What happens when Indigenous researchers respond to a Western museum calling a codex a "living ancestor"? In this season finale and our first episode entirely in Spanish, Dr. Omar Aguilar Sánchez, Mixtec archaeologist and founder of Colectivo Nchivi Ñuu Savi, and Mtro. Gibránn Becerra Álvarez, archaeologist and member of Voladores de Cuetzalan del Progreso, bring the voices that Part 1 was missing. They speak from their communities about codices as living heritage, rematriation, ongoing colonial processes, and why the definitions of "monument" and "cultural heritage" need to be rethought from the voices of the peoples themselves.
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¿Qué pasa cuando investigadores indígenas responden a un museo occidental que describe un códice como un "ancestro vivo"? En este final de temporada y nuestro primer episodio completamente en español, el Dr. Omar Aguilar Sánchez, arqueólogo mixteco, fundador y director del Colectivo Nchivi Ñuu Savi, y el Mtro. Gibránn Becerra Álvarez, arqueólogo e integrante de Voladores de Cuetzalan del Progreso, traen las voces que faltaban en la Parte 1. Nos hablan desde sus comunidades sobre los códices como patrimonio vivo, la rematriación, procesos coloniales vigentes, y por qué las definiciones de "monumento" y "patrimonio cultural" necesitan ser repensadas desde las voces de los pueblos.

Credits

Song Credits:

Melancholy Lull by Vital

Royalty Free Music: Bensound.com/royalty-free-music

License code: GHSG4LYAWYBKBEES

When does an artifact in a museum reach "monumental" status? In this episode, we're exploring the concept of belongings as monuments, primarily focusing on the Amoxtli Tezcatlipoca (or the Codex Fejérváry-Mayer) with Meghan Backhouse from National Museums Liverpool and José Sherwood, an expert on the amoxtli. This will be the first part as the second part will be with Nahua scholars conducted in the spanish language.

Credits

Song Credits:

Melancholy Lull by Vital

Royalty Free Music: Bensound.com/royalty-free-music

License code: GHSG4LYAWYBKBEES

What is creative extremism? Michelle Browder uses this phrase from Rev. Dr. Martin Luther King, Jr. to describe her work as both an artist and activist in Montgomery, Alabama. In this episode, Michelle tells us about her company, More Than Tours, as well as the Mothers of Gynecology monument that she created in protest of the J. Marion Sims statue.

Credits

Song Credits:

Melancholy Lull by Vital

Royalty Free Music: Bensound.com/royalty-free-music

License code: GHSG4LYAWYBKBEES