The Recognitions

De: William Gaddis

Narrado por: Nick Sullivan

Wyatt Gwyon's desire to forge is not driven by larceny but from love. Exactingly faithful to the spirit and letter of the Flemish masters, he produces uncannily accurate "originals" - pictures the painters themselves might have envied. In an age of counterfeit emotion and taste, the real and fake have become indistinguishable; yet Gwyon's forgeries reflect a truth that others cannot touch - cannot even recognize.

Contemporary life collapses the distinction between the "real" and the "virtual" worlds, and Gaddis' novel pre-empts our common obsessions by almost half a century. This novel tackles the blurring of perceptual boundaries. The Matrix and Blade Runner pale in comparison to this epic novel.

©1978 William Gaddis (P)2010 Audible, Inc.

It Might Not Be for Everyone, But I Was Ready

I've known of Gaddis and his writing for a very long time, but it was only recently that I acquired the "The Recognitions" on Audible. What a blast! I wish I had attempted it sooner, but something tells me I may not have had the reading chops before now. Nick Sullivan's performance may be the best I have ever listened to. As soon as I saw Mr. Sullivan was reading "JR" as well, I added it to my playlist.

Best to combine with physical copy of book

Stunning performance. Almost as great as his reading of J R.
The book is so intricate, it's probably best to also have a physical copy to follow along with. Also helpful to review Moore's summaries for each chapter.

Too long.

—It was…
—Too lo…
—Too long?
—Yes, it was… there are 4 more words required.
—Just long enou… it’s too long.

Breathtaking, Dizzying, Stimulating, Funny

This is not a perfect rendition of The Recognitions. All of the narration annoys when dialogue is absent- the actor sounds as though he is trying out for the Smart Ass's Encyclopedia. However, he plays all of the characters very distinctly and very respectably, and that is saying a lot as these are difficult, varied, and plentiful characters. The production is really 4 stars, but the book itself is a 5, and so great that I am giving the whole a 5 in the hopes you will read it. A lot of brilliant ideas float through "God cares as much for a moment as for an hour", "Do you think your Dutch masters never made bad pictures just because we have a few masterpieces passed down to us?", "How can I write a novel when I only know boys? Easy, I'll just do what Proust did and change half the boys names to girls", and so forth. Gaddiss perhaps more than any author is strengthened in the audiobook form because he writes in a stream of consciousness or a stream of reality where snippets of conversation come to you as if you were just sitting on the street, or walking through the novel. Don't dare try this book if you need very linear progression with distinct chapters and chronology like it was 7:45 am on October... and it was raining outside with a temperature of... you won't get any of that. One character asks another "Don't you ever wear a coat?" And that tells you it is winter now in this scene. No hero emerges either, though you expect it and wait for it. The novel feels drawn out near the end and is by no means perfect, but quite great and brilliant. Sadly overlooked, as was Gaddiss, though he fell to pure satire and snarkiness after this one book. For further reading see the Clementine Recognitions, The Golden Bough, and any other apocrophal early church writings. JR is much funnier but less rewarding and narrower in its reach.

Brilliant book, excellent rendering.

Gaddis is not easy and it is not surprising that some readers/listeners do not find his work worth the effort. For readers, like me, who do, there is simply nothing to match the richness and depth of Gaddis' novel(s). If you enjoyed David Foster Wallace's "Infinite Jest" or, e.g., James Joyce's "Ulysses", neither of which is easy but both of which offer a great deal of pleasure to those whose tastes lean in this direction, you will like "The Recognitions."

this narrator rules

book was good at some parts, others sucked. top notch reading, great variety of voices. I don't think I could've made it through this book w/out such great voice work, bringing the characters to life.

Mr. Gaddis' Opus

My first impulse was to just copy some old, obscure review of 'the Recognitions' and claim it as my own. Alas, even the reviewers, academics, and cult worshipers of the God of PoMo all seem at once thunderstruck AND intimidated by Gaddis' opus.

What I understood was brilliant, what I didn't understand is most likely obscene. This is not a novel for the casual beach read, although as I write this, I am on a beach...washing sand out of my ebbs and salt off my flow, so never mind.

I listened to this book.

Would you listen to The Recognitions again? Why?

Sure. It's a great story that's basically filled with character flaws so it's very funny and very human.

What other book might you compare The Recognitions to and why?

I don't know. It's unique. Perhaps "Women and Men" due to its quality and of being in the category of books with around 1000 pages.

Who was the most memorable character of The Recognitions and why?

The homosexual. He was the lynch pin and kept the gears of society going, just as it is in real life.

Any additional comments?

Is it just me, or did it seem to have a section that repeated itself? It's very likely I made a mistake.

What Story?

It’s not that I hated this book, it’s just that life is too short to listen for 50 hours to something that keeps going around in circles. It is a funny book, and an insightful book, and I actually enjoyed it in some ways, but it also wore me out trying to make sense of why there was so much detail that went nowhere. I made it for 18 hours and just felt like enough was enough. If you love this book, that is awesome. If you couldn’t hang in there for 50 hours, I’m with you. On to other things.

Hard to grasp

I can't believe persevered through it all. I was hard pressed to keep my attention focused. While it had very elegant and well structured sentences they seldom moved me.