The War for Late Night
When Leno Went Early and Television Went Crazy
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Narrado por:
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Sean Kenin
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De:
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Bill Carter
When NBC decided to move Jay Leno into prime time to make room for Conan O'Brien to host the Tonight show-a job he had been promised five years earlier-skeptics anticipated a train wreck for the ages. It took, in fact, only a few months for the dire predictions to come true. Leno's show, panned by critics, dragged down the ratings-and the profits-of NBC's affiliates, while ratings for Conan's new Tonight show plummeted to the lowest levels in history. Conan's collapse, meanwhile, opened an unexpected door of opportunity for rival David Letterman. What followed was a boisterous, angry, frequently hilarious public battle that had millions of astonished viewers glued to their sets. In The War for Late Night, New York Times reporter Bill Carter offers a detailed behind-the-scenes account of the events of the unforgettable 2009/2010 late-night season as all of its players- performers, producers, agents, and network executives-maneuvered to find footing amid the shifting tectonic plates of television culture.
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Praise for The War for Late Night
“Hugely entertaining...A suspenseful piece of business journalism.”—The New Yorker
“As thorough and detailed a story as he tells, Mr. Carter entertains us every step of the way, peppering the page with more rich comedic details than your average late-night monologue.”—The New York Times
“Makes last year’s battle royale seem far more interesting than the programs themselves.”—The Daily Beast
“A boisterous, two-timing, high-stakes drama about the business of comedy at a sinking TV network.”—Associated Press
“Hugely entertaining...A suspenseful piece of business journalism.”—The New Yorker
“As thorough and detailed a story as he tells, Mr. Carter entertains us every step of the way, peppering the page with more rich comedic details than your average late-night monologue.”—The New York Times
“Makes last year’s battle royale seem far more interesting than the programs themselves.”—The Daily Beast
“A boisterous, two-timing, high-stakes drama about the business of comedy at a sinking TV network.”—Associated Press
Las personas que vieron esto también vieron:
shoulda been there
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Excellent
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Amazing background
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Awesome retelling of the events!
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What's wonderful about Carter's talent is that every single character in this masterpiece is sympathetic. There are no villains of the piece... unless it's scarcity. The fact is that there is only one "Tonight" show slot. Only really room for three major contenders for a viable audience slice immediately after 11. And many more talented/balanced/nuanced human beings to manage and to fill the hole. Carter makes it clear that scarcity demands that choices be made. And the UN-chosen will always be disappointed along with his/her fans.
This is a story of achievement and disappointment. that really ought to be read as an allegory for things well beyond TV, entertainment, the inter-generational clash of cultures, and Late Night. The message and the vehicle are huge.Bill Carter turns the cool medium's competition over a tiny portal to millions of homes into a hot message.
So Cool It's Hot!
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