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Twelfth Night
- Arkangel Shakespeare
- Narrated by: Niamh Cusack, Jonathan Firth, Amanda Root, Dinsdale Landen, Julian Glover
- Length: 2 hrs and 11 mins
- Performance
- Release date: 05-09-14
- Language: English
- Publisher: Arkangel
Regular price: $13.96
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The sensitive and poetic Richard II is undoubtedly the rightful king of England but he is unscrupulous and weak. When his cousin Henry Bolingbroke returns from banishment and mounts a challenge to his authority, Richard's right to the throne proves of little help to him. Richard is forced to abdicate, but as his power is stripped away, he gains dignity and self-awareness, and he meets his death heroically.
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Brilliantly manipulative and entirely amoral, the hero-villain Richard is one of Shakespeare's greatest roles. The Yorkists have emerged victorious from the civil wars and Edward IV wears the English crown. But Edward's misshapen brother Richard harbors kingly ambitions and will stop at nothing to achieve the throne. In a fatal battle on Bosworth Field, Richard meets the ghosts of all whom he has murdered and the Earl of Richmond, the future King Henry VII.
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Chaos and confusion mount to a crescendo in a wild and fast-paced comedy of mistaken identity, one of Shakespeare's earliest plays. Young Antipholus of Syracuse is searching the world for his identical twin brother, separated from him at birth. With him is his servant Dromio, who lost his twin brother at the same time. The pair arrive in Ephesus where, unbeknownst to them, their twins are living.
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Mark Antony, one of the three rulers of the Roman world, has become the thrall of the fascinating Cleopatra. Affairs of state call him to Rome, but the attractions of the queen of Egypt prove impossible to resist. From one of history's greatest love stories Shakespeare builds this magnificent tragedy of the clash between love and duty.
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Immortal Longings
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Rebellion still simmers in England and King Henry's health is failing. Prince Hal has proved his courage but the king still fears that his son's pleasure-loving nature will bring the realm to ruin. Meanwhile, Falstaff and his ribald companions waste the nights in revelry, anticipating the moment when Hal will ascend the throne. Falstaff is in Gloucestershire when news arrives that the king has died. Has the dissolute old knight's hour come at last?
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Virtue is chok'd with foul ambition
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Publisher's Summary
Shakespeare's most sophisticated comedy is a riotous tale of hopelessly unrequited passions and mistaken identity. Duke Orsino is in love with the noblewoman Olivia. She, however, has fallen for his servant Cesario, who is actually Viola, a woman disguised as a man, who loves Orsino: Confusion is rife. Meanwhile, Olivia's arrogant steward Malvolio is cruelly tricked by her uncle Sir Toby Belch, his friend Sir Andrew Aguecheek, and the maidservant Maria into believing his mistress loves him.
Niamh Cusack is Viola, Jonathan Firth is Orsino, Amanda Root plays Olivia, Dinsdale Landen plays Sir Toby Belch, and Julian Glover is Malvolio.
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- Shiloah Baker
- North Carolina
- 06-28-15
Absolutely loved
I thought Hamlet was my favorite...nay! It is now Twelfth Night. Shakespeare was a genius.
6 of 6 people found this review helpful
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Overall3 out of 5 stars
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Performance4 out of 5 stars
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Story3 out of 5 stars
- Darwin8u
- Mesa, AZ, United States
- 08-24-17
If you be not mad, be gone
"If you be not mad, be gone; if you have reason, be brief."
- William Shakespeare, Twelfth Night
I liked it, but didn't love it.
Positives: I always like Shakespeare's gender benders. The Bard enjoys not playing characters straight. He doesn't want a love story or even a love triangle, Shakespeare wants to explore all the tangents, the lines, and the angles of love's many geometries. He is a great experimenter of the human soul. He is the Faraday of romance, unsatisfied until he has teased out all the attractions and repulsions possible.
Negatives: I'm not a fan of Shakespeare's musical comedies. I don't include A Midsummer Night's Dream on this list, because I consider that play to be one of Shakespeare's great LYRICAL plays (along with Richard II and Romeo and Juliet). Anyway, anytime Shakespeare's actors start singing and dancing, I want to use that time/space to grab a popcorn or pee. Just not my jam.
Favorite Lines:
"If music be the food of love, play on." (Act 1, Scene 1)
“Better a witty fool, than a foolish wit.” (Act 1, Scene 5)
“Well, God give them wisdom that have it; and those that are fools, let them use their talents.” (Act 1, Scene 5)
“Many a good hanging prevents a bad marriage.” (Act 1, Scene 5)
“Be not afraid of greatness. Some are born great, some achieve greatness, and others have greatness thrust upon them.” (Act 2, Scene 5)
“I say there is no darkness but ignorance.” (Act 4, Scene 2)
11 of 14 people found this review helpful
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Overall5 out of 5 stars
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Performance5 out of 5 stars
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Story5 out of 5 stars
- John
- 08-27-18
Only Shakespeare necessary
This is the only title one need read to understand the bulk of the work
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Overall5 out of 5 stars
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Performance5 out of 5 stars
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Story5 out of 5 stars
- Kristina Barr
- 04-27-17
Ahhh quality
I have loved this version of twelfth night since I was a little one. I will explore other works by this group!
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Overall5 out of 5 stars
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Performance5 out of 5 stars
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Story5 out of 5 stars
- Dan
- Lexington Park, MD, United States
- 02-03-17
Twelfth Night
The performance was EXCELLENT. One of the best Shakespeare ensembles I've heard to date. The Fool, Olivia, Andrew Aguecheek were all brilliant.
0 of 1 people found this review helpful
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Overall5 out of 5 stars
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Performance5 out of 5 stars
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Story5 out of 5 stars
- Mathew
- 03-08-18
The Bard
It's Shakespeare, of course it gets five stars! An excellent performance - not too slapstick, but in no way 'autumnal' like the Nunn film.