The Wind Is Not a River

De: Brian Payton

Narrado por: Mark Bramhall

April 1943. In the bloody turmoil of war, John Easley, a journalist mourning his lost brother, is driven to expose a hidden and growing conflict: the Japanese invasion and occupation of Alaska's Aleutian Islands. But when his plane is shot down he must either surrender or struggle to survive in a harsh wilderness.
Three thousand miles to the south, Helen Easley cannot accept her husband's disappearance-an absence that exposes her sheltered, untested life. Desperate to find and be reunited with him, she sets out on a remarkable journey from the safety of her Seattle home to the war in the north.
An evocative, richly atmospheric tale of life and death, commitment and sacrifice, The Wind Is Not a River, perfect for fans of Cold Mountain, is a gripping story of survival that illuminates the fragility of life and the fierce power of love.

'Beautifully written, lyrical and elegiac, The Wind Is Not A River is a novel you must read . . . John Easley's struggle to survive and his wife Helen's struggle to find him form the most triumphant and heartbreaking love story I've read in years' David Vann, author of LEGEND OF A SUICIDE

Reseñas de la Crítica

This is sweeping epic romance, wartorn drama: think Cold Mountain, think The English Patient . . .

Perfect storm of a wartime love story... The historical background of The Wind Is Not a River is well done; Payton has trained a spotlight on an obscure and not very creditable episode of US history, revealing the shabby treatment of the native Aleuts. But this is mainly a good old fashioned tear-jerker, written with beautiful clarity and feeling. It cries out to be a black and white 1940's movie, with a swirling score and Gary Cooper and Joan Fontaine in the leading role.

A haunting love story . . . engaging and unsettling . . . The novel vividly describes the Aleutians, an 1,100-mile-long chain of islands, that, Payton writes, 'dares to separate the North Pacific from the Bering Sea' . . . Payton writes some lovely sentences . . . The novel doesn't romanticize war. It emphasizes the brutality and utter confusion of battle. It also weaves in what happens to the native Aleutians - who call themselves Unangan, or 'original people' - forced by the U.S military into internment camps. Readers will be propelled by a desire to find out what happens to John and Helen. Be prepared for an unexpected twist. Along the way, readers will learn not just about a fascinating and largely forgotten slice of American history, but what it felt like to live through it.

During World War II, American soldiers stationed in the remote, windswept archipelago stretching for 1,100 miles west of the Alaskan mainland fought a secret war against Japanese invaders . . . In his gripping, meditative novel, Brian Payton explores this nearly forgotten chapter of American history . . . Stranded on Attu with the only other survivor of the crash, a young airman from Texas, [Easley] faces frostbite and starvation, not to mention the threat of capture by Japanese patrols . . .The borders between ingenuity and insanity, honor and murder, all blur as Easley comes face to face with the darkest parts of human nature in a place where "thin fog softens every edge and line." As the story opens out from Easley's desperate struggle for survival, Payton's larger theme emerges: People do what they have to do to survive, but what do they survive for? An act of kindness may be rewarded with death; inside every victory lies defeat. Sometimes circumstances force us to reimagine who we are and what we're capable of doing.

‘Payton knows how the brutality and horror of war scar the human spirit and the power and tenderness of love sustain it. In this lyric and deeply moving novel, he connects the two with imagination and brio. The Wind Is Not a River is a heart-stopping, heart-rending read’ Ellen Feldman, Orange Prize shortlisted author of Scotsboro, Next to Love and The Boy Who Loved Anne Frank

It was just okay

Any additional comments?

I'm always aware that these reviews are based on personal preferences, so I will say that the story didn't really inspire or move me. My first quibble was that the book was written in the present tense - it just felt awkward. The pace felt slow and I found that I didn't really care about the characters. I also didn't especially enjoy the narration. I was relieved when I reached the end.