Season eight ends with what I hope will be a tradition--a Christmas party, with a few guests and a lot of music.

This week's guests include comic artist Peter Bagge, singer Judy Whitmore, and indie rock artist Hibou.

Bagge is coming to New Orleans in January for the Fan Expo, and I have been a fan dating back to his NYC punk days. He's best known for the comic Hate and the young-punks-in-love adventures of Buddy Bradley and his friends. Last year, he considered how they'd grow up in Hate Revisited.

While talking, we discussed his favorite Christmas music.

I also talked to vocalist Judy Whitmore, who has also been pilot Judy Whitmore, author Judy Whitmore, and ... I'll let her explain. Her album, Christmas, flies the flag for the classic aesthetics of Christmas music.

I also mention in the episode an article by April Clare Welsh at ChartMetric.com that quotes me in her piece on the way Christmas music is become sadder. Is that perhaps because the world is getting sadder?

I also featured new Christmas music from É Arenas, whose 2024 interview ran in full earlier this season. This year, he recorded a new song, "Go Santa Go," and included it with all of his holiday music on the new vinyl album, Yo Soy Tu Santa.

Earlier this year, I interviewed the indie pop artist Hibou for my non-Christmas website, My Spilt Milk, but while I had him on the line, I had to ask him about Christmas music as well.

Finally, I mentioned this year's Christmas Underground playlist and the streaming version of my own playlist.

This week’s episode features two interviews—one with Grammy-winning jazz saxophone player Miguel Zenón helping us appreciate the salsa Christmas classic Asalto Navideño by Willie Colón and Héctor Lavoe. Asalto Navideño was reissued on vinyl this holiday season by Craft Recordings.

The other is with music industry veterans Jonathan McHugh and Tamara Conniff, who worked together to produce A Life in Rhythm: The Ray Conniff Story about her father.

The episode also includes new Christmas music from Kristian Noel Pedersen, who appeared on the podcast earlier this season. You can find his new album, Bullshit & Gift Wrapping at his Bandcamp page.

In the episode, we also hear music from the late Raul Malo of The Mavericks. I wrote about the Mavericks’ return in 2013, but never got a chance to interview Malo, whose Marshmallow World & Other Favorites is a wonderful introduction to his charms as a singer.

The episode also includes “Two XMAS” by New Fools from the New Orleans indie Christmas compilation, A Strange Daisy Christmas.

If you’d like this year’s Christmas mix, email me at Alex@myspiltmilk.com. If you have a cool mix yourself, send it or a link over. I’d love to hear it.

We're in the last weeks before Christmas and I have more interviews than I can handle.

This week starts with a version of "Wonderful Christmas Time" by Twanguero before we get to my interview with Roland Gift, ex of Fine Young Cannibals. He talks about the way a new Chanel ad campaign with Dua Lipa and Blackpink's Jennie has introduced a new generation to the Fine Young Cannibals' "She Drives Me Crazy," and about FYC40, an compilation of the band's hits with a second disc of dance remixes.

Gift also mentions the video for "Everybody Knows it's Christmas."

I follow that with Ketch Secor and Morgan Jahnig from Old Crow Medicine Show, who this year released OCMS Xmas, their first Christmas album. There's a lot of good stuff in that conversation, more than we have time for in this episode, so I'll revisit it in its entirety next season.

Finally, I talk to Lorin Sklamberg of The Klezmatics about the reissue of their album, Woody Guthrie’s Happy Joyous Hanukkah, where they added music to lyrics written by Guthrie. Here too, there's more good stuff than we had time for, so I'll return to this next conversation next season as well.

One mea culpa: The most embarrassing moment of the season comes in conjunction with this interview because on Apple Music, the song I lead into the conversation with appears as "Ny Psycho Freylekhs." I pronounced it that way, then realized when I downloaded the song after the introduction had been recorded that it was "NY" as in "New York," not "Ny" as in the end is nigh. I never feel smart staggering through other languages, but I haven't felt as dumb as I did when I saw the proper spelling.

The episode ends with music by Haunted House Party from A Strange Daisy Christmas.