Within a Budding Grove

Remembrance of Things Past, Volume 2

By: Marcel Proust, C. K. Scott Moncrieff - translator

Narrated by: Neville Jason

Length: 26 hrs and 18 mins

Publisher's Summary

Remembrance of Things Past is one of the monuments of 20th century literature. Neville Jason’s widely praised abridged version has rightly become an audiobook landmark and now, upon numerous requests, he is recording the whole work unabridged which, when complete, will run for some 140 hours. 

Within a Budding Grove is the second of seven volumes. The young narrator, experiencing his youthful sexuality, falls under the spell of a group of adolescent girls, succumbs to the charms of the enchanting Gilberte, and visits a brothel where he meets Rachel. His impressions of life are also stimulated by the painter, Elstir, and his encounter with another girl, Albertine. 

PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

Public Domain (P)2012 Naxos AudioBooks

One young nubile girl and then another ...

My first recommendation when reading Proust is the reader MUST make sure they have a reliable bookmark, because when (not if, but when) you lose your place your faulty memory will not be able to remember exactly where you just were. One young nubile girl starts to blend into another young nubile girl who looks at this point a lot like her friend. One picked flower starts to smell like another from an earlier page; a page that seemed to exist a whole lifetime ago. One young man with mommy issues starts to look almost exactly like another young man with grand-mommy issues.

That being said, you don't read Proust for the lines. You read Proust for everything else. It is those moments between plot points where all the rich texture resides. There is something languorous about just simply letting Proust's prose wash over you ~~~ wave after wave. Suddenly, you really don't care if you've already read a certain page because you are content and you recognize that you will read it again in just a few pages anyway and it will be beautiful and true all over again.

Neville Jason's narration is a fantastic crutch. I use the narration to keep me paced as I read the text. I tried this approach first with Joyce and it worked so well I used it with Pynchon. The listening/reading approach is perfect for Proust.

Philosophy and Psychology in guise of Literature

If one is not emotionally repulsed by the snobbery and pretentious French world at the time of the Dreyfus affair described within this book than one probably is missing out on what the author is trying to get at. Volume I needs to be read in order to follow what's going on in this book. The first fourth of the book wraps up the story from the previous volume. Marcel, the narrator's, name is not mentioned in this book and is only briefly mentioned in the first book. The maternal grandmother doesn't even recall Marcel's family name when polite convention required it. I'm intrigued by Odette (Swann's wife) and I'm anxious to see how she comes back into the story. This story mostly covers a season at a resort and how Marcel would reflect on how he experienced falling in love. Our memories are shaded by who we have become and the author illustrates that by his story telling.

Proust could best be shelved under Philosophy or Psychology rather than Literature. Our experiences of the world are determined by what our prior beliefs were weighted by our expectations of what we thought was going to happen discounted by what actually did happen. Or in other words, we are all Bayesians. Proust gets that and will show how we always are extrapolating from the past into our interpolation of the 'now' and projecting a future. Sartre quotes Proust extensively in his 'Being and Nothingness' for a reason. (Though, I seriously doubt Proust would have thought of himself as an Existentialist if he had lived into the 1940s, but I suspect he would have been comfortable with the Phenomenologist label in the style of Gadamar as laid out in 'Truth and Method'. One gets the similar lessons in each book, but Proust reads like a story instead of reading like a dry philosophy text book).

Almost every other page in this book has a wry observation or two on being-in-the-world and the story is only acting as a pretense in order for the reader to understand deeper truths about being human. The world is not best experienced by atomization (that's a Nietzsche word and sentiment and the author within this book refers to Nietzsche many times). The totality of the whole through our familiarity of our being-in-the-world is how we must cope with our understanding about our own taking a stand on our own being. Even though, we are constantly in a Bayesian trap (the author doesn't use the word Bayesian but he continuously describes how we create our experiences in those terms).

One of the wry observations the author made is that even though we may dream about animals, animals are different from humans because they have reason with certainty and humans have reason without certainty. It's not important if one agrees with that sentiment (though, I do, and it's actually one of the better definitions I've seen for what makes humans different from animals), what is fascinating about this book is it has many psychological insights that are worth pondering. Another observation, when our inclinations are formed or discovered in our youth if we deny those inclinations latter in life we will be inauthentic to ourselves and much the less for it. The author was specifically referring to himself as a writer but it's easy to generalize that sentiment in to other areas.

It's our phrases (scrapes of music, works of art, or lines in a book) that make up our life and give us our understanding for the sublime. A real artist needs to break the mimetic trap from which we our thrown into the world and break free from the imitation of the 'they'. The narrator, Marcel, believes that a great piece of art such as a great book can help us move beyond the herd mentality of the they and allow us to transcend (he'll say that or equivalently in the narrative). There are a lot of deep thoughts within this book, but one needs to discover them for oneself and just be aware that this book does not read like 'The Girl on the Train' because it has something it wants to give to the reader beyond mere mindless repetition of stale story telling.

Jason Brings Proust to Life

Would you consider the audio edition of Within a Budding Grove to be better than the print version?

Yes

Which character – as performed by Neville Jason – was your favorite?

Baron de Charlus

Any additional comments?

I have just listened to all seven volumes of In Search of Lost Time so these comments apply to the whole series.

Jason's narration of this poetic work is "sans pareil." He gives all the characters a distinctive voice making it much easier to follow.His pronunciation of the french names is impeccable.

His English pronunciation is almost as good. Given Jason's mid-Atlantic plummy accent and the work's preoccupation with the upper class, his pronunciation of (the unfortunately frequently recurring word) "analogous" is teeth grating. (Hint: it should be pronounced with a hard "g.")

