AMPS Podcast Podcast Por Association of Motion Picture Sound arte de portada

AMPS Podcast

AMPS Podcast

De: Association of Motion Picture Sound
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Podcast by Association of Motion Picture SoundAll rights reserved Arte
Episodios
  • Ep65 - Production Sound Mixers - Adam Fletcher, Simon Hayes, Paul Paragon and Nadine Richardson

    Ep65 - Production Sound Mixers - Adam Fletcher, Simon Hayes, Paul Paragon and Nadine Richardson
    Mar 6 2026
    Production Sound Mixers Nadine Richardson, Simon Hayes, and Adam Fletcher in conversation with host Paul Paragon about the importance of the production sound mix. We hear about how the off-lines, breaths and capturing the original, authentic performances are key to fabulous sound and so much more! Fascinating insights from some of our top UK PSMs. This AMPS Podcast is sponsored by URSA Straps https://ursastraps.com Recorded by Richard Thomas AMPS. Edited and mixed by Kate Davis AMPS at Azimuth Post Production
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    47 m
  • Ep64 - EPiC - Wayne Pashley

    Ep64 - EPiC - Wayne Pashley
    Mar 5 2026
    Martyn Harries AMPS in conversation with Sound Designer Wayne Pashley about the cinematic experience of Elvis telling his own story, in his own words in Baz Luhrmann's film EPiC. Wayne talks about his 30 plus year working relationship with the director and how the team were given the freedom to explore and create a tone poem based around live performances, rehearsal footage and a never before broadcast, 45 minute recording of Elvis talking about his life.
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    31 m
  • Ep63 - Sirat - Laia Casanovas and Yasmina Praderas

    Ep63 - Sirat - Laia Casanovas and Yasmina Praderas
    Mar 4 2026
    AMPS’ Nina Hartstone talks to Sound Designer Laia Casanovas and Re-Recording Mixer Yasmina Praderas from the first all woman sound team to receive an Academy Award nomination about their work on the Spanish desert rave film Sirât. Hear how they managed to recreate the authentic sound and feel of the raves, and how they used sub bass and dynamic range to create tension and contrast in the incredible and impactful soundtrack for this unique film. Mixed and Edited by Kate Davis at Azimuth Post Production
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    31 m
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