One of the things I [lizzie] really enjoyed about interviewing Toronto-born singer-songwriter Julian Taylor is his relationship with the truth. He has a really peaceful attitude towards learning and sharing new information. For example, at the beginning and the end of our interview, there were biographical facts about him that I had gotten wrong in my research. Gently and matter of fact he fact-checked me and we just moved on. It was such a cool example of, "Oh, you've got this a bit wrong and it matters that we get it right," but nothing about that is personal. In an era of misinformation and alternate facts, it feels really grounding to have an hour-long conversation with someone who really cares about getting it right. That shows through in his songs and in his storytelling.

Julian experienced an eclectic musical upbringing thanks to his classical-and-gospel musician father, his mother’s love of Motown and folk, and wide influences from pop to blues. Oral tradition in his family shaped how he tells a story. Especially on his mother's side with his Mohawk grandfather, a pastor who told incredible stories. He also discusses being pigeonholed by race and genre. Oftentimes, people will think that he performs a certain type of music because he looks a certain way. He mentions that audiences can be shocked when he pulls out a country song while sporting hair that looks more reggae than Johnny Cash. Taylor discusses his breakthrough 2020 album, 'The Ridge,' he talks about his writing process (often starting with lyrics), and the intent behind his latest release 'Anthology: Volume Two' – including “Hunger,” “Don’t Let ’Em” (with Jim James), “Dedication,” and “Weighing Down” – addressing mental freedom, identity politics, and self-forgiveness.

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Mike and Ruth Merenda have been making music together as the Mammals since 2001, with a little break in 2008 to play as Mike & Ruthy. They've been back as the Mammals since 2017 with a couple of great albums, most recently 'Touch Grass' Vol. 1 and Vol. 2. Mike, born and raised in New Hampshire, picked up the banjo after he met fiddler Ruth Unger. Ruth is the daughter of Jay Unger, a much loved folk musician who is best known for his composition, "Ashokan Farewell," used as the theme tune to the Ken Burns 1990 documentary 'The Civil War,' which you now have playing in your head. Essentially, Ruth grew up surrounded by folk music, which she talked all about on her last appearance on Basic Folk.

This time around, we dig into a few of the songs on their double album 'Touch Grass.' There are A LOT to choose from: seventeen tracks in all. It was a four-year project recorded at their Humble Abode studio in the Catskills. The songs offer a mix of socially conscious "daytime" folk-rock and introspective "nighttime" Americana. We get into the gospel influence on "O The Cruelty," the barebones arrangements of "Old Friend," and keeping the sadness in check with "Doldrums." They also talk a bit about their home venue, the Ashokan Center, where their musical festival the Hoot takes place. Let it be known that the center has a ton of old farm equipment and no, they do not want any more, so don't ask them to take it. Thanks, Mike & Ruthy!

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Joe Henry has released 15 studio albums, apprenticed for legendary producer T Bone Burnett and, in turn, has produced many other musicians' albums on his own, including three GRAMMY Award-winning albums – for Solomon Burke, Carolina Chocolate Drops, and Ramblin' Jack Elliott. He's co-written a few songs as well, including a couple with his sister-in-law, who happens to be the one and only legendary pop icon, Madonna. His latest album is 'Life and Time,' a collaboration with songwriter Mike Reid, who has written many wonderful songs like "I Can't Make You Love Me," one of Bonnie Raitt's most successful and beloved recordings. In recent years, Joe has struck up a friendship with our bestie, Mark Erelli. Mark's been on Basic Folk 10,000 times and in honor of his new record, 'Spring Green,' we invited him to do whatever he wanted on this appearance on the pod. Mark chose to be in conversation with his friend Joe on location in Joe's beautiful studio located north of Portland on the coast of Maine.

In 2020, Mark was diagnosed with retinitis pigmentosa (or RP) which is causing him to slowly go blind. Joe was diagnosed with stage 4 prostate cancer in 2018 and was told he only had months to live. Now, in 2026, his cancer is in remission and his health has improved. In this Basic Folk conversation, they tackle topics such as asking for help and finding hope while living with chronic illnesses. They also get into other parallels the two musicians have experienced, including how music has shaped their male friendships and being free of vanity. Mark and Joe have never worked together, but their respect and admiration for the other is clear from their time together. Here's hoping a collaboration is in the works for the near future!

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