You Should Have Left

A Novel

De: Daniel Kehlmann, Ross Benjamin - translator

Narrado por: Robertson Dean

From the internationally best-selling author of Measuring the World and F, an eerie and supernatural tale of a writer's emotional collapse

"It is fitting that I'm beginning a new notebook up here. New surroundings and new ideas, a new beginning. Fresh air."

This passage is from the first entry of a journal kept by the narrator of Daniel Kehlmann's spellbinding new novel. It is the record of the seven days that he, his wife, and his four-year-old daughter spend in a house they have rented in the mountains of Germany—a house that thwarts the expectations of the narrator's recollection and seems to defy the very laws of physics. He is eager to finish a screenplay for a sequel to the movie that launched his career, but something he cannot explain is undermining his convictions and confidence, a process he is recording in this account of the uncanny events that unfold as he tries to understand what, exactly, is happening around him—and within him.

Reseñas de la Crítica

“This mind-bending novella about a writer losing his marbles contains images that startle and linger....The most arresting of the book’s chilling moments might do for baby monitors what ‘Jaws’ did for swimming in the ocean....[Kehlmann] manages a few darkly comic flourishes...provocative...potent...pleasantly unsettling.”
—John Williams, The New York Times

“A quick, fun breathless read. It’s inventive and scary—and a delightful take on the writing life.”
—Huffington Post

“A beautifully crafted exercise in terror from one of Germany’s most celebrated contemporary authors….This novel is, in many ways, a classic haunted-house tale. There are warnings about the house from the people in the village below. There’s a creeping sense of horror. There are frightening phenomena that the narrator cannot explain. And there are specters. Kehlmann uses all these familiar tropes beautifully. But he also creates a sense of existential dread that transcends the typical ghost story….A book to keep you up at night.”
—Kirkus Reviews, *starred review*

“A well-crafted tale about one man unravelling due to forces beyond his control….You Should Have Left—part-horror, part-psychodrama—serves up effective shocks and thrills that keep us rapt and on the edge of our seats. The narrator’s journal slides from excerpts from his screenplay to accounts of his own creeped-out tragedy, and slips from coherence to jumbled trains of thought, and each time we lose purchase yet delight in the confusion and the tension.”
—Malcolm Forbes, The National

“My favorite German novelist.″
—Ian McEwan, The Sunday Times (London)

confused...is there going to be more???

Felt like it had a good start at the beginning, but at the end I felt confused and like there should be more to the story or a second part.

Like a good episode of the original Twilight Zone

An intriguing little confection. It’s going to be made into a movie which will be quite some trick given how little actually happens in the story. Much of it is so internalized but really spooky. It will stay with you long after you’ve read it (or listened) in this case.

Well performed but at times the translation from the original German becomes somewhat apparent.

Creepy

A strange and creepy tale. Non-gory. In somewhat the same genre of psychological horror as Zoje Stage’s Wonderland or the granddaddy of them all, Thd Turn of the Screw.

Great book.

This is the first book I've listened to that was narrated by Robertson Dean. He did a great job. The story was a little hard to get a hold of at the beginning but within 15-20 minutes I got the hang of the writer's style. I look forward to watching the movie with Kevin Bacon in the future.

Listening in an empty dark house wasn't my best idea.

The way the author writes adds to the creepiness of this story, and that last chapter definitely had me avoiding looking down the hallway or out the window. If you enjoy an occasional case of the heebies and/ or jeebies... this'll do it.

Great idea, but poorly executed or incomplete.

I really enjoyed the concept of Mr Kehlmann's story, but it was underdeveloped. It's closest analog might be Stephen King's "The Shining," but with less detail. He did a good job of not copying that story, but his story left me feeling unfulfilled. The characters were interesting, and I wanted to learn more about them, but got too little history to develop much sympathy for them. That the principal character was a writer attempting to complete a screen play seemed poetic in a way, since the dialogue between the characters was the most detailed and skillfully done part of the story. Still, I was left feeling like the story itself was skeletal, like an outline of something that should've been bigger. I wish I could read (understand) the German language, as I suspect some story details and dramatic impact may have been lost in the translation. But, with all due respect to Mr Dean the translator, I'll admit this is mere speculation.

I enjoyed the reading of the story. The actor's performance was entertaining. His vocal range was very interesting, with a mellifuous baritone that was quite distinctive. He reminded me a little of Orson Welles.

No doubt I'll have to read more of Mr Kehlmann's work...

I had no clue where this was going

This book kept me on my toes for just enough time. I loved it and will be looking for other works.

Very nerve racking

It felt like listening to a short film. There was so much that didn’t make sense but it felt like it was written like that intentionally to keep you guessing of what comes next.

Solid Listen

A Good build, and a Solid ending. Gives a Very “The Shinning” vibe when reading.

Perfect for those who like atmospheric horror

The first 30 minutes are a little slow, but once you get past that this story gets extremely creepy. It kept me up for days afterwards.