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Publisher's Summary

The Laws is the longest of Plato’s Dialogues and actually doesn’t feature Socrates at all - the principal figure taking the lead is the ‘Athenian Stranger’ who engages two older men in the discussion, Cleinias (from Crete) and Megillus (from Sparta). 

The Dialogue is set in Crete, and the three men embark on a pilgrimage from Knossus to the cave of Dicte, where, legend reports, Zeus was born. The topic under examination is the making of laws appropriate for a well-ordered city: having considered this in The Republic many years earlier, Plato is now taking a less idealistic view and presenting more practical and earthbound proposals, based on law rather than the philosopher-king. It is significant that each of the participants comes from a city with a different system of government: a democracy (Athenian Stranger), a monarchy (Crete) and an oligarchy (Sparta). 

The Laws is divided into 12 books. Though Socrates is not involved, it can be counted a Socratic Dialogue in terms of form and structure. The Athenian Stranger is played by Laurence Kennedy, with Hayward Morse as Cleinias and Sam Dale as Megillus. The translation is by Benjamin Jowett.

Public Domain (P)2018 Ukemi Productions Ltd

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Water taste textbook of very old genius

In Plato's text, there's one distinguished trait of artistic genius. I may say he's a geek. Specially when he say common wife rule in the Republic. But this text is written in his oldest age. The law is just mixture of ordinary common sense. That I say water taste. He's not a geek at all even in modern sense. That's real somewhat wonder. And that means the more you repeat listning this audiobook the less you tied in wired orthodox. Read this! Please say yes! We have to make less evil, less wired, less mad society by falling in this.

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  • Pavel Obolensky
  • 08-10-20

Incredible

The Laws is definitely not Plato's best work - it's nowhere near as insightful as the Republic - but it's still very interesting. And the narration is simply amazing. The actors are truly fantastic. The translation used in this audiobook is quite old, from the 19th century, but it doesn't hinder understanding, overall.

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  • Patrick Trompiz
  • 05-23-21

Surprisingly good listen

Definitely duller than early dialogues, and lacks the philosophical precision of middle dialogues, but gives much more insight into social and religious, even bureacratic, attitudes of Plato "himself" and his times. Easy enough to listen to on walks, well recorded by 3 actors (Plato weirdly gives 2 of them hardly anything to say.) Though neglected, shd be essential reading/listening for students of Ancient Greece and also very helpful in situating Greece among other ancient cultures, presenting one of a line of legal and religious "constitutions".