The conversation delves into the upcoming Oscars, discussing predictions, nominations, and notable films. It also explores the significance of casting in films and the impact of recognition and awards in the entertainment industry. The emergence of a new male leading star in Hollywood is also highlighted, along with the introduction of a new category for Best Casting. The conversation delves into the impact of costumes in film, the challenge of casting, the portrayal of iconic figures, the art of reenactment, controversy and mergers in the film industry, speculation on potential hosts for the Oscars, and the potential for podcasts to be recognized at the Oscars.

The conversation delves into the America's Next Top Model documentary and its impact on participants, as well as a broader discussion on reality TV and its effects on those involved.

The conversation covers a range of topics, including the transition between talk shows, the future of daytime talk shows, the end of certain talk shows, the impact of online personalities on television, the highest grossing actors, a movie review of 'Glitter,' and the potential for Mariah Carey's film redemption.

What is up, everyone? Welcome back Today, we are looking at the 'Big Red N'—Netflix. They’ve evolved from a streaming disruptor into a full-blown media juggernaut, and they’re starting to look a lot more like... well, cable TV.

We’re talking about their massive pivot into live events and franchise acquisitions, and why Disney is finally pulling Hulu into the fold. But the real question we’re asking today: Are we over the binge? We’re seeing a massive shift back to 'appointment viewing' and weekly releases. We’re going to get into the psychology of that shift, how platforms are using controversy to keep us subscribed, and why your streaming bill keeps climbing while the libraries feel smaller.

Let's dive in."

You think acting is just memorizing lines? Think again. This week on F* IT WE'LL FIX IT IN POST**, we’re sitting down with Nashville Actor Tony Insignares, a man who’s been grinding in this industry for 20 years. From the high-stakes energy of live theater and national tours to the technical precision of film, Tony has seen it all.

We get into the "unspoken" side of the craft—treating acting like a professional sport. Tony breaks down why you need the mindset of an athlete to survive the Los Angeles hustle and why mental health is the secret weapon most actors ignore.

We also talk about the magic (and the absolute chaos) of touring theater, the power of being "ugly" and vulnerable on stage, and how to keep putting yourself out there when the industry tries to wear you down. Whether you’re an aspiring actor or just love a good "behind-the-curtain" story, Tony’s journey is a masterclass in staying authentic in a town built on make-believe.

Pack your bags and check your ego—we’re going deep on this one.

Wait, did the Golden Globes just invite us to the party? On this episode of F* IT WE'LL FIX IT IN POST**, we’re breaking down the massive news that podcasts are finally getting their own category at the 83rd Golden Globes. We dive into the inaugural "Best Podcast" nominees—from SmartLess to Call Her Daddy—and ask the real question: are these actually the "best," or just the ones with the most famous friends?

We’re also talking snubs (sorry, Joe Rogan fans), whether a nomination actually moves the needle for a show’s stats, and how different genres are fighting for a seat at the table.

But it’s not all awards season "prestige" talk. We’re geeking out over the 2026 animation race—including Zootopia 2 and the surprise Demon Slayer nod—and, of course, checking the pulse of the Marvel Cinematic Universe. Is the hype for the next Spider-Man reaching a breaking point, or are we all just waiting for Sony to finally give us a date for Beyond the Spider-Verse?

Grab a drink, ignore the audio peaking, and let’s get into it. (We’ll fix the hot takes in post.)

This is part 2 of our conversation with Jasmin Shuler where she talks about how a break up led her life on a new path which eventually led her to working on a number of film sets as a production Assistant, and how she took what she learned from sets to direct and produce her own projects.