...in which we pull up a pew at St Oswald’s Church, Grasmere, for a wide-ranging chat about faith in the hills, fell-running and the day-to-day life of the rural vicar.

Opening the podcast, we reflect on the personal and faith journeys that have led Lawrence Basham (rector of the Parish of Grasmere and Rydal), Charlie Day (curate of the Binsey Mission Community) and Sam Bentham (intern at Grasmere and Rydal) to the Lakes and consider the ‘no two days the same’ reality of life as a vicar in rural Cumbria.

Turning our attention to St Oswald’s, we delve into the history of a wood-carved pulpit that links Sam Read Bookseller, a near-tragedy in the church and Greenup Edge; and consider why Grasmere Rushbearing plays such a key role in the life of the village.

Disappearing down a fell-running rabbit hole, we discuss the inaugural ‘Rector’s Run’; the remarkable community of those who run in the fells and the spiritual ‘settling’ that happens when moving through wild places, before Charlie describes a heart-stopping moment in Wasdale (’Swing Low, Sweet Chariot!’) at the head of Joss Naylor’s funeral cortège.

Closing our conversation, we play Cumbrian church Top Trumps (and are spoiled for choice); consider our guests’ favourite time in the church year; and brainstorm a new event for the Lakeland calendar – a drive-in midnight mass (or should that be moss) at White Moss... You heard it here first...

• More information on St Oswald's can be found here: https://www.achurchnearyou.com/church/12407/

• More information on the Binsey Mission Community can be found here: https://www.binsey.org.uk

...in which we head south over a snowy Dunmail Raise to immerse ourselves in the world of Arts and Crafts at Blackwell.

In the company of Niall Hodson, Keeper of Collections at Lakeland Arts, we start our conversation taking a long view over wintry Windermere and the context in which the Arts & Crafts movement emerged – the rise of mass production in the Victorian age.

Paying homage to John Ruskin – over the hill in Coniston – we consider the polymath visionary’s founding contribution to a movement that encompassed social justice, art and architecture, and the impact of his iconic treatise The Stones of Venice that called for traditional craftsmanship, simplicity and the use of natural materials in everything from furniture to buildings.

Entering Blackwell, we are immersed in the movement made real, with immaculately detailed stonework, wood carvings, floor tiles, stained glass and wallpaper showcasing the creative talents of dozens of local craftspeople, all designed into a coherent rural retreat for the wealthy Holt family of Manchester.

Wandering through room after enchanting room, we meet two more key figures whose lives are intertwined with the house: William Morris – the revolutionary designer, craftsman, social activist, and founder of Morris & Co – and Blackwell architect Mackay Hugh Baillie Scott, whose extraordinary vision gave rise to one of Lakeland’s finest, and most eccentric, houses.

In divers quickfire ramblings that take in pubs, breweries and stag do’s, we proceed into Blackwell’s recent past, and its second life as an evacuees’ boarding school, before closing by considering the legacy of one of the country’s most important arts movements – as relevant as ever in the age of AI.

• Blackwell is open from now until 31 March: Monday – Saturday 10am – 4pm, then 1 April – 31 October: Monday to Saturday 10am – 5pm. The house is currently exhibiting 'Frances Priest Motif | Line | Colour' until 11 April, 2026. Explore the ceramic work of celebrated Edinburgh-based artist Frances Priest in an exhibition tracing 25 years of her artistic work.

• More about Blackwell can be found at: lakelandarts.org.uk/blackwell/