So, is there a Homeric influence on the New Testament? Or, more specifically (per MacDonald), did Luke deliberately pattern and structure elements in Acts of the Apostles on episodes from Iliad 2? In this episode, the guys consider the case that MacDonald lays out, namely that Luke pairs the visions of Cornelius and Peter (in Acts 10 and 11) in a way that tags the Zeus-sent dream to Agamemnon and Odysseus’ recollection of the portent of the serpent and the sparrow. Does it hold up? Would a first century audience have recognized it as such? Are the linguistic parallels convincing? And perhaps the biggest question of all: why tag Homer in the first place?

In 2003, Dennis R. MacDonald published an important monograph with Yale University Press entitled: Does the New Testament Imitate Homer? Four Cases from the Acts of the Apostles. In the provocative opening salvo, MacDonald explains: ‘"'Who would claim that the writing of prose is not reliant on the Homeric poems?' This rhetorical question by a teacher of rhetoric requires a negative answer: no ancient intellectual would have doubted that the Iliad and the Odyssey informed the composition of prose, including potentially the stories of the New Testament." Come along this week as Jeff and Dave tackle the big questions about the form-criticism take on the New Testament vs. imitation (μίμησις). MacDonald lays out his six criteria, and we get into the nit and grit of some first century compositional realities. Is MacDonald's thesis ultimately persuaive? Did Luke in Acts imitate Vergil, Homer, neither, or something else altogether? It's a complicated topic, for sure, with a long and thus far intractable history.

Neoteric poetry is on the menus this week, as the guys take a close look at what Dave considers the most beautiful and moving poem from antiquity: Catullus 101. This is the famous threnody that Gaius Valerius Catullus (87-55 B.C.) addressed to his brother's ashes in Bithynia around 57 BC. The haunting lines of elegiac couplet compress a world of sorrow and sadness into 10 short verses. Along the way, Jeff explains how Catullus might have been a beat poet, and there's much discussion of what was driving the art and culture of the time. The one gentleman of Verona, the place that was a kind of Roman Hocking Hills, made his way to the capital city at the age of 22 and quickly put his name in lights with his brilliant and racy poetry addressed to cow-eyed Lesbia. Listeners will want to tune in for the new music, a brand-new sponsor (dellachelpka.art), and the usual, though moderated - given the weighty subject matter - hijinks. Check out A.S. Kline's translation of the poem here: https://www.poetryintranslation.com/PITBR/Latin/Catullus.php#anchor_Toc531846828