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The Lazarus Project
- Narrated by: Jefferson Mayes
- Length: 9 hrs and 3 mins
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Editorial Reviews
Aleksander Hemon's new book is like a family photo album that spans the last hundred years and covers two continents. It is the immigrant story of diaspora, displacement, and despair, but all handled with an irony that captures the poetry of the text much as a camera frames images.
The irony is heightened by the performance of Tony Award-winning actor Jefferson Mays, whose mannered, clipped delivery keeps events largely at arm's length (though paradoxically this treatment tends to reinforce the horror of the violent passages, where Hemon seems determined to make the reader viscerally experience the brutality of power used to oppress).
The story is based on the true case of the 1908 murder of a recently-arrived Jewish immigrant, Lazarus Averbuch, at the hands of Chicago's chief of police. Another imagined narrative is that of Sarajevo-born struggling author Bric and his grant-funded journey from Chicago through East Europe to trace the story of Averbuch in reverse. It is a strength of Hemon's writing that both voices the heartbroken, outcast sister in 1908 and the somewhat self-absorbed writer of a century later ring true, as do the descriptions of turn-of-the-century Chicago and the more dilapidated corners of modern Chernivtsi. Mays manages to make the transition between both time periods almost imperceptibly, which compliments the tale's meshing of the past and present.
But it is in Bric's narrative that the force of Hemon's tale comes through: the Lazarus project is about resurrection in more ways than one. As Lazarus' grieving sister must investigate her brother's past to make sense of his murder, Bric's journey unearths not only the bloody history of Europe's Jewish population the pogrom of Kishinev, Chicago's hostility towards immigrants but his own sense of self, his own identity as a man displaced from his country of birth and resituated in a depersonalizing western society. This tale is as much a story of belonging as a study of cultural rejection. Dafydd PhillipsPublisher's summary
On March 2, 1908, nineteen-year-old Lazarus Averbuch, a recent Jewish immigrant from Eastern Europe to Chicago, knocked on the front door of the house of George Shippy, the chief of Chicago police. When Shippy came to the door, Averbuch offered him what he said was an important letter. Instead of taking the letter, Shippy shot Averbuch twice, killing him. When Shippy released a statement casting Averbuch as a would-be anarchist assassin and agent of foreign political operatives, he all but set off a city and a country already simmering with ethnic and political tensions.
Now, in the twenty-first century, a young writer in Chicago, Brik, also from Eastern Europe, becomes obsessed with Lazarus's story-what really happened, and why? In order to understand Averbuch, Brik and his friend Rora-who overflows with stories of his life as a Sarajevo war photographer-retrace Averbuch's path across Eastern Europe, through a history of pogroms and poverty, and through a present-day landscape of cheap mafiosi and cheaper prostitutes. The stories of Averbuch and Brik become inextricably entwined, augmented by the photographs that Rora takes on their journey, creating a truly original, provocative, and entertaining novel that will confirm Hemon once and for all as one of the most dynamic and essential literary voices of our time.
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Overall
- Mary
- 04-26-09
I want my 1 book credit back
Could not have been more boring. A somewhat interesting parallel between current day terrorism and turn-of-the-century anarchism, but otherwise, this novel was a big yawn. I struggled to finish it. Maybe something was lost in the translation.
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- Lav Kozakijevic
- 04-07-19
Really, really good
This is a book I started reading in print, and after misplacing it I decided to finish it via Audible.
Although other reviews were not promising, I went forward with it. Narration is peculiar, which is something I got used to quickly and it actually turned to be excellent. The story is wonderfully written, and definitely recommendable.
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- ilya ginzburg
- 05-29-17
betwin migrations and imaginations
you feel it slamming between the past and the present as muslims and jews conect across centeries by the balkanik spirit of tragedy and hope
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- Chelsea Adams
- 04-02-17
Worth Listening to, but Purchase a Paper Copy
Who was your favorite character and why?
Rora is wonderfully bright and is the driving force behind the narrative.
Any additional comments?
The reader does a really good job at bringing the characters to life. The story itself is intriguing, and keeps you engaged. Having the book to look at the photographs while you follow along is well worth the purchase price, as the photographs are meant to be part of the book.
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Overall
- Jonelle
- 06-06-10
Never Finished It
Boring and tedious
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Aleksandar Hemon, author of The Question of Bruno, one of the most celebrated debuts in recent American fiction, returns with the mind- and language-bending adventures of hisendearing protagonist Jozef Pronek.
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Blew me away
- By Anonymous User on 09-19-23
By: Aleksandar Hemon
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The Question of Bruno
- By: Aleksandar Hemon
- Narrated by: Stefan Rudnicki, Gabrielle de Cuir, Vikas Adam
- Length: 7 hrs and 10 mins
- Unabridged
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Performance
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In this stylistically adventurous, brilliantly funny tour de force - the most highly acclaimed debut since Nathan Englander's - Aleksander Hemon writes of love and war, Sarajevo and America, with a skill and imagination that are breathtaking. A love affair is experienced in the blink of an eye as the Archduke Ferdinand watches his wife succumb to an assassin's bullet. An exiled writer, working in a sandwich shop in Chicago, adjusts to the absurdities of his life. Love letters from war-torn Sarajevo navigate the art of getting from point A to point B without being shot.
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Did I drop off a cliff?
- By Bokworm on 06-05-16
By: Aleksandar Hemon
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The Making of Zombie Wars
- A Novel
- By: Aleksandar Hemon
- Narrated by: Chris Patton
- Length: 8 hrs and 52 mins
- Unabridged
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Josh Levin is an aspiring screenwriter teaching ESL classes in Chicago. His laptop is full of ideas, but the only one to really take root is Zombie Wars. When Josh comes home to discover his landlord, an unhinged army vet, rifling through his dirty laundry, he decides to move in with his girlfriend, Kimmy. It's domestic bliss for a moment, but Josh becomes entangled with a student, a Bosnian woman named Ana, whose husband is jealous and violent. Disaster ensues, and as Josh's choices move from silly to profoundly absurd, The Making of Zombie Wars takes on real consequence.
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Not Recommended
- By R. Dubrow on 07-05-15
By: Aleksandar Hemon
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Destination: Void
- By: Frank Herbert
- Narrated by: Scott Brick
- Length: 9 hrs and 42 mins
- Unabridged
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Story
The starship Earthling, filled with thousands of hibernating colonists en route to a new world at Tau Ceti, is stranded beyond the solar system when the ship's three organic mental cores - disembodied human brains that control the vessel's functions - go insane. The emergency skeleton crew sees only one chance for survival: build an artificial consciousness in the Earthling's primary computer that can guide them to their destination - and hope it doesn't destroy the human race.
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For Devotees Mostly
- By John Strange on 07-25-15
By: Frank Herbert
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The Lazarus Project
- Someday, I Will Collect You Too
- By: Carrie Merrill
- Narrated by: Becky Parker
- Length: 10 hrs and 55 mins
- Unabridged
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In the afterglow, the grid vanished, and Ryan’s breath caught in her throat when she saw what remained. There was Jean, walking through her living room just as she had imagined her. Except, this woman was outlined in a halo of blue light—a hologram with every living detail that had been Jean—when she was alive.
By: Carrie Merrill
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