The Man From Beijing

De: Henning Mankell, Laurie Thompson - translator

Narrado por: Anna Bentinck

One cold January day the police are called to a sleepy little hamlet in the north of Sweden where they discover a savagely murdered man lying in the snow. As they begin their investigation they notice that the village seems eerily quiet and deserted. Going from house to house, looking for witnesses, they uncover a crime unprecedented in Swedish history.

When Judge Birgitta Roslin reads about the massacre, she realises that she has a family connection to one of the couples involved and decides to investigate. A nineteenth-century diary and a red silk ribbon found in the forest nearby are the only clues.

What Birgitta eventually uncovers leads her into an international web of corruption and a story of vengeance that stretches back over a hundred years, linking China and the USA of the 1860s with modern-day Beijing, Zimbabwe and Mozambique, and coming to a shocking climax in London's Chinatown.

The Man from Beijing is both a gripping and perceptive political thriller and a compelling detective story. It shows Henning Mankell at the height of his powers, handling a broad historical canvas and pressing international issues with his exceptional gifts for insight and chilling suspense.

Reseñas de la Crítica

The master of the Swedish crime thriller... a master modern storyteller. (Barry Forshaw)

Ambitious but flawed

The Man from Beijing opens with a compelling and gruesome scenario. This becomes the axis around which the narrative will rotate taking the listener all over the planet. Whilst the political, historical and social issues explored are ambitious and intriguing it’s the seemingly bewildering naiveté of the central character, Judge Bergitta Roslin, that distracts and dilutes an ambitious detective/political drama.
Weaving through the narrative an analysis of contemporary Chinese political and economic ambitions coupled with insights into what is still an inscrutable culture is deeply interesting.
Narrators Anna Bentnick’s performance is competent (her pronunciation of Swedish and English words and names is impressive) however she lacks authentic emotion leaving some dramatic and violent scenes oddly antiseptic.
Recommended though.