
The Late Show
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Narrado por:
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Katherine Moennig
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De:
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Michael Connelly
Acerca de esta escucha
A compelling thriller introducing a driven young detective trying to prove herself in the LAPD.
Renée Ballard works the night shift in Hollywood, beginning many investigations but finishing none as each morning she turns her cases over to day shift detectives. A once up-and-coming detective, she's been given this beat as punishment after filing a sexual harassment complaint against a supervisor. But one night she catches two cases she doesn't want to part with: the brutal beating of a prostitute left for dead in a parking lot and the killing of a young woman in a nightclub shooting.
Ballard is determined not to give up at dawn. Against orders and her own partner's wishes, she works both cases by day while maintaining her shift by night. As the cases entwine, they pull her closer to her own demons and the reason she won't give up her job - no matter what the department throws at her.
©2017 Hieronymous, Inc (P)2017 Hachette AudioLos oyentes también disfrutaron...
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Historia
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- Duración: 11 h y 36 m
- Versión completa
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General
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Narración:
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Historia
Haller is a Lincoln Lawyer, a criminal defense pro who operates out of the backseat of his Lincoln Town Car, to defend clients at the bottom of the legal food chain. It's no wonder that he is despised by cops, prosecutors, and even some of his own clients. But an investigator is murdered for getting too close to the truth and Haller quickly discovers that his search for innocence has taken him face to face with a kind of evil as pure as a flame.
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De: Michael Connelly
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The Poet
- De: Michael Connelly
- Narrado por: Buck Schirner
- Duración: 15 h y 24 m
- Versión completa
-
General
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Narración:
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Historia
Death is reporter Jack McEvoy's beat: his calling, his obsession. But this time, death brings McEvoy the story he never wanted to write - and the mystery he desperately needs to solve. A serial killer of unprecedented savagery and cunning is at large. His targets: homicide cops, each haunted by a murder case he couldn't crack. The killer's calling card: a quotation from the works of Edgar Allan Poe. His latest victim is McEvoy's own brother. And his last...may be McEvoy himself.
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Eleven Numbers
- A Short Story
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- Narrado por: James Anderson Foster
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- Versión completa
-
General
-
Narración:
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Historia
Nathan Tyler is an unassuming professor at a middling American university with a rather obscure specialty in mathematics—in short, a nobody from nowhere. So why is the White House calling? Summoned to Washington, DC, for a top-secret briefing, Nathan discovers that he’s the key to a massive foreign intelligence breakthrough. Reading between the lines of a cryptic series of equations, he could open a door straight into the heart of the Kremlin and change the global balance of power forever.
-
-
Wonderful
- De Or en 02-02-25
De: Lee Child
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Chasing the Dime: Booktrack Edition
- De: Michael Connelly
- Narrado por: Jonathan Davis
- Duración: 10 h y 23 m
- Versión completa
-
General
-
Narración:
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Historia
The messages waiting for Henry Pierce when he plugs in his new phone clearly aren't intended for him. They indicate something has gone terribly wrong for a woman named Lilly. Pierce probes, investigates, and then tumbles through a hole, leaving behind a life driven by work to track down and help a woman he's never met. Connelly's latest is "a grabber from the beginning...utterly compelling."
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De: Michael Connelly
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Angry auntie reading
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A very warm welcome to Renee Ballard!
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Love it
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This is gripping thriller though it can get classified as a police procedural. It has all the twist and turns which keep surprising you. The sub plots ensure that there is not one single minute when you are not gripped by the narrative. Wow. it was an awesome ride!
Wonderful
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I liked his introduction of a new female detective working the late shift, the story is decent and engaging throughout. But as an audio book it is made EXTREMELY DIFFICULT to get through because of reader Katherine Moennig.
I always shy away from blaming the person reading a novel, as I always find that even the lesser ones slowly pull me in as I get into their rhythm and style. However in this case it was made impossible because Moennig (despite her voice sounding pleasant and inviting) keeps reading everything mostly in the same tone. No matter whether it's speedy action or slow parts she rarely makes a change in her tone, and the worst part - what makes it near impossible to get through - is that she never does anything to make different characters sound different!
Now I'm not saying she should go into full blown parody and talk with a deep voice for one character, high pitch for another and so on, but as a performer - when reading dialogue between two or more people - you MUST do something, tiny audible traits that makes it possible to understand who is saying what.
Her constant lack of doing so created so many moments of confusion for me as listener, making focusing on the plot a difficult task when instead I'm stuck wondering which character is talking. It also made it difficult for me to ever get truly emgulfed in the story. The only exceptions are a few long sequences where the main character is alone with her thoughts.
It's a dang shame. I do not understand how the producer/director of this audiobook didn't stop and tell the narrator to do a better job. Hopefully it was a learning experience as the feedback comes in from disappointed listeners, but as things stand now, I will never again listen to anything performed by this reader, but more than anything it's the fault of whoever produced the recording. They should really know better!
Good story, bad narration
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The reader is clear and easy to follow. She seems to be a little new at the game: the text following a conversation takes on the emotion of the conversation itself. For example, if Connelly writes: "Do you really want to do this?" she said, Moennig will read the last two words as part of the question itself. Not that it distracts from the performance.
A nice Connelly
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Katherine Moennig is a fantastic reader
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Ok book with good story and terrible performance.
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Rene Ballard The Late Show
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