Bulletproof Screenwriting™ Podcast  By  cover art

Bulletproof Screenwriting™ Podcast

By: Bulletproof Screenwriting
  • Summary

  • The Bulletproof Screenwriting Podcast shows you how to make your screenplays bulletproof. Weekly interviews with Oscar® and Emmy® award winning screenwriters, story specialists, best-selling authors, Hollywood agents and managers, and industry insiders. We cover every aspect of the screenwriting process. This is the screenwriting podcast for the rest of us. No fluff. No BS. Just straight talk that will help you on your screenwriting journey.

    Some of the past guests include 3X Oscar® Winning Writer/Director Oliver Stone, Eric Roth (Dune, Forest Gump), Edgar Wright (Shaun of the Dead), Richard Linklater (Boyhood, Slacker) James V. Hart (Dracula, Hook), John August (Big Fish, Aladdin), Jim Uhls ( Fight Club), Peter Rader (Waterworld), Diane Drake (What Women Want), Daniel Knauf (Carnival, Blacklist), Derek Kolstad (John Wick) and Pen Densham (Robin Hood, Backdraft) to name a few.

    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
    © IFH Industries, Inc.
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Episodes
  • BPS 365: Making Money & Cracking the Amazon Code for Self Distribution with Ismael Gomez
    May 2 2024
    Today on the show we have a filmmaker that was able to crack the Amazon code and actually make money self-distributing his low-budget film on the platform. His name is Ismael Gomez.Ismael Gomez is a Cuban-American filmmaker. In 2009, he received an Artist Fellowship grant to pursue his B.A degree in Film Production. After completing his studies, he began to work as lead editor on several motion pictures and commercials for theatrical and TV releases. Some of his projects have been screened at Cannes, Starz Denver, Tribeca, and Miami International film festivals.

    His film is Death of a Fool. A teenager and his dying grandfather conduct afterlife investigations in Miami when a mysterious man hires them to find the secret to immortality.Ismael was able to generate close to $75,000 in rentals and sales on Amazon using about $9000 in Facebook Ads. In this conversation, I dig in deep on how he did this, his techniques, and how he used the Filmtrepreneur Method to create additional revenue outside of TVOD.

    Enjoy my conversation with Ismael Gomez.

    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
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    1 hr and 3 mins
  • BPS 364: Producing Terrance Malik & Build a Mammoth Empire with Tanner Beard
    Apr 25 2024
    Today on the show we have renaissance filmmaker Tanner Beard. I Had the pleasure of meeting him at the Mammoth Film Festival this year. His adventures in Hollywood are pretty amazing.Tanner Beard is a film and television actor, producer and director as well as CEO of Silver Sail Entertainment and Mammoth Film Festival. SSE was created during the industry strike of 2008 with a concentration on cultivating professional media content without sacrificing the integrity and artistic vision of the content creators themselves.Tanner has since produced various projects including a travel show, award-winning short films, award-winning documentaries, commercials, music videos and multiple seasons of a web-based television series.

    His feature film producer credits include critically acclaimed ‘Hellion” starring Aaron Paul and Juliette Lewis, and ‘Legend of Hell's Gate,' which he also wrote, directed and starred in alongside Eric Balfour, Henry Thomas, Jenna Dewan Tatum, Summer Glau, Kevin Alejandro, and Lou Taylor Pucci. Mammoth Film Festival was named by the press as “the biggest first-year film festival ever created” in 2018.In early 2015, Tanner Beard entered into a four-film partnership with iconic Oscar-Nominated Director Terrance Malick and producer Sarah Green. ‘Knight of Cups‘ stars Christian Bale, Ryan Gosling, Cate Blanchett, Michael Fassbender, and Natalie Portman. The only documentary of the partnership, ‘Voyage of Time,' was produced alongside Brad Pitt, who also narrates the film. It recently premiered at the Venice Film Festival and had its North American Premiere at the Toronto International Film Festival.

    Enjoy my conversation with Tanner Beard.

    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
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    1 hr and 5 mins
  • BPS 363: Editing for Directors with Gael Chandler
    Apr 18 2024
    Television editor and author Gael Chandler is on the hot mic today. Most of you may know by now that I started out in post as an editor. Anytime I have another editor on it’s like sailors recalling old battle stories, which are always very entertaining. It is a whole other world when a director says, ‘CUT!’ to the final scene and the elves of film production, EDITORS, get to work. While I am curious to hear Geal’s stories from behind the scenes, I would like to focus first on her new book, Editing for Directors: A Guide for Creative Collaboration which was released in August of 2021. This is her fifth publication which shares tools and lessons from her expert experience in film production/editing.

    Gael has been nominated twice for the Cable Emmy award for comedy editing and has taught editing practices and history at Loyola Marymount University and California State Universities at Long Beach, Los Angeles, and Northridge.Editing for Directors: A Guide for Creative Collaboration focuses on how directors should be working with editors. It guides directors through postproduction, starting with planning for editing during the shoot and ending with the completion of their film.

    This thorough, well-illustrated book:Describes the artistic, organizational, and technical skills editors bring to the party; with tools on what directors should look for when hiring an editor and the best ways to work with an editor; It further explains how and why directors should plan for editing before they shoot a frame. An entire chapter is devoted to relating the history of editing and cutting tools and how they have affected the language of cinema and present-day editing while defining and discussing cutting-room terms, practices, and workflows.Gael filmography credits her editing on wonderful 90s television shows like Max Headroom, Deep Dark Secrets, A Mom for Christmas, Family Matters, and The Very Retail Christmas.

    Some of her other books include Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know and Cut by Cut: Editing Your Film or Video.It’s always fun to hear unique stories from seasoned technicians and the huge technological revolution or evolution their line of work has had to face as well as their adaptation processes.

    Please enjoy my conversation with Gael Chandler.

    Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.
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    55 mins

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Great Resource for Learning About the Business

I started listening to this podcast to learn as much as I could about the screenwriting process and information about the "industry", as one of many sources during my journey. This podcast certainly has that and more. Guests are a wide range of writers and filmmakers from blockbuster to indie films.

I will say there is a lot of information that seems to be geared toward the indie filmmaker, which seems to be a different world than the commercial industry. At least that's the way I've come to understand it through this podcast. However, through those indie film stories told, I've learned I am certainly not an indie filmmaker or screenwriter. This podcast has helped me understand that I am definitely more of a commercial writer, and that's a good thing in helping me find my voice.

Additionally, the podcast topics are focused on feature film versus television, although there have been a couple of guests - more specifically Pamela Douglas - who have shared their experiences and wisdom about writing for television. Even though I am more interested in TV writing, the podcast as a whole has been very educational.

I started from the first episodes and have been listening my way through the entire library. I will say that the host was a little frustrating to hear toward the beginning, because he would dominate the conversation and constantly share his experiences as a filmmaker instead of letting his guests share their experiences. However, I'm glad to see that Mr. Ferrari has tempered those tendencies as the show has progressed. What he shares is now more of a balance and a dialogue with his guests and the information gleaned is priceless.

I would recommend this podcast for anyone who is looking to find their voice, learn about the movie industry and get on the right path toward a career in either indie filmmaking or screenwriting. Break a leg!

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Fantastic! Inspirational!

David is an inspiration to all new filmmakers who dream of make it in the business.

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