Just when you thought Hollywood’s increasingly open embrace of AI coincided with newly emerging AI economics and Big Tech norms of engagement, we have a major plot twist. TikTok’s owner from China, ByteDance, just re-launched largely guardrail-less Seedance 2.0 worldwide — and the Hollywood industry’s latest AI pariah is now readily available in the U.S.

Welcome to the new “AI Trade War!”

In this episode, the co-hosts discuss Peter Csathy's article of the same name which tackles the subject - and lays out the implications. (Peter generated the episode using Google NotebookLM - listened to it - and approves the content.)

Reach out to host Peter Csathy at peter@creativemedia.biz, and check out Peter's entertainment, media, AI and tech-focused business advisory and legal services firm Creative Media. You can also sign up for his free generative AI-focused newsletter "the brAIn" on Substack (via this link) -- all about how generative AI is transforming the media and entertainment industry.

This episode features a "deep dive" discussion based on host Peter Csathy's recent article of the same name (here's the link), in which Csathy writes that Artists and Musicians can, in fact, recapture their U.S. copyrights to their songs, recordings and other creative works even if they originally signed publishing and recording agreements under U.K. law (or other international law).

It's conventional wisdom in the music industry that the now infamous U.K. "Duran Duran" court case blocks a Musician's recapture of their U.S. copyrights. But Csathy debunks that conclusion, and lays out why Section 203 of the U.S. Copyright Act (the relevant reversion right) is an absolute right that cannot be taken away by U.K. or any other contractual law.

Csathy represents Musicians in music catalog deals, and has negotiated and facilitated deals on behalf of music icons and legends that include Devo, Prince, A Flock of Seagulls, Boston, Air Supply, Sheila E., Count Basie, Sarah McLachlan, Half Pint, and Wailing Souls.

His Artist-first music catalog representation and advisory firm is DEEP CUTS MEDIA (deepcutsmedia.com), and Csathy can be reached either at peter@deepcutsmedia.com or peter@creativemedia.biz.

Reach out to host Peter Csathy at peter@creativemedia.biz, and check out Peter's entertainment, media, AI and tech-focused business advisory and legal services firm Creative Media. You can also sign up for his free generative AI-focused newsletter "the brAIn" on Substack (via this link) -- all about how generative AI is transforming the media and entertainment industry.

A few weeks ago, I joined a panel of experts at the Television Academy for a packed house Academy-only “AI Summit” weekend session. We discussed the latest business, legal, and regulatory AI issues and developments that impact Hollywood and the overall media and entertainment community. I tackled many of the business issues — including the latest licensing news and business models.

For the first time, non-Academy members can listen to this closed door session here on my podcast.

So, sit back. Grab your popcorn. And enjoy. Think you’ll get a lot out of it.

Audio courtesy of the Television Academy. Special thanks to the Academy and to our great moderator at the event, Holly Leff-Pressman.

Reach out to host Peter Csathy at peter@creativemedia.biz, and check out Peter's entertainment, media, AI and tech-focused business advisory and legal services firm Creative Media. You can also sign up for his free generative AI-focused newsletter "the brAIn" on Substack (via this link) -- all about how generative AI is transforming the media and entertainment industry.

In this episode, I feature a fascinating "deep dive" of my newsletter with the same title - generated using Google NotebookLM (all prompts were mine, and I approve the episode's content).

Here’s the headline: OpenAI killed Sora and its $1 billion deal with Disney due to the sheer economics of boundless consumer generative AI video, not AI tech. Enterprise use is in focus.

Here are the top 5 takeaways:

1. The "Compute Tax" is Unaffordable: High-quality video requires massive electricity and infrastructure; even for OpenAI, the cost of consumer-scale video generation is currently unsustainable.
2. Pivot from Toys to Utility: The industry is shifting from flashy consumer "toys" (like Sora) toward "Agentic AI" that handles high-value enterprise tasks like coding and logistics.
3. Rise of "Invisible" Professional AI: AI isn't disappearing; it’s moving into "unseen" professional workflows to solve specific production friction and VFX bottlenecks rather than replacing creators.
4. Prioritizing IPO-Ready Revenue: As OpenAI nears an IPO, it is abandoning costly consumer experiments in favor of scalable, enterprise-grade tools that offer clearer returns.
5. A Reality Check for Human Artistry: The dream of "prompting" a blockbuster from a couch has failed, reaffirming that human taste, skill, and creative effort remain essential.

Reach out to host Peter Csathy at peter@creativemedia.biz, and check out Peter's entertainment, media, AI and tech-focused business advisory and legal services firm Creative Media. You can also sign up for his free generative AI-focused newsletter "the brAIn" on Substack (via this link) -- all about how generative AI is transforming the media and entertainment industry.

In this episode, I feature a fascinating "deep dive" of my newsletter titled "Market Substitution: Generative AI's 'Fair Use' Fail" that I generated using Google NotebookLM (all prompts were mine, and I approve the episode's content).

Here’s the headline: the Creative Community now has AI on its copyright litigation heels. That means that the “3 C’s” of so-called “ethical AI” — Consent, Credit and Compensation — are now taking hold via accelerating licensing deals and emerging “usage based” business models.