Nevertheless, Bravo Neville! (and of course Proust)

Mesmerizing

I found myself mesmerized by this book. Proust is a master of describing the intimate details of his thinking. Very little happens in the book outwardly. Essentially the narrator tells of his summer in a town on the Norman coast. And the characters, including the narrator, aren't particularly admirable. But it's absolutely fascinating to listen to his riffs on a wide variety of subjects, from sexuality to arts and artists to creativity to memory. Very hard to describe, but it's like listening to someone describing the incredibly interesting things they see inside a microscope looking at human character. The reader is good. Definitely kept my interest alive.

A Classic

"Read Montaigne to live", said Flaubert; I say, on the same vein, read Proust to live. This is the most beautiful story put to writing. Proust loves capturing every detail of living, and what he has to say moves one to tears. Despite its colossal length, I couldn't bear to part with a single word of Proust's.

Exponential detail

Proust provides so much detail in his writing that I’m not sure I could read it in a physical book. He draws us into his world in a way that is nearly intoxicating. As an audiobook, it’s superb.

Wonderful narration and a true masterpiece

Proust does not need any introductions, but in my opinion he was a magician of words. He can describe the littlest of events with such detail as if you are present in the scene. I loved Neville Jason’s narration, he knows what he is doing. A must for all Proust lovers!!

Brilliant!

The case only strengthens in the second volume of In Search…: the use of language here is as brilliant as it is in any work of fiction anywhere or at any time, save in the work of Shakespeare.

It’s an unusual pleasure, too, that the focus of that brilliance is mostly around exploring the many facets of one part of life - young love!

Neville Jason continues to do extremely fine work here.

Incredible

The writing and the performance -- both are amazing. Proust has become one of my favorite writers.

Never Gets in Ocean

I thought, "Swann's Way" was a little better. In "Within a Budding Grove" the young Proust (he never gives a name or an age, but I thin he is 16) spends the summer with his grandmother and Francious at the sea-side resort of Balbec, which is really Carboug, France. Well, NOT ONE TIME does he get into the ocean! I thought that this was negligent by Proust. How do you go to ocean but not get in the water? Nevertheless, this is definitely four stars for me, and Neville Jason is excellent. May Mr. Jason rest-in-peace.

Humour and Psychology

I can’t get enough of Proust, and thanks to this monumental feat of audio recording, I don’t have to. What makes him so wonderful is his wonderful sense of humour and acute sense for human psychology. Not psychology in some sort of distant, academic sense, but pragmatic, observational and projective, where he not only sees things around him and is able to analyze through them the human condition, but also the marvellous clear-sightedness where he’s able to write about “himself” (inasmuch as we want to see the narrator as the author, something this work effortlessly embraces) as the object of critique. His irony, sometimes near-impenetrable, encloses whole conversations, that only afterwards one realizes have been written down in jest.

The second part in the series, “Within a Budding Grove”, (again, this is Moncrieff’s title, the correct translation of the French “À l’ombre des jeunes filles en fleurs” rather being “In the Shadow of Young Girls in Flower” – as a sidenote, it’s good to know since the theme is played upon in the book) is slightly more difficult to appreciate than the sublime first volume, “Swann’s Way”.

I say “more difficult to appreciate”, which one may interpret as a coward’s way of saying “bad”, simply because while it’s a brilliant work, Proustian all the way through, it’s a step down from the wonders of the first volume, and for that matter, from the following volume. The first part, “Around Mrs Swann” ("Autour de Mme Swann"), is wonderful, but I can’t relate much to the Balbec episode, that is, "Place Names: The Place" ("Noms de pays: Le pays"). Perhaps it’s because we already have the archetype of Albertine in Mrs Swann that much of it feels rather rehearsed.

Neville Jason continues to amaze. Someone somewhere (vague enough for you?) described Jason’s ability to make Proust’s often quite complex sentences clear with his articulation and pace. He’s such a joy to listen to, and I’m completely sold on the prospect of listening to his “War and Peace” whenever I finish “Time Regained”.

Perfect

Brilliant narration

This is my first ' read' this far into Proust and I loved the story and the poetry of some the passages is so beautifully musical that I will be returning to listen again like one wood to a symphony, after I have finished volume six!

Themes include anti-Semitism and near-pedophilia

I loved the first book in this series, and parts of this one, but was disappointed to find it liberally peppered with anti-Semitism, and ending with an infatuation with girls who had yet to complete puberty (whom he liked most for that reason), and an unwillingness to believe one of those girls did not consent to him kissing her in bed. For all he regularly writes of propriety, the author did not understand consent.

The narrator was superb.

Excellent narration, in spite of MISSING 20 PAGES

Excellent narration. Proust's long sentences make perfect sense! Good range of voices. However, inexplicable gap in narration. 22 pages (in my edition) missing after Audible's chap 105

I posted this review some time ago. The missing pages have suddenly appeared causing all subsequent chapters to be renumbered!

Essentially the boring lives of the idle rich.

Much has been written in praise of Proust but this is the other side.
It is essentially the boring lives of the bone idle rich in early 20C France. A more pretentious collection of snobs I have never come across in any book. I am now on to vol. 5 & this applies to all I have listened to although to be fair it does improve in vol. 4 & 5. Is it worth the time ? You may think so. I am only continuing because of lockdown & I have 16 large loads of manure to move by shovel.
I feel these books are past their sell by date & belong to another era thankfully past. It is a pity the French revolutions failed to stop the rise of such a society portrayed here.

Difficult book to recommend

I think this would be impossible to recommend to anybody who is not interested in philosophy or French history or culture, or reading books simply because they are regarded as classics. The unusual writing style might be of interest to aspiring authors, or those studying literature, but that's about it. It's a very difficult book to recommend on it's own merits.