The Other Half

De: Charlotte Vassell

Narrado por: Imogen Wilde, Michael Muyunda

You know how they live. This is how they die...

A STUNNING DEBUT FROM YOUR NEXT FAVORITE MYSTERY WRITER • Rupert's 30th birthday party is a black-tie dinner at the Kentish Town McDonald's—catered with cocaine and expensive champagne. The morning after, his girlfriend Clemmie is found murdered on Hampstead Heath, a single stiletto heel jutting from under a bush.

“A perfectly modern whodunnit.”—Harlan Coben, #1 New York Times bestselling author of I Will Find You

Who killed Clemmie? Was it the blithe, sociopathic boyfriend? His impossibly wealthy godmother? The gallery owner with whom Clemmie was having an affair? Or was it the result of something else entirely?

All the party-goers have alibis. Naturally. This investigation is going to be about aristocrats and Classics degrees, Instagram influencers and whose father knows who.

Or is it 'whom'? Detective Caius Beauchamp isn't sure. He's sharply dressed, smart, and thoroughly modern—he discovers Clemmie's body on his early morning jog. As he searches for the dark truth beneath the luxurious life of these London socialites, a wall of staggering wealth and privilege threatens to shut down his investigation before it's even begun. Can Caius peer through the tangled mess of connections in which the other half live—and die—before the case is wrenched from his hands? Bitingly funny, full of shocking twists, and all too familiar, The Other Half is a truly stunning debut.

©2023 Charlotte Vassell (P)2023 Random House Audio

Reseñas de la Crítica

“Vassell’s crackling debut skewers England’s current crop of gilded youth. . . . [Detective Caius Beauchamp's] search takes him through a web of overprivileged suspects on whom the detective casts a half-contemptuous, half-envious eye, and eventually delivers him to the doorstep of a murderous, elite conspiracy. Vassell gleefully plunges into the underbelly of 21st-century entitlement, creating vivid sketches of aimless young Londoners gorging on designer clothes and designer drugs. . . . A diamond-sharp satirical whodunit in the vein of Liane Moriarty.”—Publishers Weekly

“The Other Half is a perfectly modern whodunnit. The plot is as entertaining as its skewering of aristocracy is astute, and the characters feel real enough to walk off the page. I can’t wait to read Charlotte Vassell’s next book!”—Harlan Coben, #1 New York Times bestselling author of I Will Find You

"Imagine A Handful of Dust meets The Great Gatsby on a Northern Line tube to Kentish Town. That’s The Other Half by Charlotte Vassell, a crime thriller as sharp, witty and energetic as it is bitingly satirical. Vassell’s lively prose is utterly compelling and so stylish she can meld ancient Greece and 21st Century London without batting a Euclid. Reminded me of Waugh with every turn of the page. In The Other Half she might just have created a Vile Bodies for the Millennial generation."—Janice Hallett, internationally bestselling author of The Appeal and The Twyford Code

Great story, terrible narration

I found the story interesting - I confess I listened to it after her Edgar Award winning follow on, The In Crowd. But the male narrator mumbled - I had to keep turning up the volume and repeating sections. The In Crowd thankfully changed narrators!

fresh and compelling

I'm excited about this new author and can't wait for more. just downloaded her next book and I hope she's working on her third.

Michael Muyunda is amazing!

Good news for 2024: author Charlotte Vassell is releasing a follow-up to her debut “The Other Half”. I am ending my GR year with this astounding audio. I found this debut to be witty, clever, and a delightful page-turner.

Detective Caius Beachamp’s morning run is ruined when he finds the body of a young woman (why can’t murderers murder in buildings where the crime scene is limited, and evidence isn’t contaminated or is carried off by woodland creatures). He is ruminating about being dumped by his French girlfriend, Heloise and is on a self-improvement journey, hoping to get her back. Caius’s chapters are the enjoyment of the novel. His inner musings are deadpan hysterical. Caius leads a team of detectives, who are concerned about his need for self-improvement, yet simultaneously appreciate the benefits of such improvements. The banter between the detectives is hilarious and is why I eagerly anticipate her next installment.

Vassell structures her story by date, and then by the events witness by Caius and his team, with the other POV is from the different players in the drama of the dead woman.

It is Nell (Helena) Waddingham who begins the story, the night before Caius discovers the body of Clemmie O’Hara, the girlfriend of uber wealthy Rupert Beauchamp (no relation to Caius). Rupert is hosting his 30th birthday party at a London McDonalds where champagne and coke (not the drink) are served. Vassell is exquisite in showing how tone-deaf the uber wealthy can be. Clemmie is an influencer and photographer who worked at an art gallery. She is the girlfriend of the unlikeable and reprehensible character, Rupert. All these characters are exceedingly wealthy and very unlikable. It’s easy to root for the police. As Caius investigates, he finds Nell, a friend of both Rupert and Clemmie’s. Nell is not as wealthy and connected as the rest of the group, and she is the only endearing character of the friend group.

Clemmie worked with ancient art and antiquities which leads the detectives on some interesting field work. I learned a bit about Greek artifacts I’m happy to report. The detectives learned that art auctioneers have far more money for their coffee room.

The story is well paced and is a compulsive and satisfying story. I highly recommend it. Caius and his team unravel a complex story with a very interesting plot twist and the end.

I chose to listen to the audio, narrated by Michael Muyunda and Imogen Wilde. Muyunda’s performance of Caius made this audio such an enjoyable listen. I needed to adjust to his cadence, and once I did, I was rewarded in spades! Ms. Wilde was amazing as well.

terrible male narrator

The male narrator swallows his words and mumbles. The ends of sentences were often inaudible. I kept at it because the novel is very good, but the overall experience was frustrating. My recommendation: Just read the the hard copy or kindle version

Mumbling

I really wished I had gotten a physical copy of this one over the audio. The male narrator is very, very hard to understand and I had to essentially guess what was going on most of the time. Which is sad because the story is great!

Good book but hope they change narration.

Great story but the male narrator (there are two) didn’t really differentiate his voice between characters and it made difficult to follow. Since this is a series I hope they change him out with someone else for the next book coming out.

Interesting whodunit

Like others, struggled with clarity of the male narrator. He has a nice voice, but there was maybe something off with the recording quality.

you won't be able to understand the make narrator

I was enchanted by the first chapters spoken in the woman's voice--I actually saw this book in a bookshop and kept thinking about it so I got it on audiobook. I'll have to try purchasing the physical copy, because I returned this once. Not at all from the writing, but from the make performance. Compared to the woman, he sounds like he's whispering and the audio isn't as high a quality. Other people say it's his accent, but I just think he's talking SO quietly that he sounds muffled. I wish this was something I could listen to.

Hard to understand

Much of what Michael read was unintelligible. He swallowed parts of words and did not read clearly. This sort of mumbling made the plot hard to follow

Lags

This book had the raw ingredients of an interesting listen.
The summary and the book simply don’t match up.
It starts out in a way that is engaging enough but then it just jumps around from character to character so quickly with no clear distinction-no clarity as to who is doing what and with whom, why, etc.
This causes the story to just drag and become extremely garbled and confusing.
There is no way to follow the events, the characters, the timeline, it’s a mess.
A total letdown.
I could barely finish the 6th chapter and became so frustrated I had to put it down.
Without clarity, without explaining (on some level) exactly what our characters are thinking, feeling and having no outline, no plan or trajectory-there is no way to plot the story.
It’s almost stream of consciousness.
No.