Here are the Key Take-Aways:

• 3 “fair use” decisions so far (Bartz v. Anthropic, Kadrey v. Meta, Thomson Reuters v. Ross Intelligence). Anthropic settled for $1.5 Billion due to court pressure. Other two cases pending (Thomson Reuters’ decision is on appeal).
• Both Judges in Kadrey & Thomson Reuters focused on “market substitution” as the key rationale to beat back AI’s “fair use” defense, following the Supreme Court’s most recent copyright case (Andy Warhol Foundation v. Goldsmith).
• Meta prevailed on “fair use,” but the Judge made it clear that Meta would have lost if plaintiffs’ lawyers made the right “market substitution” arguments.
• Courts’ increased skepticism of AI’s “fair use” defense is fueling accelerating AI settlements and content licensing activity, which is good for both AI and media.
• New “usage based” AI content licensing models are being defined right now, following the same pattern as we’ve seen in past massive technology shifts impacting the entertainment industry. Napster’s music theft led to new streaming royalties. YouTube’s content IP theft led to its ContentID system.

Reach out to host Peter Csathy at peter@creativemedia.biz, and check out Peter's entertainment, media, AI and tech-focused business advisory and legal services firm Creative Media. You can also sign up for his free generative AI-focused newsletter "the brAIn" on Substack (via this link) -- all about how generative AI is transforming the media and entertainment industry.

Occasionally, I'll take a break from my exlusive 1-1 interviews with top movers and shakers in the AI and media/entertainment worlds to feature fascinating "deeper dives" of my articles (that I generate, and approve, via Google NotebookLM).

This is one such "deep dive" - based on my recent newsletter article titled, "Maybe AI WILL Save the World? Join My Journey of Unbridled AI Optimism." I handled all the prompting - listened to the entire episode before posting it - and stand behind its contents (which accurately reflect my article and the issues surrounding it - including my vision of an inevitable "forced Utopia" even under the rosiest of AI "Accelerationist" scenarios).

I think you'll find engaging, thought-provoking, and enlightening. But let me know what you think. Send me a note to peter@creativemedia.biz.

Reach out to host Peter Csathy at peter@creativemedia.biz, and check out Peter's entertainment, media, AI and tech-focused business advisory and legal services firm Creative Media. You can also sign up for his free generative AI-focused newsletter "the brAIn" on Substack (via this link) -- all about how generative AI is transforming the media and entertainment industry.

What happens when the chief spokesperson and lobbyist for the Human Artistry Campaign (the coalition of 180+ creative and Artist organizations worldwide) sits down to discuss the state of AI regulation and legislation in D.C.? You get a fascinating conversation with Dr. Moiya McTier. Moiya has spent time on Capitol Hill with members of Congress in support of the creative community’s interests.

Here are some highlights of our discussion:

• Legislative Progress: Federal legislation isn’t dead. But it’s certainly not moving fast, although bi-partisan support isgrowing for the NO FAKES Act (digital replicas) and the TRAIN Act (data transparency).
• “Stealing Isn’t Innovation”: Moiya discusses the Human Artistry Campaign’s recently launched “Stealing Isn’t Innovation” campaign, which educates the public on how AI models are trained using unlicensed data without permission.
• Ethical AI Standards: True ethical AI requires a framework of consent, credit, and compensation.
• Identity Protection: AI is uniquely dangerous because it can mimic an artist’s voice, likeness, and style, threatening their professional identity.
• Intrinsic Value of Art: Over-reliance on AI risks “creative atrophy” by removing the essential human struggle of expression.

35 minutes. Zero fluff. Total insight.

Reach out to host Peter Csathy at peter@creativemedia.biz, and check out Peter's entertainment, media, AI and tech-focused business advisory and legal services firm Creative Media. You can also sign up for his free generative AI-focused newsletter "the brAIn" on Substack (via this link) -- all about how generative AI is transforming the media and entertainment industry.

In this episode, I revisit my conversation with Josh Freeman, VP of Business Development of "must watch" company ProRata.ai, which sits at the center of the generative AI/content divide. The company recently raised an additional $40 million (bringing its total haul to over $70 million). Its vision is to solve one of the most challenging issues at the center of generative AI — i.e., the use of IP/content without consent, compensation and attribution.

Josh tells me that the company's proprietary tech can do three critical things: (1) identify “proportionate attribution” to content sources used for generative AI training purposes, based on each source’s relative contribution to the ultimate GenAI output/display; (2) enable reporting of that attribution/contribution; and (3) enable ongoing payments to the relevant rights-holders.

Since this episode first posted one year ago, ProRata also launched its own AI search chatbot, Gist Answers, to compete directly with Perplexity, Gemini, ChatGPT and others in AI search. But unlike those AI chatbots, ProRata.ai says it does it “ethically” — training its AI models on — and then outputting/displaying — only licensed content sources.

The company counts 1,500+ media partners, including The Atlantic, The Guardian, Sky News and Vox. And here’s the fascinating part. The company gives its partners an ongoing 50/50 revenue split on any revenues generated by Gist Answers (not just a single up-front licensing payment).

Reach out to host Peter Csathy at peter@creativemedia.biz, and check out Peter's entertainment, media, AI and tech-focused business advisory and legal services firm Creative Media. You can also sign up for his free generative AI-focused newsletter "the brAIn" on Substack (via this link) -- all about how generative AI is transforming the media and entertainment industry.