Radulich in Broadcasting Podcast Por Mark Radulich arte de portada

Radulich in Broadcasting

Radulich in Broadcasting

De: Mark Radulich
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Radulich in Broadcasting has a great reputation for providing tremendous podcast content in the Entertainment world. Now, they bring their myriad of shows to the W2M Network. Prepare for great things from Movie and Metal Music Reviews to Comic Book talk and more.

Mark Radulich has been an internet personality since 2004 with his Progressive Conservatism blog. He then took that blog to the airwaves and created a podcast for it. It then changed to PC Live. After that, he brought out the 411mania Ground and Pound Radio as well.

Finally, Mark would partner up with another 411mania alum, Sean Comer, to create the movie franchise review podcast Long Road to Ruin and then Robert Cooper to create the metal album review podcast, The Metal Hammer of Doom. Robert Winfree took over the MMA show and then added his own podcast, Everybody Loves a Bad Guy. That’s when the Radulich in Broadcasting Network was born. Joining Winfree in having their own podcasts were super fan’s Jesse Starcher (Source Material) and Jayson Teasley (From the Cheap Seats). The RIB has also partnered with The Casual Heroes for wrestling shows and the occasional movie related podcast. Finally Winfree and Radulich added a weekly movie review show to the ever growing lists of podcasts on the Network.

Don't forget to give that Radulich in Broadcasting Network Facebook page a like to stay up on top of all the great podcasts that they have to offer. You can find them at your convenience on blogtalkradio.com, Stitcher, TuneIn Radio, or iTunes! Just search "radulich" to subscribe to the networkCopyright W2M Network Arte Música
Episodios
  • Damn You Hollywood: Ready or Not 2 - Here I Come

    Damn You Hollywood: Ready or Not 2 - Here I Come
    Mar 31 2026
    Ready or Not 2: Here I Come is a 2026 American comedy horror film directed by Matt Bettinelli-Olpin and Tyler Gillett, and written by Guy Busick and R. Christopher Murphy. It serves as a direct sequel to Ready or Not (2019), with Samara Weaving reprising her role as Grace MacCaullay. The film also stars Kathryn Newton, Sarah Michelle Gellar, Shawn Hatosy, David Cronenberg, and Elijah Wood. Set immediately after the events of Ready or Not, it follows Grace as she must protect her estranged sister while being hunted by several elite families in a high-stakes ritual to claim a seat of ultimate power.

    Ready or Not 2: Here I Come premiered at the South by Southwest Film & TV Festival on March 13, 2026, and was released theatrically in the United States by Searchlight Pictures on March 20. The film received mixed-to-positive reviews[6] and has grossed $23 million.


    Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.

    Mark Radulich and his wacky podcast on all the things:
    https://linktr.ee/markkind76
    also
    https://www.teepublic.com/user/radulich-in-broadcasting-network
    FB Messenger: Mark Radulich LCSW
    Tiktok: @markradulich
    twitter: @MarkRadulich
    Instagram: markkind76
    RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
    Más Menos
    1 h y 39 m
  • Comic Stripped: Road to Perdition

    Comic Stripped: Road to Perdition
    Mar 28 2026
    Road to Perdition began as Max Allan Collins’ stark, Depression-era graphic novel—a crime saga rooted in pulp, myth, and the cyclical nature of violence between fathers and sons. In 2002, Sam Mendes reinterpreted that material into a prestige film, stripping away some of the broader mob mythology to focus on mood, visual storytelling, and emotional inheritance, with Tom Hanks recasting Michael Sullivan as a quiet, tragic enforcer rather than a hard-edged archetype. Both versions follow a hitman and his son on a road of revenge after betrayal within an Irish crime family, but they diverge in tone, structure, and purpose. Today on Comic Stripped, we’re examining how and why those changes were made—what was lost, what was gained, and how each version reflects its medium in telling a generational story about violence, identity, and whether anyone ever truly escapes the life they inherit.

    Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.

    Mark Radulich and his wacky podcast on all the things:
    https://linktr.ee/markkind76
    also
    https://www.teepublic.com/user/radulich-in-broadcasting-network
    FB Messenger: Mark Radulich LCSW
    Tiktok: @markradulich
    twitter: @MarkRadulich
    Instagram: markkind76
    RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
    Más Menos
    1 h y 11 m
  • Triple Feature: Swimming with Sharks/Suicide Kings/American Psycho

    Triple Feature: Swimming with Sharks/Suicide Kings/American Psycho
    Mar 27 2026
    Tonight we’re examining late-90s American cinema through a single corrosive lens—power as pathology—using Swimming with Sharks (1994), Suicide Kings (1997), and American Psycho (2000). George Huang’s indie Hollywood satire, born from his own assistant experience, pairs Kevin Spacey and Frank Whaley in a low-budget Sundance breakout that exposed abuse as industry currency. Peter O’Fallon’s Suicide Kings, riding the post-Pulp Fiction wave, assembles Christopher Walken, Denis Leary, and a crop of rising young actors in a contained, dialogue-driven crime piece that underperformed theatrically but grew on video. Mary Harron’s American Psycho, adapted from Bret Easton Ellis, retooled after multiple development shifts, cast Christian Bale in a career-defining role, and turned modest box office into lasting cultural capital. Together, these films document a moment when masculinity, ambition, and capitalism collapsed into performance, leaving a legacy that still shapes how film portrays power, status, and identity.

    Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.

    Mark Radulich and his wacky podcast on all the things:
    https://linktr.ee/markkind76
    also
    https://www.teepublic.com/user/radulich-in-broadcasting-network
    FB Messenger: Mark Radulich LCSW
    Tiktok: @markradulich
    twitter: @MarkRadulich
    Instagram: markkind76
    RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
    Más Menos
    1 h y 35 m
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