UNWATCHABLES welcomes back film critic and author Nathan Rabin to discuss one of the most bizarre and reviled so-called comedies of the 90’s. Dan Akroyd’s first and to date only directorial effort was a big-budget bomb that asked the burning question, “what if Chevy Chase starred in THE TEXAS CHAIN SAW MASSACRE?” It may not have been a question audiences were interested in, but it resulted in something so strange and off-putting that some consider it a cult classic: 1991’s NOTHING BUT TROUBLE.
Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus.

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UNWATCHABLES kicks off Season 5 with our pre-Oscars special, where we ask the question: are these the worst Best Picture winners? Both of these films caused controversy when they unexpectedly took home the statue, and both happen to be white liberal filmmakers’ attempts at healing racism in America. What could go wrong? We’ll discuss the Oscars in general, why these films won, and if either of them is actually the most embarrassing movie ever celebrated by the Academy. The nominees are: Paul Haggis’ 2004 ensemble drama CRASH, and Peter Farrelly’s 2018 buddy road movie GREEN BOOK.

Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus.

Unwatchables Patreon: ⁠⁠⁠⁠⁠⁠https://www.patreon.com/unwatchables⁠⁠⁠⁠⁠⁠

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Email: unwatchablespodcast@gmail.com

For today’s season finale, we're joined by author Caleb Bethea for possibly our longest-awaited episode. Ruggero Deodato's 1980 video nasty CANNIBAL HOLOCAUST is on the shortlist for the most controversial films ever made, from its onscreen animal cruelty to the widespread bans and obscenity charges following its release. We weigh in on whether it’s beneath or slightly above contempt, and how it looks next to a modern homage that tries recapturing that disgusting magic: Eli Roth's 2013 cannibal splatter film THE GREEN INFERNO.

You can find Caleb's book at https://maudlinhouse.net/author/caleb-bethea/

Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus.

Unwatchables Patreon: ⁠⁠⁠⁠⁠⁠https://www.patreon.com/unwatchables⁠⁠⁠⁠⁠⁠

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Email: unwatchablespodcast@gmail.com

Today we're joined by Anthony Crislip of Akron, Ohio's THE NIGHTLIGHT cinema for the vanity projects of the two most controversial broadcasters of the 90's. Both Howard Stern and Jerry Springer helped reinvent their respective mediums, whether for better or worse, but they only ventured onto the big screen once (and within one year of each other). We see if these *very* 90’s star vehicles are as unwatchable—or unlistenable--as the shows their stars hosted: Betty Thomas' 1997 Howard Stern biopic PRIVATE PARTS, and Neil Abramson's 1998 Jerry Springer comedy RINGMASTER.

You can find out more about The Nightlight at https://nightlightcinema.com

Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus.

Unwatchables Patreon: ⁠⁠⁠⁠⁠⁠https://www.patreon.com/unwatchables⁠⁠⁠⁠⁠⁠

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Email: unwatchablespodcast@gmail.com

Today we're joined by cartoonist Nathan Gelgud to tackle the most polarizing and some might say Unwatchable period of a legendary filmmaker's career. Jean-Luc Godard was one of the leading figures of the French New Wave, at least until he abandoned narrative filmmaking for experimental political films that alienated much of his audience. We'll be looking at two films from this most controversial of eras: 1967's political docu-fiction LA CHINOISE, and 1969's avant-garde documentary BRITISH SOUNDS.You can find more from Nathan at https://nathangelgud.com/

Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus.

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Email: unwatchablespodcast@gmail.com

UNWATCHABLES celebrates its 100th episode with film critic Mike D'Angelo, who joins us for two films about the ecstasy of agony. These movies are all about pain of the self-inflicted kind, one fiction and one non-fiction look at the line between self-harm and self-care: Kirby Dick's heart-rending, stomach-churning 1997 documentary SICK: THE LIFE AND DEATH OF BOB FLANAGAN, SUPERMASOCHIST, and Marina de Van's 2002 body-horror drama IN MY SKIN.You can find more from Mike at: https://letterboxd.com/gemko/

Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus.

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Email: unwatchablespodcast@gmail.com

On today’s Halloween special, we’re joined by author and visual artist Christopher Norris for two films that are decidedly NOT The Exorcist. William Friedkin's 1973 phenomenon inspired plenty of imitators, but few rode its coattails as closely as these: 1974's Italian-made knock-off BEYOND THE DOOR—a minor hit that was sued for copyright infringement—and John Boorman's official, infamously reviled 1977 sequel EXORCIST II: THE HERETIC.

You can find more from Chris, including his latest novel, at https://steakmtn.com/

Unwatchables is hosted by Marc Dottavio and Seth Troyer, produced by Tony Scarpitti, featuring artwork by Micah Kraus.

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Email: unwatchablespodcast@gmail.com

Today UNWATCHABLES goes Down Under for two grim Australian thrillers with the help of film critic Laura Venning. These films faced controversy for their upsetting depictions of brutal violence—in one case, the unsimulated kind—but that's nothing compared to what they say about human nature: Ted Kotcheff's 1971 psychological thriller WAKE IN FRIGHT, and Jennifer Kent's 2018 revenge Western THE NIGHTINGALE.