‘The fate of the writer is to dwell in that realm of shadows and apparitions and half-seen thoughts…’

This week, we join Sally sketching a scene for her new novel, Mrs Parnell, in which the stern housekeeper Mrs Parson encounters a figure on the stairs. But who is this figure? An intruder? A suitor? Or even, perhaps, a reimagining of Gabriel Conroy, from Joyce’s short story ‘The Dead’ (1914)? Listen for an immersion in Sally’s creative process, developing an image and its home in a narrative.

Gabriel was previously the topic of Sally’s conversation with the producer in the last episode. Listen here.

This episode was edited and produced by James Bowen.

Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

‘He stood still in the gloom of the hall, trying to catch the air that the voice was singing and gazing up at his wife. There was grace and mystery in her attitude as if she were a symbol of something.’

A special episode this week, as we join Sally in conversation with James Bowen, the podcast’s producer and a fellow teacher of literature. Listen for a conversation on the role of objects in narratives, and the way in which characters reduce one another to symbols in modernist literature, ranging across Joyce’s short story ‘The Dead’ (1904) to Virginia Woolf’s Mrs Dalloway (1925) and To the Lighthouse (1927).

You can find out more about James and his work here.

Alice Jolly’s novel, The Matchbox Girl, discussed near the end of the episode is forthcoming with Bloomsbury, and is available to pre-order from all good booksellers.

The wonderful piano music in the closing section is ‘Monday’, by Paul Seba. You can listen to more of his work here.

This episode was edited and produced by James Bowen.

Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

A note on the sound: We are still experimenting with this format, and apologise that the sound levels are a touch more uneven than normal. As such, you may need to set the volume at a slightly higher level than you normally might when playing this episode!

For Gabriella Kelly Davies.

‘On the last day of summer Mrs Bohannon fell in love. The poplars, fallaciously pathetic, looked horrified, their branches rising on the wind like startled hair, and a pilgrim cloud wept a few chill tears.’

This week, Sally is once again in the world of Alice Thomas Ellis. Listen for a close reading of the opening of Ellis’ fourth novel, The Other Side of the Fire (1983), focusing on the construction of space, character, and intimacy between writer, narrator, and reader.

The wonderful piano music in the opening section is ‘Thursday’, by Paul Seba. More on Paul and his work can be found here.

This episode was edited and produced by James Bowen.

Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

‘Mrs Mason looked now through Aunt Irene’s rich windows, sparking like spring water and framing fat pink shrubs that grew with child-like health in the tiny London garden.’

This week, we join Sally navigating the world of Alice Thomas Ellis’ absurdist novel, The 27th Kingdom (1982), exploring the parallel lives of its two central women. Listen for a meditation on building character, society, and our means of placing ourselves in the world around us.

More information on Ellis and her work can be found here.

This episode was edited and produced by James Bowen.

Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

For Miss Braithwaite, who gave me eloquence.

‘I need to summon the spirits of place…’

This week, we join Sally in rehearsal for a performance, given last week at Somerville College as part of Oxfordshire Mind’s evening of ‘Connections.’ Listen for an invocation of character, both in fiction and of those figures in our own lives that become part of our stories.

Both Gladys and J.M.W. Turner feature in Sally’s recent novel, The Green Lady (William Collins, 2023).

This episode was edited and produced by James Bowen.

Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

‘Enid’s hands are always kept busy caring for other people…’

This week, Sally continues her theme of developing characters from objects by presenting a portrait of Enid Bagot, a young woman used to working with her hands, who will feature in Sally’s forthcoming imagined biography, provisionally titled Mrs Parnell. Listen for a reflection on the routines and rhythms of life and work, interspersed with the moments from Sally’s own life that provide her inspiration.

The image of the cat by Edward Lear that Sally refers to can be viewed here.

The wonderful piano music in the opening section is ‘Tuesday’, by Paul Seba. More on Paul and his work can be found here.

This episode was edited and produced by James Bowen.

Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

‘His straw hat hurt him, it pinched his forehead and started a dull ache in the two bones just over the temples…’

This week, Sally has been reading and teaching Katherine Mansfield, focusing on characters in her short fiction. Listen for a masterclass on openings, writing characters through objects, and making connections between and through them.

The full text of the stories Sally reads can be found here.

The passage read in the final section comes from Sally’s forthcoming fictional biography, provisionally titled Mrs Parnell.

This episode was edited and produced by James Bowen.

Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.

For Emilie: may you always sing.

We return this week, for a special micro-episode, to Mrs Dalloway’s London. Listen for a brief meditation on the fragmentation of life, interruption, and finding meaning in art.

This episode was edited and produced by James Bowen.

Special thanks to Andrew Smith, Violet Henderson, Kris Dyer, and Maeve Magnus.