developing itself as the place to be for smart cities and high-tech living.

Rahel explores a concept she has been thinking about for some time, the Khaleeji Ideology, which meets at the intersection of technology, economy, the environment and nation building, as a way of understanding developments in the contemporary Gulf.

This episode also features comment from Michael Mason, Director of the LSE Middle East Centre and Professor of Environmental Geography at LSE, who explores the rise of “progressive” urban development projects in the Gulf, and whether technology can be the solution to pressing environmental challenges of our time.

Rahel Aima is a writer, critic, and editor from Dubai. She writes about art, technology and the Gulf. Her work has been published in Artforum, Artnews, ArtReview, The Atlantic, Bookforum, frieze, Mousse and Vogue Arabia, amongst others.

Read Rahel’s ‘The Khaleeji Ideology’ here: https://www.e-flux.com/architecture/horizons/498319/the-khaleeji-ideology/.

How can art complicate claims of progress, innovation and the use of rapidly developing emerging technologies in MENA? In this episode, Cima Chehab speaks to visual artist Nadim Choufi about how he incorporates technology into his artwork both as subject matter and as medium.

In the conversation, they discuss Nadim’s own artistic practice, his use of “lecture performances” and the question of whether life is truly enhanced by progress and technology, which is one of the main questions that underpins his work. Nadim also explores emerging art in the Middle East and how technology has transformed a new generation of artists – from digital illustrations to meme accounts.

Nadim is a visual artist living in Beirut. He primarily focuses on the material histories and futures of innovation and desire, their social and political driving forces, and the visual and literary practices that surround them. He is a 2024 resident at the Jan van Eyck Academy. Currently he is the curator of the film programme of the 2024 festival edition of transmediale and a researcher at Haven For Artists. Previously he was co-Programs Director at Beirut Art Center.

https://nadimchoufi.com/